Sam Phillips | |
---|---|
Birth name | Samuel Cornelius Phillips |
Born | Florence, Alabama, U.S. |
January 5, 1923
Died | July 30, 2003 Memphis, Tennessee, U.S. |
(aged 80)
Genres | Rockabilly, Blues, Country |
Occupations | record producer |
Samuel Cornelius Phillips (January 5, 1923 – July 30, 2003), better known as Sam Phillips, was an American businessman, record executive, record producer and DJ who played an important role in the emergence of rock and roll as the major form of popular music in the 1950s. He was a producer, label owner, and talent scout throughout the '40s and '50s. He most notably founded Sun Studios and Sun Records in Memphis, Tennessee. Through Sun, Phillips discovered such recording talent as Howlin' Wolf, Carl Perkins, Jerry Lee Lewis and Johnny Cash. The height of his success culminated in his launching of Elvis Presley's career in 1954. He is also associated with several other noteworthy rhythm and blues and rock and roll stars of the period. Phillips sold Sun in 1969. He was an early investor in the Holiday Inn chain of hotels.
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Phillips was the youngest of eight children, born on a farm near Florence, Alabama to poor tenant farmers. As a child he picked cotton in the fields with his parents alongside black laborers. The experience of the workers singing in the fields left a big impression on the young Phillips.[1] Travelling through Memphis with his family in 1939 on the way to see a preacher in Dallas, he slipped off to look at Beale Street, at the time the heart of the city's music scene. "I just fell totally in love," he later recalled.
Phillips attended the former Coffee High School in Florence. He conducted the school band and had ambitions to be a criminal defense attorney. However his father was bankrupted by the Great Depression and died in 1941, forcing Phillips to leave high school to look after his mother and aunt.[2][3] To support the family Phillips worked in a grocery store and then a funeral parlor.[4]
In the 1940s, Phillips worked as a DJ and radio engineer for Muscle Shoals radio station WLAY (AM). According to Phillips, this radio station's "open format" (of broadcasting music from both white and black musicians) would later inspire his work in Memphis. Beginning in 1945, he worked for four years as an announcer and sound engineer for WREC.
On January 3, 1950, Phillips opened the Memphis Recording Service at 706 Union Avenue in Memphis, Tennessee. The Memphis Recording Service let amateurs perform, which drew performers such as B.B. King, Junior Parker, and Howlin' Wolf. Phillips then would sell their performances to larger record labels. In addition to musical performances, Phillips recorded events such as weddings and funerals, selling the recordings. The Memphis Recording Service also served as the studio for Phillips' own label,which he launched in 1952.
Phillips combined different styles of music. He was interested in the blues and said: "The blues, it got people- black and white- to think about life, how difficult, yet also how good it can be. They would sing about it; they would pray about it; they would preach about it. This is how they relieved the burden of what existed day in and day out."[5]
Phillips recorded what some-notably music historian Peter Guralnick—consider the first rock and roll record: "Rocket 88" by Jackie Brenston and his Delta Cats, a band led by 19-year-old Ike Turner, who also wrote the song. The recording was released on the Chess/Checker record label in Chicago, in 1951. From 1950 to 1954 Phillips recorded the music of James Cotton, Rufus Thomas, Rosco Gordon, Little Milton, Bobby Blue Bland, and others. Others such as B.B. King and Howlin' Wolf made their first recordings at his studio. In fact, Phillips deemed Howlin' Wolf his greatest discovery and he deemed Elvis Presley his second greatest discovery.
Sun Records produced more Rock and Roll records than any other record label of its time during its 16 year run, producing 226 singles.[6]
Phillips and Elvis Presley opened a new form of music. Phillips said of Elvis: "Elvis cut a ballad, which was just excellent. I could tell you, both Elvis and Roy Orbison could tear a ballad to pieces. But I said to myself, 'You can't do that, Sam.' If I had released a ballad I don't think you would have heard of Elvis Presley."[7]
Although much has been written about Phillips' goals, he can be seen stating the following: "Everyone knew that I was just a struggling cat down here trying to develop new and different artists, and get some freedom in music, and tap some resources and people that weren't being tapped."[8]
Elvis Presley, who recorded his version of Arthur "Big Boy" Crudup's "That's All Right" at Phillips' studio, met that goal, and became highly successful, first in Memphis, then throughout the southern United States. He auditioned for Phillips in 1954, but it was not until he sang "That's Alright (Mama)" that Phillips was impressed. For the first six months, the flip side, "Blue Moon of Kentucky", his upbeat version of a Bill Monroe bluegrass song, was slightly more popular than "That's All Right (Mama)." While still not known outside the South, Presley's singles and regional success became a drawing card for Sun Records, as singing hopefuls soon arrived from all over the region. Singers such as Sonny Burgess ("My Bucket's Got A Hole In It"), Charlie Rich, Junior Parker, and Billy Lee Riley recorded for Sun with some success, while others such as Jerry Lee Lewis, BB King, Johnny Cash, Roy Orbison, and Carl Perkins would become superstars.
Despite this popular regional acclaim, by mid 1955 Sam Phillips' studio experienced financial difficulties, and he sold Presley's contract in November of that year; RCA Records' offer of $35,000 beat out Atlantic Records' offer of $25,000. Through the sale of Presley's contract, he was able to boost the distribution of Perkins' song "Blue Suede Shoes", and it became Sun Records' first national hit.
He lost many of his talents in the late 1950s after he sold Elvis' contract and was unable to regain his once prominent position in the Memphis music community.
Phillips is credited with teaching production to Presley who used this knowledge into his career with RCA Victor. Although Steve Sholes was credited as the official producer of Elvis after his move to RCA, it was Elvis who in reality, produced most of the music, using what he had learned from Sam Phillips.
Phillips had an open style and insightful guidance that seemed to allow musicians, especially Presley, to search and feel their way to a point to where they would perform beyond Phillips' and their own expectations. He also seemed to have a sense for when the artist was about to reach the point of their best performance. Phillips recorded looking for a feel, not technical perfection. Phillips told Elvis that the worst thing he could go for was perfection. Phillips was always seeking what he called the perfect/imperfect cut. This meant that it was not technically perfect, but perfectly conveyed the feeling and emotion of the song to the listener and gave the song a living personality, partially due to it being technically imperfect.
Phillips innovated while recording Elvis. Most recordings at the time gave substantially more volume to the vocals. Phillips pulled back the Elvis vocals, blending it more with the instrumental performances. Phillips also used tape delay to get an echo into the Elvis recordings by running the tape through a second recorder head. RCA, not knowing the method that Phillips had used, was unable to recreate the Elvis echo when recording "Heartbreak Hotel". In an attempt to duplicate the Sun Records sound, RCA used a large empty hallway at the studio to create an echo, but it sounded nothing like the echo that Phillips had created at Sun Records.
Elvis did not have a band when he arrived at Sun Records. It was Sam Phillips who decided that little was needed to augment Elvis' vocals and rhythm guitar. Phillips chose two musicians, lead guitarist Scotty Moore and bassist Bill Black to perform with Elvis. This choice of musicians proved to be inspired as this group along with drummer D.J. Fontana produced some of the biggest hits in rock 'n' roll history, even after Phillips had sold the Presley contract to RCA Victor. These included "Heartbreak Hotel", "Hound Dog", and "Don't Be Cruel".
Phillips' pivotal role in the early days of rock and roll was exemplified by a celebrated jam session on December 4, 1956 which came to be known as the Million Dollar Quartet. Jerry Lee Lewis was playing piano for a Carl Perkins recording session at Phillips' studio. When Elvis Presley walked in unexpectedly, Johnny Cash was called into the studio by Phillips, leading to an impromptu session featuring the four musicians.
Phillips challenged the four to achieve gold record sales, offering a free Cadillac to the first, which Carl Perkins won. The contest is commemorated in a song by the Drive-by Truckers.
By the mid- 1960s, Phillips rarely recorded. He built a satellite studio and opened radio stations, but the studio declined and he sold Sun Records to Shelby Singleton in 1968.
Phillips launched radio station WHER on October 29, 1955. Each of the young women who auditioned for the station assumed there would only be one female announcer position, as was the case with other stations at that time. Only a few days before the first broadcast did they learn of the "All Girl Radio" format. It was the first all girl radio station in the nation, as almost every position at the station was held by a woman.[9]
Through savvy investments, Phillips soon amassed a fortune. He was one of the first investors with Roy Scott in Holiday Inn, a new motel chain that was about to go national; he became involved with the chain shortly after selling the rights to Elvis Presley to RCA for $35,000 which he multiplied many times over the years with Holiday Inn. He would also create two different subsidiary recording labels—Phillips International and Holiday Inn Records. Neither would match the success or influence of Sun, which Phillips ultimately sold to Shelby Singleton in the 1960s.
He also owned the Sun Studio Café in Memphis. One location was in the Mall of Memphis.
Phillips and his family founded Big River Broadcasting Corporation which owns and operates several radio stations in the Florence, Alabama, area, including WQLT-FM, WSBM, and WXFL.[10]
In 1986 Sam Phillips was part of the first group inducted into the Rock and Roll Hall of Fame and his pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame. He was the first ever non-performer inducted. In 1987, he was inducted into the Alabama Music Hall of Fame. He received a Grammy Trustees Award for his lifetime achievements in 1991. In 1998, he was inducted into the Blues Hall of Fame, and in October 2001 he was inducted into the Country Music Hall of Fame.
Phillips died of respiratory failure at St. Francis Hospital in Memphis, Tennessee on July 30, 2003, only one day before the original Sun Studio was designated a National Historic Landmark. He is interred in the Memorial Park Cemetery in Memphis.
He is portrayed by Charles Cyphers in the 1979 film Elvis, Trey Wilson in the 1989 film Great Balls of Fire!, Dallas Roberts in the 2005 film Walk the Line and by Tim Guinee in the 2005 CBS miniseries Elvis. He was portrayed by Gregory Itzin in a 1993 episode of Quantum Leap entitled "Memphis Melody."
He was also portrayed in the 1981 movie This Is Elvis by son Knox Phillips.
In 2000, a documentary about his life and involvement in the emergence of Rock and Roll called "Sam Phillips: The Man Who Invented Rock'n'Roll" was released by A&E Television Networks.
Samantha Phillips (born 25 February 1966) is an American actress, talk-show host, reality TV host, radio DJ, producer, and model. She had an early role in the 1988 action-horror film Phantasm II. Currently she is the host of a radio show called The Single Life.
Phillips has appeared on numerous television shows, including CBS' The Late Late Show with Craig Kilborn, FX Network, The Howard Stern Show, The Joan Rivers Show, Jenny Jones, The Maury Povich Show, Hard Copy, Inside Edition, Extra, Entertainment Tonight, Undateable (VH1), The Doctors (CBS), Red Eye (Fox News Channel), Strictly Sex with Dr. Drew (Discovery Health Channel), and HBO. She has also been cast in music videos, including ones for "Weird Al" Yankovic, Van Halen, Amy Grant, Mötley Crüe, Simply Red, Scorpions, The Doobie Brothers, Dave Koz, Iron Maiden and Alice Cooper, among others.
Between 1998 and 2001, Phillips was a reporter for Sexcetera on Playboy TV. In 2005, she hosted episodes of Xtreme Fakeovers.
Sam Phillips (born Leslie Ann Phillips January 28, 1962) is an American singer, songwriter, composer and actress. She began her career in the contemporary Christian music industry but, uncomfortable with that image and industry, she re-branded herself as "Sam"—transitioning into the mainstream market after meeting producer T-Bone Burnett. She has released eight albums including the critically acclaimed Martinis and Bikinis in 1994. She has also composed scores for the television shows Gilmore Girls and Bunheads.
Phillips was born in Glendale, California.
She began her musical career in the early 1980s, singing background vocals for Christian artists Mark Heard and Randy Stonehill. Phillips was signed to a solo contract with Myrrh Records – under her given name – and recorded four Christian pop albums, Beyond Saturday Night, Dancing with Danger, Black and White in a Grey World and, finally, The Turning, which teamed her with producer and future husband, T-Bone Burnett. Several became Top 10 singles on Christian radio and Myrrh records promoted her as "the Christian Cyndi Lauper". Phillips was never comfortable with this image, and it was a bone of contention between her and her label. She began using the name "Sam" professionally in 1988 when she left Myrrh Records and signed with Virgin Records in order to distance herself from her prior persona.
All Over Me may refer to:
"All Over Me" is a song written by The Peach Pickers (Rhett Akins, Dallas Davidson, Ben Hayslip), and recorded by American country music artist Josh Turner. It was released in April 2010 as the second single from his album Haywire.
Co-writer Rhett Akins told The Boot that the song "is another one of those good time summer feeling songs about hot weather and it being time to get in the boat, grab your girl and head to the lake or the river." He also said that they "didn't have any title mapped out or even a direction of where we were going[…]We came up with the title to the song as we were writing the chorus about save all your kisses up, bring all your sweet love, and pour it all over me."
"All Over Me" is an uptempo song backed primarily by piano and electric guitar. The song's male narrator describes telling his love interest his desire to take her down to the riverbank in the summer, begging her to pour her love "all over [him]."
Charles Allan "Charlie" Rich (December 14, 1932 – July 25, 1995) was an American country music singer, songwriter and musician. His eclectic style of music was often hard to classify in a single genre, encompassing the rockabilly, jazz, blues, country, soul and gospel genres.
In the later part of his life, Rich acquired the nickname the Silver Fox. He is perhaps best remembered for a pair of 1973 hits, "Behind Closed Doors" and "The Most Beautiful Girl". "The Most Beautiful Girl" topped the U.S. country singles charts, as well as the Billboard Hot 100 pop singles charts and earned him two Grammy Awards. Rich was inducted into the Memphis Music Hall of Fame in 2015.
Rich was born in Colt, Arkansas, to rural cotton farmers. He graduated from Consolidated High School in Forrest City, where he played saxophone in the band. He was strongly influenced by his parents, members of the Landmark Missionary Baptist Church in Forrest City, as his mother, Helen Rich, played piano and his father sang in gospel quartets. A black sharecropper on the family land called C. J. Allen taught Rich blues piano. He enrolled at Arkansas State College on a football scholarship and then transferred to the University of Arkansas as a music major after a football injury. He left after one semester to join the United States Air Force in 1953.
Sam Phillips (born 31 May 1984) is an English actor.
The son of television director Nic Phillips and graduate of the Guildhall School of Music and Drama. Phillips is perhaps best known for his roles in children's comedy Hotel Trubble as Jamie and as Spencer Cavendish in the third series of Kay Mellor's The Syndicate starring alongside Anthony Andrews, Alice Krige, Lenny Henry and Richard Rankin .
Phillips has also had roles in Far From The Madding Crowd, In The Flesh, Pete versus Life, Micro Men, My Family and Eastenders: E20.
His theatre work includes the National Theatre production of The History Boys as Lockwood, Much Ado About Nothing at Shakespeare's Globe as Claudio and Bertram Cates in the acclaimed production of Inherit The Wind at the Old Vic where he starred alongside Kevin Spacey under the direction of Trevor Nunn.
My life fell through a hole in my pocket
I lost my solitude, I lost my balance
I lost my reverence and voice
Pieces of soap building up a mountain
Moving seeds of doubt
My life fell through a hole in my pocket
I can't see anything
Only this moment
I hear my heart breaking into faith
Pieces of soap building up a mountain
Moving seeds of doubt