Press

Press may refer to:

Media

Machines

Overhead press

The press, overhead press or shoulder press is a weight training exercise, typically performed while standing, in which a weight is pressed straight upwards from the shoulders until the arms are locked out overhead.

Movement

The press is set up by taking a barbell and putting it on the anterior deltoids. This can be done by taking the barbell from a rack or by cleaning the weight from the floor (clean and press). Alternatively the movement can be performed with dumbbells, though they do not rest neatly on the deltoids. They do not have easily accessible high racks so the trainee needs to clean them or have a spotter assist them in getting them into the starting position.

The press involves moving a barbell or dumbbells from the shoulder and pushing it up above the head until the elbows are fully locked out. As the bar clears the head, the lifter leans forward slightly in order to keep balance. As the bar is lowered back to the shoulders and clears the head again, the lifter leans slightly back.

Pressing (wine)

Pressing in winemaking is the process where juice is extracted from grapes. This can be done with the aid of a wine press, by hand, or even by the weight of the own grape berries and clusters.Historically, intact grape clusters were trodden by feet but in most wineries today the grapes are sent through a crusher/destemmer, which removes the individual grape berries from the stems and breaks the skins, releasing some juice, prior to being pressed. There are exceptions, such as the case of sparkling wine production in regions such as Champagne where grapes are traditionally whole-cluster pressed with stems included to produce a lighter must that is low in phenolics.

In white wine production, pressing usually takes place immediately after crushing and before primary fermentation. In red wine production, the grapes are also crushed but pressing usually doesn't take place till after or near the end of fermentation with the time of skin contact between the juice and grapes leaching color, tannins and other phenolics from the skin. Approximately 60-70% of the available juice within the grape berry, the free-run juice, can be released by the crushing process and doesn't require the use of the press. The remaining 30-40% that comes from pressing can have higher pH levels, lower titratable acidity, potentially higher volatile acidity and higher phenolics than the free-run juice depending on the amount of pressure and tearing of the skins and will produce more astringent, bitter wine.

Anyway

Anyway may refer to:

Anyway (Chris Brown song)

"Anyway " is a song by American recording artist Chris Brown from his seventh studio album Royalty. was released as instant grat on December 11, 2015. It was produced by BLAQTUXEDO and features guest appearances by Tayla Parx.

Track listing

Music video

On December 16, 2015 Brown uploaded the music video for "Anyway" on his YouTube and Vevo account.

Charts

Weekly charts

References

Chaos and Creation in the Backyard

Chaos and Creation in the Backyard is the thirteenth solo studio album by Paul McCartney, released in 2005. A long time in the making, the set was produced by Radiohead and Beck collaborator Nigel Godrich at George Martin's suggestion.

McCartney plays almost all of the instruments, similar to his 1970 album McCartney and the 1980 McCartney II album. In addition, Chaos and Creation in the Backyard marks the first time since 1984's Give My Regards to Broad Street that McCartney was not involved in producing one of his studio albums.

Chaos and Creation in the Backyard was McCartney's last rock album release for longtime label EMI. He signed a deal with Hear Music, owned by Starbucks, in March 2007.

Music and lyrics

McCartney said that the song "Friends to Go" is influenced by, and dedicated to George Harrison.

Production

Upon being asked to produce an album with McCartney, Godrich admitted:

The two tentatively began a collaboration, recording the songs "This Never Happened Before" and "Follow Me" which was enough to convince both of them that they could develop an album. Godrich's participation was active: he inspired McCartney to write the song "At the Mercy", added piano loops on "How Kind of You" and worked with McCartney to slow the tempo of "Riding to Vanity Fair" which McCartney says "changed the mood completely". Although initially taken aback, McCartney appreciated Godrich's tenacity and honesty.