Apollo (1962 automobile)

The Apollo was a United States-built sports car/personal automobile manufactured from 1962 to 1964 in Oakland, California.

Engineered by Milt Brown and designed by Ron Plescia, it featured Italian handmade aluminum bodywork with a choice between two-seater convertible or fastback styles. Power came from a 215 cu in (3.5 l) or 300 cu in (4.9 l) Buick engine to a 4-speed manual. The company, International Motor Cars, built 42 cars before suspending production while seeking new financing. IMC allowed the sale of body/chassis units to Vanguard Motors in Dallas, Texas to produce cars under the Vetta Ventura name and these were made until 1966 by Vanguard Inc of Dallas, Texas. This was a stop-gap measure to keep the carrozzeria (body producer) Intermeccanica in business until new backers were found.

History

Frank Reisner, a former chemical engineer born in Hungary, raised in Canada and educated in America, established a company that later produced the Apollo (and the Texas-built Vetta Ventura). Reisner, on holiday in Italy in 1959, decided that he loved Turin and set up shop there as Intermeccanica producing tuning kits for Renaults, Peugeots, and Simcas.

Apollo (disambiguation)

Apollo is a Greek and Roman god of music, healing, light, prophecy and enlightenment.

Apollo may also refer to:

People

List of Zatch Bell! characters

The anime and manga series Zatch Bell!, known in Japan as Konjiki no Gasshu!! (金色のガッシュ!!^?, lit. Golden Gash!!) for the manga and Konjiki no Gasshu Beru!! (金色のガッシュベル!!^?, lit. Golden Gash Bell!!) for the anime, features an extensive cast created and illustrated by Makoto Raiku. The series takes place in Modern day Japan and follows a genius teenager named Kiyo Takamine and his Mamono (魔物^?, lit. "demon", transliterated as Mamodo in the English adaption) Zatch Bell, a human-like being with supernatural powers.

Creation and conception

After Raiku's "Newtown Heroes" series in the Shonen Sunday Super ended, Raiku looked at his old drafts he created in the past for an idea for his next series. One of his ideas was about a mercenary who used a giant sword to defeat enemies. After playing with that idea for three months, Raiku decided to abandon it and go with another idea. His next idea was a story where a middle school student, the prototype of Kiyo, finds an old toy that turns into a giant knight that combats evil. After taking this up with his agent, he was advised to use a cuter character to fight and thus, Zatch was created. After Raiku worked on the idea for a month, it was published. The reason Zatch uses lightning spells is because the "rai" in his name is the Japanese word for "lightning".

Pad

Pad or PAD may refer to:

Transportation

Sports gear

Computing and electronics

Synthesizer

A sound synthesizer (usually abbreviated as "synthesizer" or "synth", also spelled "synthesiser") is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate the still existing sounds (instruments, vocal, natural sound, etc.), or generate new electronic timbres not existing before. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via MIDI or CV/Gate using a controller device.

Synthesizers use various methods to generate signal. Among the most popular waveform synthesis techniques are subtractive synthesis, additive synthesis, wavetable synthesis, frequency modulation synthesis, phase distortion synthesis, physical modeling synthesis and sample-based synthesis. Other less common synthesis types (see #Types of synthesis) include subharmonic synthesis, a form of additive synthesis via subharmonics (used by mixture trautonium), and granular synthesis, sample-based synthesis based on grains of sound, generally resulting in soundscapes or clouds.