Arthur "Artie" Pew, Jr. (March 26, 1898 – December 1, 1959) was a college football and basketball player.
Arthur Pew, Jr. was born on March 26, 1898 in Damascus, Georgia to Arthur Pew, Sr. and Bessie Harvey.
Pew was an All-Southerntackle for the Georgia Bulldogs of the University of Georgia. Pew was a member of teams which over two years did not lose to a single southern opponent. The line was strong, with 4 All-Southerns: Pew along with Bum Day, Puss Whelchel, and Owen Reynolds. Joe Bennett was there as well, and Jim Taylor was on the bench. Pew graduated early, and had expected to leave football a year before his eligibility was up. He changed his mind when a referee banished him unjustly in the Auburn game: "Just for that I'll be back next year," he told his Auburn aggressor, "and we will fight it out on the same field." He was also an outstanding placekicker. Pew was captain of the 1919 team. He made an all-time Georgia Bulldogs football team picked in 1935. He was nominated though not selected for an Associated Press All-Time Southeast 1869-1919 era team.
Artie is usually a shortened form of the given name Arthur. It may refer to:
This is a list of characters from the Pixar franchise Cars:
Lightning McQueen, often referred to as "McQueen", is the protagonist in the Cars film franchise. He is voiced by Owen Wilson and he is modeled after a 2006 Ford Scorpio NASCAR
Mack (voiced by John Ratzenberger) is a 1985 Mack Super-Liner bearing license plate "RUSTEZ3". A dedicated member of the Rust-eze Medicated Bumper Ointment Team, having the role of McQueen's transport, Mack pulls Lightning McQueen's trailer to his races. Lightning's one loyal team mate after his entire pit crew resigns in protest at the end of the season decider, he inadvertently sets up the predicament suffered by Lightning McQueen throughout the movie.
McQueen exhorts Mack to drive through the night to his tiebreaker race with Chick Hicks and The King in Los Angeles, despite federal DOT regulations which legally grant Mack ten hours daily of much-needed off-duty rest alongside "all those sleeping trucks" at the last truck stop on I-40. Lightning hopes to reach the venue first and to hang out with the Dinoco team. As a result, Mack falls asleep and, distracted by the Delinquent Road Hazards (who attempt to push him off the road to the shoulder), loses Lightning. Mack arrives in Radiator Springs after Doc reveals Lightning's location and is both very relieved ("Thank the manufacturer, you're alive!") and apologetic ("I'm so sorry I lost you, boss. I'll make it up to you..."). Lightning, who is glad to see him, forgives him.
Arthur "Artie" Maddicks is a fictional comic book character in Marvel Comics' shared universe, the Marvel Universe. He first appeared in X-Factor #2 (March 1986) and was created by Bob Layton and Jackson Guice.
Created by Bob Layton and Jackson Guice and appearing in X-Factor #2, as the mutant son of Dr. Carl Maddicks, Artie's characterisation was as a mute mutant whose father was trying to cure him. Upon his father's death, Artie became a ward of X-Factor appearing sporadically in the X-Titles in the mid to late 1980s. These included the first series of X-Factor and the New Mutants and appearing in a supporting role in the limited series, X-Terminators. He also was seen in titles that were affected by the Mutant Massacre such as Thor and Power Pack before his character fell into comicbook limbo with his appearances being limited and occasional.
In the mid-1990s, Artie resurfaced, alongside Leech, as a ward of Gene Nation in the pages of Generation X. How he came about being with Gene Nation has yet to be addressed. Later, he and Leech become wards and supporting cast members of Generation X, alongside Franklin Richards, who had become an "orphan" after the "death" of his parents. This led the three boys to star in their own limited comicbook series, Daydreamers, alongside Man-Thing and Tana Nile. After the Generation X title ended with issue #75, Artie fell into limbo again with his fate unclear.
A pew (/ˈpjuː/) is a long bench seat or enclosed box, used for seating members of a congregation or choir in a church or sometimes a courtroom.
By the 13th century, backless stone benches began to appear in English churches. They moved from the walls to the nave, then became fixed to the floor. Wooden benches replaced the stone ones from the 14th century and became common in the 15th.
Churches were not commonly furnished with permanent pews before the Protestant Reformation. The rise of the sermon as a central act of Christian worship, especially in Protestantism, made the pew a standard item of church furniture. In some churches, pews were installed at the expense of the congregants, and were their personal property; there was no general public seating in the church itself. In these churches, pew deeds recorded title to the pews, and were used to convey them. Pews were originally purchased from the church by their owners under this system, and the purchase price of the pews went to the costs of building the church. When the pews were privately owned, their owners sometimes enclosed them in lockable pew boxes, and the ownership of pews was sometimes controversial, as in the case of B. T. Roberts: a notice that the pews were to be free in perpetuity was sometimes erected as a condition of building grants.
A pew is a long bench seat used for seating members of a congregation or choir in a church.
Pew may also refer to:
Treasure Island is an adventure novel by Scottish author Robert Louis Stevenson, narrating a tale of "buccaneers and buried gold". It was originally serialized in the children's magazine Young Folks between 1881 and 1882 under the title Treasure Island, or the mutiny of the Hispaniola, credited to the pseudonym "Captain George North". It was first published as a book on 14 November 1883 by Cassell & Co.
Treasure Island is traditionally considered a coming-of-age story, and is noted for its atmosphere, characters, and action. It is also noted as a wry commentary on the ambiguity of morality—as seen in Long John Silver—unusual for children's literature. It is one of the most frequently dramatized of all novels. Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.
An old sailor, calling himself "the captain"—real name "Billy" Bones—comes to lodge at the Admiral Benbow Inn on the west English coast during the mid-1700s, paying the innkeeper's son, Jim Hawkins, a few pennies to keep a lookout for a one-legged "seafaring man." A seaman with intact legs shows up, frightening Billy—who drinks far too much rum—into a stroke, and Billy tells Jim that his former shipmates covet the contents of his sea chest. After a visit from yet another man, Billy has another stroke and dies; Jim and his mother (his father has also died just a few days before) unlock the sea chest, finding some money, a journal, and a map. The local physician, Dr. Livesey, deduces that the map is of an island where a deceased pirate—Captain Flint—buried a vast treasure. The district squire, Trelawney, proposes buying a ship and going after the treasure, taking Livesey as ship's doctor and Jim as cabin boy.
Even your grandma and your grandad
Distant relatives you never knew you had, never kept tabs
To their far-fetched friends either ends of the map
Whatever goes, everybody knows that
And all the party crowd, every week they turn it out
They work their fingers to the bone, they deserve it now
And when the big tune drops hear the floor shout
When we get the call out, we all out
According to the people
The people that resemble
Disciples of the temple
We're all going to hell
We're all going to hell
We're all going to hell
We're all going to hell
We'll be joined by agnostic and atheists
And loop cuckoo cults across the Earth's radius
The brightest of the bright will be coupled with the shadiest
Workaholics condemned to pens with the laziest
The passive and the ropable, no hoper and the
Notable, forgettable and uh, the quotable
The centre of attention to barely audible
Not even any privileges for the laudable
What Ben Lee meant, with we're all in this together
On the high road to hell we're birds of a feather
Nothing can unite us like endeavours to the nether
Bureaucrats lobbying Lucifer with a letter
I swear that satan will get sick of it quick
Leavin the evilest of evil even thinking to quite
To the tune of Kenny G playin saxophone licks
Thinking hell has really gone to ish
According to the people
The people that resemble
Disciples of the temple
We're all going to hell
We're all going to hell
We're all going to hell
We're all going to hell
The Gallagher brothers are hanging with the brothers Grimm
Church choir mingling with them that never sung a hymn
The pope and all the endlessly devoted under him, fellas
That lived to the fullest to them that died wondering
And all the underlings/ up to the chief
Execs, the celibates that never had great sex
Are getting cosy with the X X X, the devil accepts all
Creatures great and small (yes he will take your call)
Booking agent, label rep and manager
Professional promoters hard to pick from amateurs
They hard to pick from anarchists who're hard to pick
From lawyers that are lining up for damages (isn't it all fabulous!)
Whatever happened to happily ever after
Obama and Bin Laden, gathering clouds darken
It's not the way it was supposed to be
“don't stand so close to me”
Everybody c'mon
All in the fold
I see a bright
Future for all
Everybody c'mon
All in the fold
I see a bright
Future for all
We're all goin to hell
We're all goin to hell
We're all goin to hell