Early Netherlandish painting refers to the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Tournai and Brussels. Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568. Early Netherlandish painting coincides with the Early and High Italian Renaissance but is seen as an independent artistic culture, separate from the Renaissance humanism that characterised developments in Italy. Because these painters represent the culmination of the northern European medieval artistic heritage and the incorporation of Renaissance ideals, they are sometimes categorised as belonging to both the Early Renaissance and Late Gothic.
Ars nova (Latin: new art) refers to a musical style which flourished in France and the Burgundian Low Countries in the Late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of the composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the 14th century. For instance "Italian ars nova" is sometimes used to denote the music of Francesco and his compatriots; however, Trecento music is the more common term for music in Italy). The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae (New Technique of Music) (c. 1320) by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today (c. 1322). However, the term was only first used to describe an historical era by Johannes Wolf in 1904.
The term "ars nova" is often used in juxtaposition to another term, "ars antiqua", which refers to the music of the immediately preceding age, usually extending back to take in the period of Notre Dame polyphony (therefore covering the period from about 1170 to 1320). Roughly, then, the "ars antiqua" is the music of the thirteenth century, and the "ars nova" the music of the fourteenth; many music histories use the terms in this more general sense.
Ars nova is a late medieval musical stylistic period, centered in France.
Ars nova may also refer to:
Ars Nova is a Japanese progressive rock band. The current members are Keiko Kumagai (keyboards), Shinko "Panky" Shibata (bass guitar), Hazime (drums) and Satoshi Handa (guitar).
Ars Nova's music features keyboards heavily—this was particularly true between 1998 and 2003 when the band had two keyboard players. Common sounds include the ubiquitous Hammond organ, as well as more recent digital sounds. Almost all of their music is instrumental.
The band's musical influences are ELP, Goblin, PFM, Rick Wakeman, Balletto di Bronzo and classical music. Kumagai, the keyboard player, writes all of the band's compositions. She has played on the Ayreon album Universal Migrator part two: Flight of the Migrator. For much of its history (until Hazime and more recently Handa joined), the band was all-female, unusual in the world of progressive rock.
Ars Nova was formed in 1983 by Kyoko Kanazawa (bass guitar), Keiko Thubata (keyboards) and Yumiko Saito (drums). The band covered bands such as ELP and Trace. In 1986, Thubata left the band. Keiko Kumagai replaced her and played two gigs with the band before leaving for personal reasons.