Theme or themes may refer to:
In Indo-European studies, a thematic vowel or theme vowel is the vowel *e or *o from ablaut placed before the ending of a Proto-Indo-European (PIE) word. Nouns, adjectives, and verbs in the Indo-European languages with this vowel are thematic, and those without it are athematic. Used more generally, a thematic vowel is any vowel found at the end of the stem of a word.
PIE verbs and nominals (nouns and adjectives) consist of three parts:
The thematic vowel, if present, occurs at the end of the suffix (which may include other vowels or consonants) and before the ending:
Athematic forms, by contrast, have a suffix ending in a consonant, or no suffix at all (or arguably a null suffix):
For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE: Athematic paradigms (inflection patterns) are more "irregular", exhibiting ablaut and mobile accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar. In the Anatolian languages, which were the earliest to split from PIE, thematic verbs are rare or absent. Furthermore, during late PIE and in the older daughter languages, a number of athematic forms were replaced by thematic ones, as in prehistoric Greek *thes- 'god' versus *thes-o- > Classical Greek θεός (theós).
The Family Way is a soundtrack recording composed by Paul McCartney, released in January 1967. The album is the soundtrack to the 1966 film of the same name, directed by Roy Boulting and starring Hayley Mills. Produced and arranged by George Martin, the album was credited to "The George Martin Orchestra" and issued under the full title The Family Way (Original Soundtrack Album). A 45rpm single, again credited to the George Martin Orchestra, was issued on 23 December 1966, comprising "Love in the Open Air" backed with "Theme From 'The Family Way'", as United Artists UP1165.
The Family Way won an Ivor Novello Award in 1967. It was remastered and released on CD in 1996 with new musical compositions not on the original 1967 soundtrack album.
The recording took place over November and December 1966, before the Beatles began work on their album Sgt. Pepper's Lonely Hearts Club Band. McCartney's involvement in the project was minimal, according to biographer Howard Sounes, who quotes Martin's recollection that he had to "pester Paul for the briefest scrap of a tune" with which to start writing the score. After McCartney had provided "a sweet little fragment of a waltz tune", Martin continued, "I was able to complete the score."
Ashoka is a Sanskrit word that literally means sorrow-less or without sorrow.
Ashok, Ashoka, or Aśoka as a person most frequently refers to Ashoka, a monarch of the Mauryan Empire of India.
Ashok or Ashoka may also refer to:
Aśhoka (Hindi: अशोक, Urdu: اشوک) is a 2001 Indian epic historical drama film directed and co-written by Santosh Sivan. It is a dramatised version of the early life of emperor Asoka, of the Maurya dynasty, who ruled most of the Indian subcontinent in the 3rd century BCE.
The film stars Shah Rukh Khan, Kareena Kapoor, Ajith Kumar, Danny Denzongpa and Hrishita Bhatt. It was produced by Shah Rukh Khan, Juhi Chawla and Radhika Sangoi. The screenplay was written by Santosh Sivan and Saket Chaudhary and the dialogue by Abbas Tyrewala. It was originally released as Ashoka The Great in India. The Tamil release title is Samrat Ashoka.
The film was widely screened across the United Kingdom and North America, and was also selected for screening at the Venice Film Festival and the Toronto International Film Festival, where it got positive response. However, the film failed to please both Indian critics and the audience alike and flopped at the box office.
The film chronicles the early part of the life of Emperor Asoka. It begins with his career as a General in Takshashila (modern-day Punjab) and ends with the bloody conquest of the Kalinga country (modern day Odisha State)
Sujata and Asoka were a pair of dancers specialising in performing Indian, Tibetan and various Oriental dances to Western audiences. They were Sujata, (3 February 1918 in Bombay, India – 2 January 1993 in Coconino County, Arizona) and Asoka Rubener (26 October 1910 in German Empire– 7 June 1997 in Yavapai County, Arizona).
Asoka studied dance in Europe under Harald Kreutzberg and later in Asia, eventually becoming a Buddhist. In 1939 whilst in India, in the Himalayas he was interned as an enemy alien by the British authorities from 1939-1944.
Sujata, a Christian, was born in Bombay and as a child moved with her family to the south of India. She began studying dance at the age of 10, eventually becoming a solo dancer. Sujata met her husband when they were both dancing in Mussoori in 1946; the two were married in 1947.
They made their first performance in the West in Paris, then made appearances in New York and Montreal.
In addition to their dancing performances, the two appeared in several Hollywood films and acted as technical advisers. Their final film appearance was together in Juliet of the Spirits (1965). They became American citizens in 1955.
Lagaan (English: Taxation) is a 2001 Indian epic sports-drama film written and directed by Ashutosh Gowariker. Aamir Khan, who was also the producer, stars with Gracy Singh in the lead roles; British actors Rachel Shelley and Paul Blackthorne play the supporting roles. Made on a then-unprecedented budget of ₹250 million (equivalent to ₹540 million or US$8.0 million in 2016), the film was shot in an ancient village near Bhuj, India.
The film is set in the Victorian period of India's colonial British Raj. The story revolves around a small village whose inhabitants, oppressed by high taxes, find themselves in an extraordinary situation as an arrogant officer challenges them to a game of cricket as a wager to avoid the taxes. The narrative spins around this situation as the villagers face the arduous task of learning the alien game and playing for a result that will change their village's destiny.
Lagaan received critical acclaim and awards at international film festivals, as well as many Indian film awards. It became the third Indian film to be nominated for the Academy Award for Best Foreign Language Film after Mother India (1957) and Salaam Bombay! (1988). It was one of the biggest box office hits of 2001. In 2010, the film was ranked No. 55 in Empire magazines "The 100 Best Films of World Cinema". In 2011, it was listed in Time magazine's special "The All-TIME 25 Best Sports Movies".