John Zorn (born September 2, 1953) is an American avant-garde composer, arranger, producer, saxophonist and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.
The world soul (Greek: ψυχὴ κόσμου, Latin: anima mundi) is, according to several systems of thought, an intrinsic connection between all living things on the planet, which relates to our world in much the same way as the soul is connected to the human body. The idea originated with Plato and was an important component of most Neoplatonic systems:
The Stoics believed it to be the only vital force in the universe. Similar concepts also hold in systems of eastern philosophy in the Brahman-Atman of Hinduism, the Buddha-Nature in Mahayana Buddhism, and in the School of Yin-Yang, Taoism, and Neo-Confucianism as qi.
Other resemblances can be found in the thoughts of hermetic philosophers like Paracelsus, and by Baruch Spinoza, Gottfried Leibniz, Friedrich Schelling and in Hegel's Geist ("Spirit"/"Mind"). Ralph Waldo Emerson published "The Over-Soul" in 1841 which was clearly influenced by the Hindu conception of a universal soul. There are also similarities with ideas developed since the 1960s by Gaia theorists such as James Lovelock.
Anima Mundi is a 1992 short documentary film directed by Godfrey Reggio. The film focuses on the world of nature and wildlife, particularly jungles, sealife, and insects. The movie was commissioned by Italian jewellers Bulgari for use by the World Wide Fund for Nature in their Biological Diversity Program.
The film was scored by Philip Glass, who also worked with Reggio on Koyaanisqatsi, Powaqqatsi, and Naqoyqatsi. Anima Mundi features many of the techniques from the Qatsi trilogy, and was produced in between the release of Powaqqatsi and Naqoyqatsi, but is not considered to be directly related to the series.
Anima Mundi is a progressive rock band from Cuba founded in 1996, who combine symphonic rock, new age, Celtic, space music and traditional Cuban influences in their music. Current members include Roberto Díaz on guitars and vocals, Virginia Peraza on keyboards and vocals, Yaroski Corredera on bass, Emmanuel Pirko Farrath on lead vocals and José Manuel Govin on drums. They have four commercially released studio albums - Septentrión (2002), Jagannath Orbit (2008), The Way (2010) and The Lamplighter (2013). These two latest were world acclaimed and received excellent reviews.
In 2012, the band released a live double DVD and CD entitled Live in Europe, which portrays their first Dutch show in Helmond during their 2011 European tour. They have also created their own distinctive sound which can easily recall us the echoes of the grand progressive rock dinosaurs from the 70' plus the introduction of their own view and perspective of the progressive rock of the new millennium. It is also important highlight the lyrics of their songs as intriguing mix of mysticism, spirituality and fantasy written by the band leader, guitar player and main composer Roberto Díaz.
Mundi is a town under Khandwa district in the Indian state of Madhya Pradesh. It is a thousand years old town. It is surrounded by significant forest area which belongs to Narmada River Valley. It is 120 km from Indore, the commercial capital of the state.
As of 2012 India census, Mundi had a population of 30,000. Males constitute 52% of the population and females 48%. Mundi has an average literacy rate of 72%, higher than the national average of 59.5%: male literacy is 70%, and female literacy is 52%. In Mundi, 15% of the population is under 6 years of age.
"Mundi" is located at 22°04′N 76°30′E / 22.07°N 76.5°E. It has an average elevation of 300 metres (1000 feet)."Mundi" is located on the Main Road's & Highway's, with daily connections to Khandwa, Indore, Bhopal, Dewas etc.
The name of the city is derived from "Mundari" (meaning ring or circle shape). During the rise of Buddhism, the East Nimar region was included in the Avanti Kingdom under Chand Pradyota Mahesana, which was later added to the growing empire of Magadha by Shishunaga. From the early 2nd century BC to the late 15th century AD, the Nimar Region (earlier a part of Khandesh) was ruled by many emperors from many dynasties, which include Mauryas, Shungas, Satvahanas, Kardamakas, Abhiras, Vakatakas, Imperial Guptas, Kalchuris, Vardhanas (of Harsha Vardhana fame), Chalukyas, Kanungos, Rashtrakutas, Paramaras, Faruki etc. A Well is situated at ‘’’Koteshwer’’’ or ‘’’Loteshwer’’’, created by Pandhawas. ‘’’Renuka Dham’’’ is another ancient temple. Since the mid-16th century to the early 18th century, the Nimar region, was under the rule of Aurangzeb, Bahadur Shah, Peshwas, Sindhia, Bawaniya, Holkar, Pawar, (Marathas), Pindaris etc. Later from early part of the mid-18th century, the management of the Nimar region came under the British.
No one knows better than the king
Life's a filthy dirty game
Very very hard to win
No one knows better than the king
How to disregard the pain
Never, never let it in
No one knows better than the king
That an angry man goes blind
Knocks his head against the wall
No one knows better than the king
How it hurts a man to fight
That he's human after all
No one knows better than the king
What a desperate man may do
When it gets too hard to bear
No one knows better than the king
How to spit on the taboos
As they thought he'd never dare
No one knew better than the king
How to care for number one
How to take and never give
No one knew better than the king
That when all is said and done
That's the only way to live
No one knew better than the king
Just how angry you can be
When they cage you in with laws
No one knew better than the king
That a man who thinks he's free
knocks his head against a wall
No one knew better than the king
Just how bitter it would be
To be beaten after all
No one knew better than the king
They're the ones who fix the game
They're the ones with loaded dice
No one knew better than the king
That they'd get him all the same