Asio is a genus of typical owls, or true owls, in the family Strigidae. The genus Asio contains the eared owls, which are characterised by feather tufts on the head which give the appearance of "ears". This group has representatives over most of the planet, and the short-eared owl is one of the most widespread of all bird species, breeding in Europe, Asia, North and South America, the Caribbean, Hawaii and the Galápagos Islands. Its geographic range extends to all continents except Antarctica and Australia.
These are medium-sized owls, 30–46 centimetres (12–18 in) in length with 80–103 centimetres (31–41 in) wingspans. They are long winged and have the characteristic facial disc.
The two northern species are partially migratory, moving south in winter from the northern parts of their range, or wandering nomadically in poor vole years in search of better food supplies. Tropical Asio owls are largely sedentary.
Asio owls are mainly nocturnal, but short-eared owls are also crepuscular. Most species nest on the ground, but the long-eared owl, Asio otus, nests in the old stick nests of crows, ravens and magpies (family Corvidae) and various hawks.
Asio is a genus of owls.
Asio or ASIO may also refer to:
Redgum was an Australian folk and political music group formed in Adelaide in 1975 by singer-songwriter John Schumann, Michael Atkinson on guitars/vocals and Verity Truman on flute/vocals; they were soon joined by Chris Timms on violin. All four had been students at Flinders University and together developed an intensely passionate and outspoken outlook. They are best known for their protest song exploring the impact of war in 1983's "I Was Only Nineteen (A Walk in the Light Green)", which peaked at #1 on the National singles charts. The song is in the Australasian Performing Right Association (APRA) list of Top 30 of All Time Best Australian Songs created in 2001.
Redgum also covered Australian consumer influences on surrounding nations in 1984's "I've Been To Bali Too", both hit singles were written by Schumann. "The Diamantina Drover", written by Timms' replacement, violinist/vocalist Hugh McDonald and "Poor Ned", written by Trevor Lucas of Fairport Convention, are examples of their bush songs. Lucas produced their best performed album, the June 1983 live LP Caught in the Act, which peaked at #3 on the National albums chart. Schumann left the band and pursued a solo career from 1986, Atkinson left in 1987 and Redgum finally disbanded in 1990.
White door, ninth floor, silent number, it's autumn on a cold avenue
Telex intercept, he sips a cigarette, warms up his V.D.U.
He gets his kicks from microchips, orders from the C.I.A.
Birobugs and lasers, casual surveillance, boardrooms and communiques
Don't use your phone and don't use mine
Don't speak treason, they're tapping the li-ine
Break-in, stake out, tell it in code
Everything is legal, anything goes
The nights gettin' darker and the ill wind blows
Your life's in a databank at ASIO
Trained in the ghettos of the Lebanon, truncheons and an M16
Selling skag, a U.N. flag, now he's trading in securities
Darwin rendezvous, a B-52, trenchcoat slightly creased
From a coup in Asia, A U.S. Air Force major
Buying dirty laundry, swearin' it's for peace
Infiltration, we'll never know
Just like Chile but the bruises don't show-ow
Break-in, stake out, tell it in code
Everything is legal, anything goes
The nights get darker and the ill wind blows
Your life's in a databank at ASIO
Spook behind the bar, unmarked car, rumour hangs like stale perfume
Flushing under beds, sniffin' out the Reds, nobody can feel immune
No names, no stress, no blame, no press
Clean when the dirty work's done
Allocate a budget, special branch thugs
Do it for the practice, do it for the fun
Midnight, flashlight, crash on the door
Rats on the table, blood on the floor-oor
Break-in, stake out, tell it in code
Everything is legal, anything goes
The nights get darker and the ill wind blows