Arena (band)

Arena are a British neo-progressive rock musical group.

History

Arena was founded in 1995 by Clive Nolan keyboardist of Pendragon and Shadowland, and Mick Pointer, the original drummer of Marillion, his tenure lasting from 1979 until 1983. The other founding members of the band were guitarist Keith More, vocalist John Carson, and bassist Cliff Orsi. Orsi was replaced by John Jowitt (of IQ) in the band's inaugural year, whilst Carson and More left the band in 1996 and 1997, and were replaced by Paul Wrightson and John Mitchell (of Frost*) respectively. Both Jowitt and Wrightson left the band in 1998, to be replaced by Ian Salmon and Rob Sowden, creating the band's most stable lineup to date (from 1998 until 2010). This lineup came to an end with Paul Manzi replacing Sowden in 2010. In 2011, Jowitt rejoined the band to replace the departing Salmon, leaving again in 2014 and being replaced by Kylan Amos.

Most of the band's lyrics are written by Nolan, though Pointer contributed lyrics to Sirens and other tracks on the first two albums.

Arena (Australian publishing co-operative)

Arena is an independent Australian radical and critical publishing group. It has been publishing continuously since 1963. Currently, its principal publications are the political and cultural Arena Magazine (6 times per year), and the twice-yearly theoretical publication Arena Journal. Their concerns initially found expression in the practical and theoretical quarterly, Arena, which ran from 1963 to 1992 and was then transformed into the two different publications that continue today.

Though the quarterly Arena commenced as a New Left magazine with a commitment to extending Marxist approaches by developing an account of intellectual practices, its subsequent debates and theoretical work, and engagements with critical theory, media theory, post-structuralism and postmodernism, have led it to develop an approach known as the 'constitutive abstraction' approach. This is connected to an associated lineage of engaged theory. All of these are underpinned by a preoccupation with the questions of social abstraction, including the abstraction of intellectual practices. They include a special emphasis on the cultural and social contradictions of globalised hi-tech society, which the Arena editors took to be misrepresented within prevailing media theory and post-structuralism.

Arena (Todd Rundgren album)

Arena is an album by rock musician Todd Rundgren that was released in 2008.

Like several of his earlier albums, this was entirely a solo effort, with Rundgren playing all the instruments. In contrast to his earlier albums, he produced this album entirely on an Apple laptop computer using Propellerhead's Reason software for composition and Sonoma Wire Works' RiffWorks for recording. All audio processing was done with software tools as well, except for a Line 6 Toneport guitar input box.

Track listing

  • "Mad" – 3:35
  • "Afraid" – 4:52
  • "Mercenary" – 4:02
  • "Gun" – 3:54
  • "Courage" – 3:44
  • "Weakness" – 5:15
  • "Strike" – 3:29
  • "Pissin" – 4:39
  • "Today" – 5:22
  • "Bardo" – 6:13
  • "Mountaintop" – 4:18
  • "Panic" – 3:11
  • "Manup" – 4:00
  • References

    Arena (1989 film)

    Arena is a 1989 American science fiction film directed by Peter Manoogian and starring Paul Satterfield and Claudia Christian. Set in 4038, Satterfield plays Steve Armstrong, the first human in 50 years to compete in the intergalactic boxing sport called simply "The Arena". The film was produced by Irwin Yablans and features original music by Richard Band.

    Plot

    Steve Armstrong (Paul Satterfield) is working as a short order cook on a space station somewhere in the galaxy. Overwhelmed by the volume of orders, he repeatedly fouls up and soon finds himself in a confrontation with an alien patron named Fang. After a fight which smashes up the diner and leaves the alien injured, Steve and his friend and co-worker Shorty (Hamilton Camp) are fired. As it turns out, Fang is an Arena fighter, and his manager Quinn (Claudia Christian) confronts Steve. Amazed that a human could beat one of her best fighters, Quinn offers him a contract, but convinced that humans no longer have a place in the Arena, Steve refuses, intending to make his way back to Earth.

    +/- (band)

    +/-, or Plus/Minus, is an American indietronic band formed in 2001. The band makes use of both electronic and traditional instruments, and has sought to use electronics to recreate traditional indie rock song forms and instrumental structures. The group has released two albums on each of the American indie labels Teenbeat Records and Absolutely Kosher, and their track "All I do" was prominently featured in the soundtrack for the major film Wicker Park. The group has developed a devoted following in Japan and Taiwan, and has toured there frequently. Although many artists append bonus tracks onto the end of Japanese album releases to discourage purchasers from buying cheaper US import versions, the overseas versions of +/- albums are usually quite different from the US versions - tracklists can be rearranged, artwork with noticeable changes is used, and tracks from the US version can be replaced as well as augmented by bonus tracks.

    History

    Bandō

    Bandō may refer to:

    People

  • Eiji Bandō, Japanese entertainer/sportsman
  • Naoki Bandō, Japanese voice actor
  • Japanese surname, especially among Kabuki actors, such as:
  • Bandō Kakitsu I (1847–1893), Japanese kabuki actor of the Uzaemon acting lineage
  • Bandō Shūka I
  • Bandō Tamasaburō
  • Bandō Tamasaburō V
  • Bandō Mitsugorō III
  • Bandō Mitsugorō VIII
  • Bandō Mitsugorō X
  • Other

  • an alternate name for Kantō region
  • Bandō, Ibaraki, a city
  • Bandō Prisoner of War camp
  • Bandō Station, a train station in Naruto, Tokushima Prefecture, Japan
  • See also

    Bando (disambiguation)

    Band society

    A band society is the simplest form of human society. A band generally consists of a small kin group, no larger than an extended family or clan; one definition sees a band as consisting of no more than 100 individuals.

    Characteristics

    Bands have a loose organization. Their power structure is often egalitarian and has informal leadership; the older members of the band generally are looked to for guidance and advice, and decisions are often made on a consensus basis, but there are no written laws and none of the specialised coercive roles (e.g., police) typically seen in more complex societies. Bands' customs are almost always transmitted orally. Formal social institutions are few or non-existent. Religion is generally based on family tradition, individual experience, or counsel from a shaman. All known band societies hunt and gather to obtain their subsistence.

    Definitions and distinctions

    In his 1972 study, The Notion of the Tribe, Morton Fried defined bands as small, mobile, and fluid social formations with weak leadership that do not generate surpluses, pay taxes nor support a standing army.

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