Remix is a Danish 2008 feature film directed by Martin Hagbjer starring Micky Skeel Hansen as a 16-year-old pop singer Ruben. Remix is inspired by the true story of Danish pop idol Jon Gade Nørgaard known by the mononym Jon. Jon was also the subject of the documentary feature film Solo released in 2007. The film was released on January 25, 2008.
Ruben (played by Micky Skeel Hansen), an aspiring young man is offered a record contract by the music executive Tanya (portrayed by Camilla Bendix). The film, which co-stars Jakob Cedergren, Sofie Lassen-Kahlke, Henrik Prip and Anette Støvelbæk, follows Ruben's fall from grace in the hands of the music industry.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
Bass or Basses may refer to:
Bassé is a town in the Bourzanga Department of Bam Province in northern Burkina Faso. It has a population of 2,138.
Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.
Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."
Arise is the fourth studio album by Brazilian heavy metal band Sepultura, released in 1991 by Roadrunner Records. Upon its release, the album received top reviews from heavy metal magazines such as Rock Hard, Kerrang! and Metal Forces.Arise is considered Sepultura's finest hour among longtime fans. While the music on Arise was mostly in the same death/thrash style as their previous album, Beneath the Remains, it was clear that the Sepultura sound was acquiring an experimental edge.
The album presented their first incursions with industrial music, hardcore punk and Latin percussion. The tour (1991–1992) that supported the album was the group's longest at that time, totalling 220 shows in 39 different countries. During this trek, the album went gold in Indonesia—the band's first music industry certification. By the tour's end, Arise had achieved platinum sales worldwide.
In August 1990, the band travelled to Florida to work on the album. Scott Burns reprised his role as producer and audio engineer, and now with a major advantage: Sepultura were at his home studio, Morrisound, a studio properly equipped to record their music style. Their label Roadrunner granted a $40,000 budget, which helped explain the album's improved production values. That allowed Igor and Burns, for example, to spend a whole week just testing the drum kit's tunings and experimenting with microphone practice.