The Ansaldo A.1, nicknamed "Balilla" after the Genoan folk-hero was Italy's only domestically-produced fighter aircraft of World War I. Arriving too late to see any real action, it was however used by both Poland and the Soviet Union in the Polish-Soviet War.
The A.1 resulted from continued efforts by the Ansaldo company to create a true fighter. Their SVA.5 had proved unsuitable in this role, although it made an excellent reconnaissance aircraft and had been ordered into production as such. Ansaldo engineer Giuseppe Brezzi revised the SVA.5 design, increasing the size of the lower wing, and redesigning the interplane strut arrangement. While this produced more drag, it increased the stiffness of the wing structure and reduced stresses in the airframe. Engine power was increased to 150 kW (200 hp) and a safety system to jettison the fuel tank through a ventral hatch (in case of onboard fire) was installed.
The first prototype was completed in July 1917, but acceptance by the air force did not occur until December. Test pilots were not enthusiastic in their evaluation. While they found a marked increase in performance over the SVA.5, the A.1 was still not as maneuverable as the French types in use by Italy's squadrons. This resulted in a number of modifications, including a slight enlargement of the wings and rudder, and a further 10% increase in engine power. This initially proved satisfactory to the air force, and the modified A.1 (designated A.1bis) was ordered into service with 91 Squadriglia for further evaluation.
Balilla was the nickname of Giovan Battista Perasso, a Genoese boy who started the revolt of 1746 against the Habsburg forces that occupied the city in the War of the Austrian Succession by throwing a stone at an Austrian official.
The word Balilla is thought to mean little boy, and thus one of only two clues about Perasso's age (the other being an Austrian report that makes reference to "a little boy" throwing stones at officials).
Legend asserts that while some Austrian soldiers were dragging an artillery piece along a muddy road in the Portoria neighborhood of Genoa, the piece got stuck in a moat. The soldiers forced onlookers and passersby to dislodge it, cursing and lashing them. Disgusted by the scene, Perasso allegedly grabbed a stone from the road and skilfully threw it at the Austrian patrol, asking his fellow citizens in the Genoese dialect: "Che l'inse?" ("Am I to begin?" or "Shall I start?"), which set in motion an uproar which eventually caused the Austrian garrison to be evicted from the city. The phrase became proverbial in Italian as well.
A 1 nigga and it go
Life is a bitch and then you gotta die
Killing these niggas ...ain't gotta try
The truth is set you free so I ain't gotta lie
We from the bottom, kick the bottom, that's the bottom line
I wasn't the kid that teachers like
Holly with the church ain't live the preachers life
I have my eyes on the preacher wife
Devil got my conscience how the fuck I'm 'pose to sleep at night?
I remember nights I wan't eating right
Smoking so much 'I wasn't breathing right
These was just bookers never will read as right
Late night we're hookers bunching my hit in time
Spending riffs in the trap thinking I need a life
You wanna ride pick a side but on this side this shit is life
Talking and still just pop me a half of a pill
My nigga I'm own it on the dark
Forgive me for all the sins hope that I wake up in the morning
I'mma hustle 'til my day come
Hustle in quite try to my case come
Standing on the couch and popping bottles 'til the case drop
Tell me what you need I got that work and bitch is A1
Put that on A1, codeine A1
Cush smoke A1, wiping code A1
Stressing out A1, back it up A1
Bringing back A1, my hood's working got good work
My life falling you time line they jamming on your playlist
My bicthes soke at they own money
All your bitches it's basic
Nineteen I have to pay rent I was outside you stayed in
Half on my niggas it's catch in and the other half will stay friends
With this new work named A1 drop that when they taste this
One fine but we ain't kicks, let me hold this out of great eight six
Smoking out all this bank account
That A1 make 'em take it out
Fucked up you eat it out I got hit, you was make it up disgusting
You want a verse with your budget
I cover first with a busting
I ain't hard to find I'm in public
Had all the diamonds and I'm clicking
Up in the studio dogging, I was dog double of my mission
No growd it I smoke nuggets
No pirax in that kitchen, she's back, Jesus and I digging scales
Apologize to my mama, both of her sons been in jail
We couldn't avoid that bullshit
On that chain we took that right back on these cold streets
Walk in if I won't push back, still high and piegual, we book that
I'mma hustle 'til my day come
Hustle in quite try to my case come
Standing on the couch and popping bottles 'til the case drop
Tell me what you need I got that work and bitch is A1
Put that on A1, codeine A1
Cush smoke A1, wiping code A1
Stressing out A1, back it up A1
Bringing back A1, my hood's working got good work
We're all mad, we're all hear
This ain't chance to blow,
What you'll call at they call back but my phone it's broke
Change my number, got gunners, don't run after smoke
When that keep come, my day one got A1 for sure
Say they all mad, they all heart this ain't chance to blow
This ain't chance to blow,
What you'll call at they call back but my phone it's broke
Change my number, got gunners, don't run after smoke
When that keep come, my day one got A1 for sure
I'mma hustle 'til my day come
Hustle in quite try to my case come
Standing on the couch and popping bottles 'til the case drop
Tell me what you need I got that work and bitch is A1
Put that on A1, codeine A1
Cush smoke A1, wiping code A1
Stressing out A1, back it up A1
Bringing back A1, my hood's working got good working
My hood's working got good working
My hood's working got good working
My hood's working got good working
A1 nigga, A1 nigga, peace