And Why Not? were a British pop trio, from Birmingham, West Midlands, England. Their only album, Move Your Skin (1990) was produced by Alan Shacklock a guitarist in the 1970s rock band Babe Ruth and engineered by Bryan Smith and Harry Sutcliffe, recorded at Mediasmiths Studio, London, Colney.
Their style was a mix of reggae with pop. The lead vocalist Wayne Gidden, was supported with backing vocals from Michael Steer (also on drums, percussion) and Hylton Horatio Hayles (also bass guitar).
They were successful in the UK Singles Chart during 1989 and 1990. Tracks on their 1990 album included; "The Cage", "The Face", "Correct Me If I'm Wrong", "Something U Got", "Speak the Word", "Restless Days" and "Move Your Skin".
And Why Not? played as supporting act to UB40 at the National Exhibition Centre in Birmingham in 1990, and they supported Transvision Vamp at the Hammersmith Odeon in the same year.
Barry Leslie Norman, CBE (born 21 August 1933 in London) is a British film critic, writer and media personality. He presented BBC Television's Film 72 (and successive years) until 1998.
Barry Norman is the son of film director Leslie and Elizabeth Norman. He was educated at a state primary school and at Highgate School, then an all-boys independent school in North London. He did not go to university, but instead began his career in journalism at the Kensington News, later spending a period in South Africa where he developed a hostility to the situation created there by the emergence of apartheid. He is the brother of script editor and director Valerie Norman.
By the 1960s, Norman was a prominent journalist, and show business editor of the Daily Mail until 1971, when he was made redundant. Subsequently, he wrote a column each Wednesday for The Guardian, also contributing leader columns to the newspaper.
He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook. He has also contributed a column to the Radio Times for many years, and has written several novels.
Uh, and you don't stop yeah yeah
Uh Huh yeah yeah ha ha
[Slick Rick]
You know what I'm sayin so I said
(rick D)
Uh huh, yeah
Big Brown uh huh, yeah
You ready?
[Erick Sermon]
Yo, in the Y2K, my chips be micro, unlimited
Me and Rick D reap the benefit
Cars, girls, jewels, innocent
Next year it'll be old, we get rid of it
Yeah like that, yeah we knock 'em out the box yo
Money's deep like the gold at fort Knox yo
Rhyme killer, kill an iller rhyme with no effort
At you trick a hole your crew (blao!)
You're mad now huh? You can't stand me
Now watch when I'm recieving a grammy
A Soul Train when I'm getting a Sammy
Davis Junior award, fans applaud
For me, Erick Onasis, top dog
The money folder, I'm like Don King's promoter
Ya'll can't see me I'm ariborne type tuskeegee
Wicked like the board of Ouija
When I step in the door things change
Everything stops like ya freeze frame
It's mad hot now, Gettin ready to boil
(Rick the Ruler!) Me, the MC Grand Royal
Chorus:
[Erick Sermon]
ER, Ravishing
I, impress
C, courageous or careless
K, for the Kani's that I got
That I rock everyday, and why, why not?
[Slick Rick]
R is ravishing
I, impress
C, courageous or careless
K, for the Kangol's which I've got
What I wear everyday, and why, why not?
[Slick Rick]
Emotion and hope in the scope
When the paw print on the button on my brand new garage door opener
"Ungh", as the double R rips through the gutter
Even 7 Day Advents scream "that shit's butter!"
You best remember who's the skipper
Remember who made girl's joint drop so hard it popped the zipper
Illusion on no boozin confusion
Even ghosts like "Ruler I'm scared of you son"
As I lean and dip, dream might seem a bit odd
Lights just turned red turn green for Rick (ya know)
On the deacon, with my stuff in there blastin
Till the signs on the highway start to wop when I pass them (ohhh)
Mad bougeoui folk bent, perhaps offend
Chrome almost made another Rolls have an accident
The Ruler wildin, La Di Da Di Don is stylin
On his way to see green eyed buddy on the Island