The Fairchild SM-73 (originally Bull Goose) was a sub-sonic, jet-powered, ground-launched Decoy Cruise missile.
Starting in December 1952 Fairchild began concept studies for a ground-launched long range decoy missile that could simulate strategic bombers on radar.
In March 1953, the United States Air Force released General Operational Requirement (GOR) 16 which called for a long range decoy missile to increase the effectiveness of Strategic Air Command bombers by confusing and saturating an air defense system. Multiple SM-73 missiles would be ground-launched from Strategic Air Command bases located in the continental United States. Fifty percent of the deployed SM-73 missiles would be launched within the first hour after an alert and the remaining missiles would be launched one hour later. The requirement called for 85 percent of the decoy missiles to arrive at the target area within 115 nm (185 km). The SM-73 was to fly 4,000 nm (7,408 km) at speed of at least 0.85 Mach at an operating altitude of 50,000 ft (15,240 m) with a payload of 500 lb (227 kg). After flying 2,500 nm (4,650 km), the SM-73' would simulate the performance of the B-47 Stratojet or B-52 Stratofortress over the final 1,500 nm (2,780 km) of flight.
Generic Substation Events (GSE) is a control model defined as per IEC 61850 which provides a fast and reliable mechanism of transferring event data over entire substation networks. When implemented, this model ensures the same event message is received by multiple physical devices using multicast or broadcast services. The GSE control model is further subdivided into GOOSE (Generic Object Oriented Substation Events) and GSSE (Generic Substation State Events).
Generic Object Oriented Substation Events (GOOSE) is a controlled model mechanism in which any format of data (status, value) is grouped into a data set and transmitted within a time period of 4 millisecond. The following mechanisms are used to ensure specified transmission speed and reliability.
Amnesia is a 2015 Swiss-French drama film directed by Barbet Schroeder. It has been selected to screen in the Special Screenings section at the 2015 Cannes Film Festival.
Jo is a twenty-five-year-old music composer. He has come over from Berlin and wants to be part of the nascent electronic music revolution, ideally by getting a job first as a DJ in the new nightclub on the island, Amnesia. Martha has been living alone in her house facing the sea for forty years. One night Jo knocks on her door. Her solitude intrigues him. They become friends even as the mysteries around her accumulate: that cello in the corner she refuses to play, the German language she refuses to speak... Slowly, they enter into a relationship that will challenge and change both of them.
"Amnesia" is a song recorded by Australian band 5 Seconds of Summer, taken from their self-titled debut album 5 Seconds of Summer (2014). The mellow pop rockslow jam was announced as a new single during a live stream by the band on 1 July 2014, and was released to American contemporary hit radio as the third single from the album on 15 July 2014.
A lyric video was produced for the song. Filmed in Los Angeles, it was posted on the official VEVO YouTube channel of the band on 2 July 2014, at midnight, after their live stream. The video, focuses on a bedroom, though in some scenes the members of the band appear in a close up. During the whole video the lyrics are projected in the room or on the members' faces.
A music video was also filmed, in which the band members and some girls and boys play around in several different scenes, diving into a pool fully clothed, playing golf on cars, etc. There are also several close-ups of the band-members singing along to the words of the song throughout the video. There are only 3 girls because they see the watcher/fans as the 4th one. The video is filmed from the 4th girl's perspective.
Why do you cry when the night time comes?
Why do you sigh when the evening is done?
I guess there's a lot about a woman's ways
That I don't understand.
Why do you lie when the truth is known?
Why do you sigh so when I get home?
I guess there's a lot about a woman's ways
That I don't understand.
But any time that you want to leave,
You know I'll let you go,
And any time that you want to stay
You'll let me know, I know , I know.
Why do you lie? I don't want to know,
And then you come around saying so, so so.
I guess there's a lot about a woman's ways
That I don't understand.
Oh come on and see me now, baby please,
I guess there's a lot about a woman's ways
That I don't understand.
Any time you want to leave I'll see you walk away,
But any timen' that you want to stay,
You know you can remain.
Why do you cry when the night time comes?
Why do you sigh when the evening is done?
I guess there's a lot about a woman's ways
That I don't understand.
Why do you lie when the truth is known?
Why do you sigh so when I get home?
I guess there's a lot about a woman's ways