A box set or boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) packaged in a box, for sale as a single unit.
Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect together previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's Oh, by the Way.
Other music box sets focus on a compilation of boxes of different artists from a particular genre such as Big Band jazz, 1960s rock and roll, or opera. They generally feature a large collection of various hits from some of the top artists of a particular genre. The scope of such box sets varies widely, with some genre-specific box sets (such as one featuring rock music) focusing on boxes of a specific style (for instance, guitar rock or "Summer of Love" music). Two of the best known companies for making box sets are Legacy Recordings and Rhino Records; both have won multiple Grammy Awards. Prior to Rhino and Legacy, companies such as Time-Life Records and Readers Digest also issued box sets.
In theatre, a box set is a set with a proscenium arch stage and three walls. The proscenium opening is the fourth wall. Box sets create the illusion of an interior room on the stage, and are contrasted with earlier forms of set in which sliding flats with gaps between them create an illusion of perspective.
Box sets were introduced to the English theatre by Elizabeth Vestris. They later became a feature of realist theatre, and an example of the "fourth wall removed" principle that characterized the work of noted realists such as Henrik Ibsen, Émile Zola, George Bernard Shaw, or Anton Chekhov.
In play style of Realism the Box Set of the stage was a room with either plain black back drop or three walls, the fourth wall was invisible, separating the characters from the audience, the ceiling was tilted down at the far end of the stage and up toward the audience. Doors slammed instead of swinging when being shut just like in a real world.
The Fall Risk is an American folk rock band founded by Furthur vocalist Jeff Pehrson in 2009.
Jeff Pehrson, currently a backup vocalist for Furthur, began playing guitar and writing original songs in 1985 while matriculating at San Francisco State University. In 1987, along with keyboardist/vocalist friend Matt Twain, the Twain & Pehrson Duo began playing regular gigs at San Francisco's The Owl and the Monkey Cafe. In 1991, singer-songwriter Jim Brunberg joined the duo, forming the folk rock band, Box Set, that began performing locally, and after establishing a growing loyal fan base, regionally. Twain, who was unable to travel due to his day job, left the band, leaving the Box Set Duo, which still continues to perform on occasion in the Bay Area and Portland. The increasingly popular duo, whose expressive songwriting and resonant harmonies have prompted comparisons to Simon & Garfunkel, decided to broaden their sound by adding drummer Matt Abbott and bass player Chad Heise in 1993 and keyboardist/harmonicist/accordionist Sam Johnston in 1994. Box Set toured continuously until 2004, when their touring pace slowed, in part due to Brunberg's relocating to Portland and matriculating in law school, and performed its last show in 2006. During its career, Box Set released a total of 12 recordings, was recognized by Billboard on their "Honor Roll of Unsigned Talent" in 1994, was named "Group of the Year" by the National Academy of Songwriters in 1995, and won two Bay Area Music Awards ("Bammies") for "Best Club Band" and "Outstanding Americana/Roots Band" in 1997.
Amsterdam is a 1998 novel by British writer Ian McEwan, for which he was awarded the 1998 Booker Prize.
Amsterdam is the story of a euthanasia pact between two friends, a composer and a newspaper editor, whose relationship spins into disaster.
The book begins with the funeral of artist Molly Lane. Guests at the funeral include British Foreign Secretary Julian Garmony, newspaper editor Vernon Halliday, and composer Clive Linley. The three share certain attributes: each has a very high opinion of himself, each was at some time Molly's lover, and each regards the dead woman's husband, George, with a mixture of amusement and contempt.
Clive and Vernon muse upon Molly's death. It seems she had some kind of rapid-onset brain disease (not specified) that left her helpless and mad. Neither man can understand her attraction to Julian Garmony, the right-wing Foreign Secretary who is about to challenge his party's leadership.
Clive returns home to continue work on a symphony he has been commissioned to write for the forthcoming millennium. Much of the work is complete, save the crucial signature melody. He resolves to go walking in the Lake District, as this tends to inspire him.
"Amsterdam" is a song by Jacques Brel. It combines a powerful melancholic crescendo with a rich poetic account of the exploits of sailors on shore leave in Amsterdam.
Brel never recorded this for a studio album, and his only version was released on the live album Enregistrement Public à l'Olympia 1964. Despite this, it has been one of his most enduringly popular works. It was one of the songs Mort Shuman translated into English for the Jacques Brel is Alive and Well and Living in Paris musical.
Brel worked on the song at his house overlooking the Mediterranean at Roquebrune-Cap-Martin, the house he shared with Sylvie Rivet, a publicist for Philips; a place she had introduced him to in 1960. "It was the ideal place for him to create, and to indulge his passion for boats and planes. One morning at six o'clock he read the words of Amsterdam to Fernand, a restaurateur who was about to set off fishing for scorpion fish and conger eels for the bouillabaisse. Overcome, Fernand broke out in sobs and cut open some sea urchins to help control his emotion."
Amsterdam is the capital and largest city of the Kingdom of the Netherlands.
Amsterdam may also refer to:
Oh, I'd like to be like a bird up in the sky
Hoppin' from branch to branch and learning to fly
I'd fly right over the hill
Right to your window sill, your window sill
I'm just crazy about you darlin'
You're one in a million
Or I'd like to be like a fish down deep in the sea
Swimmin' from canyon to canyon and feeling free
I'd pull up on your line
Let you catch me any time, any time
I'm just crazy about you darlin'
You're one in a million
Or I'd like to be like a great big bumble bee
I'd live in a hive that was hangin' from your tree
I'd make sweet honey for you
That's just what I would do, only for you
I'm just crazy about you darlin'
You, you, you
You're one in a million