Angelo (opera)

Angelo (Анджело in Cyrillic; Andželo in transliteration) is an opera in four acts by César Cui, composed during 1871-1875, with a libretto by Viktor Burenin based on Victor Hugo's prose play, Angelo, Tyrant of Padua. This same play formed the basis of Saverio Mercadante's Il giuramento of 1837, Amilcare Ponchielli's La Gioconda, which premiered in the same year as Cui's opera (1876), and Alfred Bruneau's Angelo, tyran de Padoue of 1928.

Performance history

Angelo was premiered on 1 February 1876 in Saint Petersburg at the Mariinsky Theatre. The conductor was Eduard Nápravník. Apparently it did not survive that particular season, and was removed from the repertory.

A new production of Angelo was staged twenty-five years after the original premiere in 1901 at the Bolshoi Theatre in Moscow, with Feodor Chaliapin in the role of Galeofa. The Mariinsky staged Angelo again in 1910.

Roles

Angelo

Angelo is an Italian masculine given name meaning "angel", or "messenger". Angelo is also an Italian surname that has many variations: Angeli (disambiguation), Angela (disambiguation), De Angelis, D'Angelo, Angelini, Angelino (disambiguation), Angelina (disambiguation), Angelucci, Angeloni, Angeletti (disambiguation).

People with the given name

Angelo (Measure for Measure)

Angelo is a character in Shakespeare's play Measure for Measure. He is the play's main antagonist.

Role in the play

Angelo is the deputy to Vincentio, the Duke of Vienna, who begins the play by departing the city under mysterious circumstances and leaves the strait-laced Angelo in power. Angelo's first act is to begin the enforcement of an old law that makes fornication punishable by death, but proves himself a hypocrite when Isabella, the sister of Claudio, the first man sentenced under the law, comes to plead for her brother's life. Angelo agrees to commute the sentence only if she will sleep with him. Angelo is ultimately duped by being set up with Mariana, a woman he was once betrothed to, who masquerades as Isabella at the assignation. And after Angelo thinks he has attained the object of desire, he covers his tracks by ordering the execution of Claudio after all. But before the scheme is revealed to him, he admits his angst over his behaviour:

"This deed unshapes me quite, makes me unpregnant
And dull to all proceedings. A deflower'd maid!
And by an eminent body that enforced
The law against it! But that her tender shame
Will not proclaim against her maiden loss,
How might she tongue me! Yet reason dares her no;
For my authority bears of a credent bulk,
That no particular scandal once can touch
But it confounds the breather. He should have lived,
Save that riotous youth, with dangerous sense,
Might in the times to come have ta'en revenge,
By so receiving a dishonour'd life
With ransom of such shame. Would yet he had lived!
A lack, when once our grace we have forgot,
Nothing goes right: we would, and we would not."

Diamond Is Unbreakable

Diamond Is Unbreakable (ダイヤモンドは砕けない, Daiyamondo wa Kudakenai, formerly translated as Diamond Is Not Crash) is the fourth story arc of the Japanese manga series JoJo's Bizarre Adventure, written and illustrated by Hirohiko Araki. It was serialized in Weekly Shōnen Jump from 1992 to 1995. In its original publication, it was titled JoJo's Bizarre Adventure Part 4: Jōsuke Higashikata (ジョジョの奇妙な冒険 第4部 東方仗助, JoJo no Kimyō na Bōken Dai Yon Bu: Higashikata Jōsuke). The series will be adapted as the third season of David Production's JoJo's Bizarre Adventure television anime series in April 2016.

Araki retroactively introduced the Bow and Arrow in this arc, which causes people pierced by it to develop Stand ability. Apparently this was used on DIO at the beginning of Part 3, which not only gave him a Stand but causes Stands to develop in the Joestar bloodline as well. As it is the fourth part of the series, the 174 chapters pick up where the third left off and are numbered 266 to 439, with the tankōbon volumes numbered 29 to 46 (the last three chapters are in volume 47). It was preceded by Stardust Crusaders and followed by Vento Aureo.

Opéra (Paris Métro)

Opéra is a station of the Paris Métro, named after the nearby Opera Garnier, built by the architect Charles Garnier. It is located at the end of the Avenue de l'Opera, one of the accesses being opposite the Opera, and serves the district of the Boulevard Haussmann. Three Métro lines (3, 7 and 8) cross each other at one point, known as a "well".

The station offers a connection to the following stations:

The station is famous for its strong odors of sewers. When it was being built, there were concerns that one of Hector Guimard's characteristic iron metro entrances would spoil the view of the opera house, so a marble entrance was built instead.

History

The line 3 platforms opened on 19 October 1904 as part of the first section of the line opened between Père Lachaise and Villiers. A twenty metre high masonry well was built to avoid the need for heavy underpinning work when lines 7 and 8 were planned to be built. This work was affected by groundwater, which required the support of three concrete pillars, made by sinking caissons with workers digging out the mud with compressed air. The work lasted eleven months, from March 1903 to February 1904. The line 7 platforms opened on 5 November 1910 as part of the first section of the line opened between Opéra and Porte de la Villette. The line 8 platforms opened on 13 July 1913 as part of the first section of the line opened between Opéra and Beaugrenelle (now Charles Michels station on line 10).

Opera (magazine)

Opera is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera.

The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others.

Opera is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 goes from p1033-1168). All issues since August 2006 are available online to current subscribers (through Exact Editions).

Based in London, the magazine was founded in 1950 by George Lascelles, 7th Earl of Harewood. It was launched at the house of Richard Buckle, under the imprint 'Ballet Publications Ltd'.

Opera (film)

Opera, also known as Terror at the Opera, is a 1987 Italian giallo horror film written and directed by Dario Argento and starring Cristina Marsillach, Urbano Barberini and Ian Charleson. The film's score was composed by Brian Eno and Claudio Simonetti. The film was released in the United States under the title Terror at the Opera. The film was one of Argento's most commercially successful films, seeing 1,363,912 ticket sales in his native country of Italy. This is the second Dario Argento's horror film to have THX audio certified and picture quality.

Plot

The film centers around young, insecure opera singer Betty (Cristina Marsillach). After the lead in Verdi's Macbeth is injured in a car accident, Betty is reluctantly thrust into the role in the opera. During her first performance, a murder takes place in one of the opera boxes. Mysterious murders continue throughout the film as Betty is stalked and those around her meet their unfortunate end. The killer binds and places tape under Betty's eyelids with needles attached so she is unable to blink, and therefore forced to watch as the murders take place. Meanwhile, Betty continues to have frightening dreams involving a masked person and her mother. During the final performance of the opera the killer is revealed, and Betty must confront her past in a terrifying climax.