Anne Jellicoe, née Anne William Mullin (1823-1880) was a noted Irish educationalist best known for the founding of the prestigious Alexandra College, which became a force in women's education under her management.
She was born on 23 March 1823 at Mountmellick, County Laois to William and Margaret Mullin (née Thompson), and had one brother John William Mullin. Her father was a Quaker schoolmaster who ran his own school for boys, with emphasis on higher learning, including English, history, the classics, and higher mathematics. Anne married John Jellicoe, a flour miller on 28 October 1846 in Mountmellick and moved to Clara, County Offaly two years later.
There is no record of where Jellicoe was educated as a child. She was active in charitable works from an early age. Johanna Carter, who was a teacher at a school for girls in the village, became a role model for Jellicoe. Carter provided vocational training for girls at her school and invented Mountmellick Embroidery, proving to Jellicoe that work could liberate women. In Clara she set up an embroidery and lace school to provide employment for young girls. She not only encourage the women to create products for market, she also encouraged them to cultivate their minds and become independent. The Catholic church didn't agree with this type of education. So much so that the parish priest came to the school and broke it up. The school continued to flourish until 1856, even without the support of the church.
Patricia Ann Jellicoe (born 15 July 1927) is a British playwright, theatre director and actress. Although her work has covered many areas of theatre and film, she is best known for "pushing the envelope" of the stage play, devising new forms which challenge and delight unconventional audiences. As a result, her dramatic career is, in many ways, unique in the twentieth century.
Jellicoe was born in Middlesbrough, Yorkshire in England in 1927 and from childhood showed an interest and an aptitude for the theatre. She attended Polam Hall School and Queen Margaret's School, York and studied performing arts at the Central School of Speech and Drama. This was followed by experience in repertory and fringe theatre.
In 1949 she was commissioned to undertake an investigative study into the relationship between acting and theatre architecture; the finding of this study led her to the Open stage. Jellicoe established a Sunday Theatre Club (Cockpit Theatre Club) where she produced and directed a number of plays exploring the possibilities of this form of Open stage theatre, including a one-act of her own.
Under the weight of your wings
You are a god and whatever I want you to be
And I wonder if truly you are
Nearly as beautiful as I believe
In my head
Your voice
You've got all that I need
And this make believe will get me through
Another lonely night
Under the weight of your wings
Should ever we meet on your side of your stereo
I will pretend I know not of your thoughts
And even the way that they mirror my own
I'll take you away in the way that you take me and go where I go
In my head
Your voice
You've got all that I need
And this make believe will get me through
Another lonely night
Fall away to the sound of my heart to your beat
Melancholy and cool, kind of bitter sweet
Love on repeat
I'm echoing all your philosophies
And as I fall away to the sound of my heart to your beat
Melancholy and cool, kind of bitter sweet
Love on repeat
I'm echoing all your philosophies
And as I...
Oh...
I don't
Wanna be fool-hearted
Baby, I'm out
Numbered in my head
I don't
I don't wanna be fool-hearted
Baby, I'm out
Numbered in my head
My head...
In my head
Your voice
You've got all that I need
And this make believe will get me through
Another night
Yeah, your voice
You've got all that I need
And this make believe will get me through
Another lonely night
Lonely night...
Under the weight of your wings
I make believe you are all that I'll ever need