Nicki is a given name, and may refer to:
In film and television:
In other fields:
One Tree Hill is an American television series created by Mark Schwahn for The WB in 2003. After its third season, The WB and UPN merged to form The CW, which then became the broadcaster for the show in the United States. Schwahn served as executive producer while also writing and directing for the show, including the premieres and finales of all seasons.
The show began with nine main characters in its first season. After that, characters from that first season left the show, with new main characters having been both written in and out of the series. Originally, it followed two half-brothers Lucas and Nathan Scott who started out as enemies but later formed a close bond as brothers. It also followed the brothers' various relationships with other female leads during their high-school years and in their early twenties. The series ultimately spanned nearly fifteen years across nine seasons, with various time jumps taken into account.
Chad Michael Murray was the first person to be cast for One Tree Hill. The producers were originally unsure as to who Murray would play. Series creator Mark Schwahn wanted him to play the character of Nathan Scott since Murray had played a bad guy several times before, he felt it was only natural to give him this role. Murray, however, wanted to portray Lucas due to a connection he felt with the character. He felt that he could inhabit the character as the two share several similarities. Murray's mother left him when he was young, and Lucas was abandoned by his father. Murray's passion for the role led the producers to cast him as Lucas. Murray had turned down the lead role of Ryan Atwood in The O.C. to accept the role of Lucas Scott.James Lafferty was later cast in the role of Nathan as he was a great basketball player.
Nicki (born Doris Andrea Hrda on November 2, 1966 in the town of Plattling (in the Deggendorf district of Bavaria, Germany) is a German pop singer and composer. She currently lives with her life partner and their two daughters in Plattling.
Hrda grew up with three brothers and two sisters in Plattling. In 1982, she was at a talent competition when producer/songwriter Gog Seidl discovered her and signed her to a record contract. Her stage name of "Nicki" was thought up by pop star Sandra (of Enigma fame).
In 1983, she released her first single, Servus, mach's gut, a hit in the Bavarian dialect. Shortly after, in 1984, she released her first full-length album, Servus Nicki. Throughout her singing career, Nicki remained loyal to the Bavarian dialect. She had numerous other titles with great success, including So a Wunder, Wegen Dir, Mei Schönster Traum, I Bin a Bayerisches Cowgirl, Samstag Nacht, Doch die Zeit Bleibt Steh'n, and Du Bist in Meiner Macht.
The musical range of the 4'11" singer includes styles like rock, calypso, Motown - Soul, Synthpop and even country music. Nicki's biggest hits were composed by Harald Steinhauer, with lyrics by Helmut Frey.
Apology or apologise may refer to:
Apology (1871–1888) was a British Thoroughbred racemare who was the third winner of the Fillies' Triple Crown, winning the Epsom Oaks, 1,000 Guineas Stakes and St. Leger Stakes in 1874. Apology was bred and owned by the Reverend John William King, the vicar of Ashby de la Launde, whose ownership of the mare caused a minor scandal in the Church after Apology won the St. Leger Stakes. King ultimately had to resign his clerical appointments due to the scandal and died shortly thereafter of a chronic illness. Apology raced until she was five years old, winning the Ascot Gold Cup in 1876. She was retired from racing at the end of 1876 to become a broodmare initially for the widow of John King, and then for Clare Vyner. Apology was euthanised in 1888 after an extended illness.
Apology was bred by the Reverend John William King, who owned her during her racing career. King was the vicar of Ashby de la Launde and had inherited his father Colonel Neville King's Thoroughbred stud and racing stables at the death of his elder brother. Rev. King lived at Ashby Hall in Lincolnshire and raced his horses under the nom de course "Mr. Launde" from 1861 until his death in 1875.
The Apology (in full Apology of Socrates to the jury; Greek: Ἀπολογία Σωκράτους πρὸς τοὺς Δικαστάς) is a Socratic dialogue by Xenophon, a student of Socrates. It recounts Socrates' self-defense at his trial and execution, focusing prominently on his view that it was better to die before senility set in than to escape execution by humbling himself before an unjust persecution. It is the only surviving primary account of the trial other than Plato's Apology.
Specialists believe that Xenophon's interpretation of the trial was written in response to a widespread literary reaction following the trial, where Athenian public figures and authors used the theme of Socrates's trial to state their views on his guilt. Xenophon presents his account as being the only one of them that made Socrates' "boastful manner of speaking" (megalēgoria) at the trial understandable. Xenophon was away at the time of the events, involved in the events of the march of the Ten Thousand. He cites Hermogenes as his source for the factual elements of Socrates' speech. It is probable that Hermogenes had indeed witnessed the trial: although Plato's Apology does not mention his presence, his Phaedo lists Hermogenes among those who were present at Socrates' death.
BAT BOY: I'm sorry, friend, I have to.
I know, I know, it's rude
I shouldn't work my problems out with food.
I'm sorry pal, I've got to.
It's either me or you. Fight or be beaten!
Eat or be eaten! Look what it makes me do.
It's stronger than it was and this is what the bat child does.
Deep in the cave under miles of stone, I knew no word for sad.
Singing to echoes and all alone, needed no mom or dad.
I'd never dreamed of the world above; I'd never seen the sky.
And yet I was content; I never wondered why.
I never knew such a word as rage. I learned that from you.
You locked your boy up inside a cage, and all the while you knew.
Why bother giving me dad's old shirt, why even intervene?
Why bother washing off all the dirt, if I am still unclean?
You said you'd never hurt me, mom, whatever might occur!
So: How could you dare, mom,
Make me "aware", mom,
Teach me to care, mom,
and then deny me her!
We had a chance at happiness, blissfully unaware...
We had a love we thought you'd bless, we didn't have a prayer.
'Cause you had to come destroy our love
Like everything else I had!
Yet still I am content and I am not the least bit mad...
No, I'm not here to harm you; I only want to KILL!
You shall have your monster- I shall drink my fill!
At last I am embracing my bloody destiny!
Dear mom and dad, this face will be
The last thing that you ever see!
Revenge will be a home for me
For me
For me
For ME!
FINALE: I Imagine You're Upset/I Am Not A Boy
TOWNSFOLK: Adlibs and gestures. "Kill the freak!"
BAT BOY: How could you tell me I was human, when you knew me to be a beast?
MEREDITH: Look inside yourself, Edgar. You'll see a soul. Does a beast have a soul?
BAT BOY: A soul? Is that what you call it,
that empty pit, that wound where my heart should be?
You dug this hole in me bit by bit, nothing is left of me!
Give me one reason why I should live.
See, you have no reply.
The world is man or beast, but I am both or neither.
So goodbye!
SHERIFF: I'm sorry, Edgar, really am.
Sorry to hear your life's a sham.
Still, it doesn't have to end this way!
So put these on and don't be cute.
A van's en route from the institute.
He gets in it, no one dies today.
MOB: Sheriff, you idiot, why do you pity it?
Look at the blood on him- why don't you kill him!
What kinda man are you?
What are you gonna do?
We oughtta kill you too!
Why don't you kill him!
GET HIM! GET HIM!
BAT BOY: Don't deny the obvious- such an ugly boy.
Everywhere you put me, look what I destroy!
MOB: Shoot him! Stop him! Jesus, Sheriff!
Shoot him! Kill him! Kill him! Do it!
BAT BOY: Not strung up by farmers or caged in by police.
If you're not a coward, give me peace.
MOB: Parker, you idiot, why do you pity it?
Look at the blood on him- God, you're both evil!
What kinda man are you?
What are you gonna do?
Parker, he wants you to!
Kill him or we will!
BAT BOY: Coward.
DR. PARKER: I'm sorry.
BAT BOY: You know...
One thing alone saved me from despair,
back in my feral stage.
SHELLEY: Edgar...
BAT BOY: Once in a while she would meet my stare.
Then I'd forget the cage.
MEREDITH: Edgar, don't!
BAT BOY: But surely her smile wasn't meant for me.
SHELLEY: Edgar no!
BAT BOY: Easier to dismiss. But, tonight she kissed me, here.
(General gasp)
BAT BOY: Tonight she gave me this. (He takes out Shelley's handkerchief)
I smell her perfume and her sweat...
DR. PARKER: Oh my God...
TOWNFOLK: Jesus!
BAT BOY: Look what a gift she gave me-
DR. PARKER: Is it true?
BAT BOY: Almost enough to save me.
SHELLEY: Yes!
BAT BOY: And I imagine you're upset...
DR. PARKER: Oh my God!
BAT BOY: But I would kill for her again!
MOB: Stop him! Kill him!
BAT BOY: And do you know what she did then?
MOB: Stop!
BAT BOY: She offered me her vein.
MOB: No!
BAT BOY: She offered me her blood!
MOB: God!
BAT BOY: She offered me everything!
(Dr. Parker puts a knife to Bat Boy's throat. Meredith stops him.)
DR.PARKER: Meredith, I'm sorry. All of this is me.
MEREDITH: Thomas, please.
DR.PARKER: (overlapping) I can't bear to look at him.
You are all I see. His eyes, Meredith, he has your eyes.
It hurts too much to put behind me... the way I lost you.
MEREDITH: (overlapping) Thomas, don't.
Please, oh Thomas, don't deny the obvious, leave the past behind.
We can start again, love.
We have both been blind.
CROWD: Parker, damn you... Parker, you do it now...
MEREDITH: Thomas, I forgive you. I know, my love, I know.
DR.PARKER: And every day his eyes remind me.
CROWD: Now! Now! Now!
MEREDITH: Thomas, come here. Thomas, let him go!
DR.PARKER: Edgar! Are you hungry?
(Bat Boy, wounded, falls to Shelley's arms)
SHELLEY: Oh, Edgar! My dear, sweet boy...
BAT BOY: I am not a boy. I am an animal. (He dies)