And One

And One is a German new wave, synthpop and EBM band founded by Steve Naghavi and Chris Ruiz in 1989.

History

The band formed after Steve Naghavi and Chris Ruiz met in 1989 at a Berlin club. Being fans of early EBM music, Naghavi and Ruiz decided to follow in the footsteps of new wave/synthpop band Depeche Mode by using two keyboards and a beatbox. Jason Ankeny of AllMusic called their 1990 single, "Metal Hammer", a "significant club hit". The duo became a trio with the addition of Alex Two, prior to the release of their debut album, Anguish in 1991. That same year, they were honored as the Best New Artist in Germany.

Going into the release of Anguish, they had already garnered a decent following through touring and appearances at various parties. With their debut release, they took home the Best New Artist award in Germany in 1991. Chris Ruiz left in 1992 (he would later return in 2001) while Steve Naghavi remained with the band. And One released three more albums with Machinery Records, Flop! (1992), Spot (1993) and I.S.T. (1994). The band left Machinery around 1996–1997 and signed to Virgin Schallplatten. And One would release four albums on this label between 1997 and 2003: Nordhausen (1997), 9.9.99 9 Uhr (1998), Virgin Superstar (2000) and Aggressor (2003).

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.