Alone (Why Must I Be Alone)

"Alone (Why Must I Be Alone)" is a popular song written by Morty Craft. Craft owned a record label, and produced the recording by the Shepherd Sisters on that label. The lyrics were written by Craft's wife, Selma.

While it was the only hit for The Shepherd Sisters (as The Sheps) in the United States (reaching #18 on the Billboard charts on November 11, 1957), in the United Kingdom it was one of a number of hits for Petula Clark (reaching #8 on the UK charts) before she became famous internationally. The Shepherd Sisters' version also charted in the UK, reaching #14, and another version, by The Southlanders, reached #17 on the UK chart.

A remake of the song by The Four Seasons charted in 1964, reaching its peak Billboard Hot 100 position at #28, on July 18. "Alone (Why Must I Be Alone" also went to #8 on the Canadian singles chart. It was the act's last hit single on Vee Jay Records, as The Four Seasons left the label at the beginning of 1964 in a royalty dispute. The Four Seasons recording of the song features a refrain that is whistled.

Love Amongst Ruin (album)

Love Amongst Ruin is the self-titled debut studio album by Love Amongst Ruin. It was released on September 13, 2010.

Background

Writing and recording

After departingPlacebo in October 2007, Steve Hewitt enlisted Lamb bassist Jon Thorne and his brother Nick Hewitt to begin writing and demoing new music at his home studio. Hewitt explained that he decided to write with Jon Thorne because he "wanted to play rock drums against somebody playing upright bass. And that’s what we did and the first thing we ever wrote was "Running"".Julian Cope collaborator Donald Ross Skinner was brought in to oversee and co-produce the recording sessions and the collective relocated to Moles Studio in Bath for three recording sessions with producer Paul Corkett over the summer of 2008. The sessions yielded ten songs, on which Steve performed drums and lead vocals. Mixing began in September and continued for six months before the album was mastered by Brian Gardner in April 2009.

"Bring Me Down (You Don't)" was to be included on the album, but legal trouble with publishers of the band Can resulted in the track being replaced with "Come On Say It". An acoustic version of the song was later released for free via SoundCloud in November 2011. "Come On Say It" featured then-band members Steve Hove, Laurie Ross and Keith York and was mixed ten weeks before the album's release. Other songs which were recorded, but didn't make the cut for the album, were cover versions of "Got To Give It Up" (Thin Lizzy) and "Rise" (Public Image Ltd), the latter being released for free via SoundCloud in July 2012.

Alone (1931 film)

Alone (Russian: Одна, meaning "Alone"), also known in English by the transliterated Russian title Odna, is a Soviet film released in 1931. It was written and directed by Leonid Trauberg and Grigori Kozintsev. It was originally planned as a silent film, but it was eventually released with a soundtrack comprising sound effects, some dialogue (recorded after the filming) and a full orchestral score by Dmitri Shostakovich. The film, about a young teacher sent to work in Siberia, is in a realist mode and addresses three political topics then current: education, technology, and the elimination of the kulaks.

Plot

The film tells the story of a newly graduated Leningrad teacher, Yelena Kuzmina (played by Yelena Alexandrovna Kuzmina). She goes furniture shopping with her fiance, Petya, and in a fantasy sequence she imagines teaching a class of neat, obedient city schoolchildren. Instead, she is assigned to work in the Altai mountains of Siberia. Reluctant to leave, she appeals to remain in the city. Although her request is granted (by a faceless Nadezhda Krupskaya, seen only from behind), she is eventually spurred by the government's condemnation of 'cowards' such as her to accept the post.

Snap

Snap or SNAP may refer to:

Games and sport

Music

Science

Computing

Jounce

In physics, jounce or snap is the fourth derivative of the position vector with respect to time, with the first, second, and third derivatives being velocity, acceleration, and jerk, respectively; hence, the jounce is the rate of change of the jerk with respect to time. Jounce is defined by any of the following equivalent expressions:

The following equations are used for constant jounce:

where

The notation (used in ) is not to be confused with the displacement vector commonly denoted similarly. Currently, there are no well-accepted designations for the derivatives of jounce. The fourth, fifth and sixth derivatives of position as a function of time are "sometimes somewhat facetiously" referred to as snap, crackle and pop respectively. Because higher-order derivatives are not commonly useful, there has been no consensus among physicists on the proper names for derivatives above jounce.

The dimensions of jounce are distance per (time to the power of 4). In SI units, this is "metres per quartic second", "metres per second per second per second per second", m/s⁴, m · s⁻⁴, or 100 Gal per second squared in CGS units. This pattern continues for higher order derivatives, with the 5th being m/s⁵.

Finger snapping

Snapping (or clicking) one's fingers is the act of creating a snapping or clicking sound with one's fingers. Primarily this is done by building tension between the thumb and another (middle, index, or ring) finger and then moving the other finger forcefully downward so it hits the palm of the same hand at a high speed. Alternatively, one can press the middle finger and thumb together and then fling the index finger into them.

Physics

There are three components to the snapping finger sound: (1) The "friction" or "sliding" sound between the second (middle) finger and the thumb (2) The "impact" sound from the second finger colliding with a groove created by contacting the third (ring) finger with the palm and (3) The "pop" sound from the rapid compression and subsequent decompression of air. The third "pop" sound is the most audible of the three components and because it is caused by a compression of air between the fast moving second finger and the groove between the palm and third finger, the second finger must hit both the palm and a small portion of the top of the third finger in order to get the full "snap" sound. If the second finger only hits the palm, only the first two components will be heard and there will be a significant reduction in the total "snap" sound. This usually happens because the third finger is simply not in contact with the palm, but it can also happen if the third finger doesn't align properly with the striking point of the second finger. In this case, no part of the second finger lands anywhere on top of the third finger and ends up only hitting the palm.