An aria (Italian for air; plural: arie or arias in common usage) in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment. Perhaps the most common context for arias is opera, although there are many arias that form movements of oratorios and cantatas. Composers also wrote concert arias, which are not part of any larger work, such as "Ah perfido" by Beethoven, and a number of concert arias by Mozart, such as "Conservati fedele".
The aria first appeared in the 14th century when it signified a manner or style of singing or playing. Aria could also mean a melodic scheme (motif) or pattern for singing a poetic pattern, such as a sonnet. It was also attached to instrumental music, though this is no longer the case. Over time, arias evolved from simple melodies into a structured form. In the 17th century, the aria was written in ternary form (A–B–A); these arias were known as da capo arias. The aria later "invaded" the opera repertoire with its many sub-species (Aria cantabile, Aria agitata, Aria di bravura, and so on). By the mid-19th century, many operas became a sequence of arias, reducing the space left for recitative, while other operas (for instance those by Wagner) were entirely through-composed, with no section being readily identifiable as a self-contained aria.
An arietta is a short aria.
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Wikisource has the text of the 1911 Encyclopædia Britannica article Aria. |
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Arieş (Hungarian: Aranyos) may refer to several entities in Romania:
Arie (Russian:"Арье") is a 2004 Russian film by Roman Kachanov, a story of Russian and Jewish life.
Izrael (Izia) Arie, a Lithuanian Jew and a world-renowned Moscow heart surgeon, learns that he has only six months to live because of pancreatic cancer. He retires immediately and sets out to find his first love, Sonia Schworz, with whom he shared an attic on a Lithuanian farm while hiding from the Nazis for a large part of World War Two. Their re-union takes place in Israel, where Sonia settled after the war. Although the couple has not seen each other for sixty years, it turns out that in the meantime they have been following similar life paths, not unlike twins separated at birth. Both have achieved enviable prosperity and enjoy the company of much younger bedfellows. To get these youngsters out of the way, Sonia unceremoniously dumps her lover Chaim, while Izia's pregnant wife Olga is quickly persuaded to marry Sonia's grandson Yossi.
If you had a room, he'd paint it white,
survives the day, prefers the night,
build sight.
Got a head for figures,
no time for bickers,
(or so he says,)
prefers the company of a woman.
Finds it more physical,
(that's an important word,)
always seen first then heard,
such a rare bird.
With praise he glows,
with change he grows,
finds that important,
hates waiting, it's not stimulating,
likes celebrating,
I can't understand why that is so funny,