Çaltı is a belde (town) in Söğüt district of Bilecik Province, Turkey. Situated at 40°03′N 30°15′E / 40.050°N 30.250°E / 40.050; 30.250 it a few kilometers south of Sakarya River. The distance to Söğüt is 10 kilometres (6.2 mi) and the distance to Bilecik is 38 kilometres (24 mi). The population of Çaltı was 1293 as of 2013. The settlement was founded by Yörüks (Nomadic Turkmens) . The name of the town refers to a scrubby (Turkish: çalılık) hill at the east of the town .The settlement was declared a seat of township in 1972.
American Student Assistance (ASA) is a non-profit organization whose mission is to help students successfully complete the financing and repayment of higher education by acting as a student loan guarantor. It is headquartered in downtown Boston, Massachusetts.
American Student Assistance was founded in 1956 under the name Massachusetts Higher Education Assistance Corporation (MHEAC). The organization began when a group of people approached Massachusetts local businesses for philanthropic donations with the idea of creating a pool of money to guarantee loans for higher education. MHEAC went on to become the nation’s first student loan guarantor. Its model of a student loan program—funded by local banks and insured by a non-profit organization—was replicated across the country and by 1965, there were 14 loan guarantors in the United States.
In 1990, the United States Department of Education designated MHEAC as the guarantor for Washington, D.C. By 1992, MHEAC had begun to expand its services nationwide, so the organization adopted a trade name of American Student Assistance to reflect that its services were available to U.S. student loan borrowers everywhere.
U.S. Route 60 has 25 current bannered routes. Of these, 20 are business routes, two alternate routes, one bypass route, and one truck route. US 60 has also had one additional business route, an additional bypass route, a temporary route, and another truck route (all now decommissioned).
Business US 60 in Tonkawa begins at an interchange on the north side of Tonkawa. It heads south in a concurrency with U.S. Route 77, then turns east on North Avenue. East of Tonkawa, the route turns back north to reunite with the main route.
The entire route is in Kay County.
Business US 60 in Ponca City begins at an interchange with US 60 and US 177 (the E. W. Marland Memorial Highway) and continues east down South Avenue. It turns north onto Pine Street, heading into the downtown area, east on Central, and north on Union Street. It turns east again onto Grand Avenue. At 14th Street, it turns south, forming a concurrency with U.S. Route 77. It rejoins the main highway in the southeast part of the city.
Keynote is a presentation software application developed as a part of the iWork productivity suite by Apple Inc. Keynote 6.0 was announced on October 23, 2013 and is the most recent version for the Mac. On January 27, 2010, Apple announced a new version of Keynote for iPad with an all new touch interface.
Keynote began as a computer program for Apple CEO Steve Jobs to use in creating the presentations for Macworld Conference and Expo and other Apple keynote events. Prior to using Keynote, Jobs had used Concurrence, from Lighthouse Design, a similar product which ran on the NeXTSTEP and OpenStep platforms.
The program was first sold publicly as Keynote 1.0 in 2003, competing against existing presentation software, most notably Microsoft PowerPoint.
In 2005 Apple began selling Keynote 2.0 in conjunction with Pages, a new word processing and page layout application, in a software package called iWork. At the Macworld Conference & Expo 2006, Apple released iWork '06 with updated versions of Keynote 3.0 and Pages 2.0. In addition to official HD compatibility, Keynote 3 added new features, including group scaling, 3D charts, multi-column text boxes, auto bullets in any text field, image adjustments, and free form masking tools. In addition, Keynote features three-dimensional transitions, such as a rotating cube or a simple flip of the slide.
A chart, also called a graph, is a graphical representation of data, in which "the data is represented by symbols, such as bars in a bar chart, lines in a line chart, or slices in a pie chart". A chart can represent tabular numeric data, functions or some kinds of qualitative structure and provides different info.
The term "chart" as a graphical representation of data has multiple meanings:
Charts are often used to ease understanding of large quantities of data and the relationships between parts of the data. Charts can usually be read more quickly than the raw data that they are produced from. They are used in a wide variety of fields, and can be created by hand (often on graph paper) or by computer using a charting application. Certain types of charts are more useful for presenting a given data set than others. For example, data that presents percentages in different groups (such as "satisfied, not satisfied, unsure") are often displayed in a pie chart, but may be more easily understood when presented in a horizontal bar chart. On the other hand, data that represents numbers that change over a period of time (such as "annual revenue from 1990 to 2000") might be best shown as a line chart.
In music theory, the key of a piece is the tonic note and chord that provides a subjective sense of arrival and rest. Other notes and chords in the piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be major or minor, although major is assumed in a phrase like "this piece is in C." Popular songs are usually in a key, and so is classical music during the common practice period, about 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys.
Methods that establish the key for a particular piece can be complicated to explain, and vary over music history. However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
The key signature is not a reliable guide to the key of a written piece. It does not discriminate between a major key and its relative minor; the piece may modulate to a different key; if the modulation is brief, it may not involve a change of key signature, being indicated instead with accidentals. Occasionally, a piece in a mode such as Mixolydian or Dorian is written with a major or minor key signature appropriate to the tonic, and accidentals throughout the piece.
I'ma get you So High...
I'ma get you So High...
I'ma get you So High...
I'ma get you So High...
Here I go my mind starts joggin'
And I know I shouldn't have been hoggin, that Indo...
I know everythings foggin'
It's just another case of a man mind bogglin'...
Back up off me, I need rooms to puff
It's Saint Dog, and I can't get enough
Rough. I smoke, so I like it goin' down
We're all getting lifted cuz I just stole a pound
Two hits and pass, that's what Saint's yellin'
But Fuck that shit, I'm hittin till my mind's jellin'
And when I'm done, I'll head to Flannagan's
To play some pool and max with a couple friends
Grabbed a sack, it's off to a local park
Break out the bong, pack it tight and let it spark
Windows up so the bug's gettin' fishbowled
And if you're in you can't escape the indo
Oh shit, it's gettin' deep into my mind
I took seven hits off that bud called kind
Close my eyes, my mind starts joggin'
Here I go again, man, I'm mind boggling
I'ma get you so high,
I'ma make that ass fly,
Pack up the bong stand by,
I'ma get you so high
Here I go my mind starts joggin'
And I know I shouldn't have been hoggin, that Indo...
I know everythings foggin'
It's just another case of a man mind bogglin'...
Here I go reminiscing about the weekend
Takin' time to remember where my shit has been
Dinner to dancing, fly girl romancing
Ballin' with the homies, smoking buds and relaxin'
High fashion, is how I was smoking
Fuck the schwag weed, indo is what I'm tokin'
Spliff to my lips as I tilt my head back
Lookin like a mack cuz I'm down to blaze a sack
I said (Inhale, exhale),
Kottonmouth hit so I said, "that's swell"
Pass a tweak to the left, party buzz's set in
I need some fresh air because I'm high off that in
Walked towards the door but I didn't get far
High kicked in, I took a seat at the bar
As I look into the sky and the air starts smoggin'
Here I go again kid, I'm mind boggling
I'ma get you so high,
I'ma make that ass fly,
Pack up the bong stand by,
I'ma get you so high
Here I go my mind starts joggin'
And I know I shouldn't have been hoggin, that Indo...
I know everythings foggin'
It's just another case of a man mind bogglin'...
Smoke sliffs, and live the life of Riley,
Stay high and be so damn smiley,
For then I won't worry about tomorrow,
Because tomorrow only brings pain and sorrow.
Here I go getting deep into my mind again
Thinking bout good times, smoking kind again
By myself so you say... (Man your hooked on Chronic!)
Am I a stoner or a loner Man I can't call,
In this cell-lock realm that I'm livin' in (dog chains?)
I got family members fiending from the cocaine
And loved ones locked up in prison
That's why I'm bailin', yellin', "Man fuck the system!"
All the pressures of this life get me frustrated
So I reach for the bong so I can get faded
I blaze a bowl hope it takes me to another level
To escape the pain and all my life's trouble
Close my eyes, and pray take the pain away
Ask the Lord should I live to see another day
Rob Harris died, I guess that's one of life's little tests
Jason Thirsk took a bullet straight to the fucking chest
Monique Delgado my first real true love
Died at 23, now she's waiting for me up above
I grabbed a pipe, pack it tight, start hoggin'
Here I go again motherfucker my mind's boggling!
I'ma get you so high,
I'ma make that ass fly,
Pack up the bong stand by,
I'ma get you so high
Smoke sliffs, and live the life of Riley,
Stay high and be so damn smiley,
For then I won't worry about tomorrow,
Because tomorrow only brings pain and sorrow.
I'ma get you so high,
I'ma get you so high,
I'ma get you so high,
I'ma get you so high,
Mind bogglin'...