World is a common name for the whole of human civilization, specifically human experience, history, or the human condition in general, worldwide, i.e. anywhere on Earth or pertaining to anywhere on Earth.
In a philosophical context it may refer to:
In a theological context, world usually refers to the material or the profane sphere, as opposed to the celestial, spiritual, transcendent or sacred. The "end of the world" refers to scenarios of the final end of human history, often in religious contexts.
World history is commonly understood as spanning the major geopolitical developments of about five millennia, from the first civilizations to the present.
World population is the sum of all human populations at any time; similarly, world economy is the sum of the economies of all societies (all countries), especially in the context of globalization. Terms like world championship, gross world product, world flags etc. also imply the sum or combination of all current-day sovereign states.
"World" is a song from the Bee Gees' fourth album Horizontal, released in 1967 in the United Kingdom. Though it was a big hit in Europe, Atco Records did not issue it as a single in the United States, having just issued a third single from Bee Gees' 1st, "Holiday".
The song's lyrics question the singer's purpose in life.
The song's first recording session was on 3 October 1967 along with "With the Sun in My Eyes" and "Words". The song's last recording session was on 28 October 1967. "World" was originally planned as having no orchestra, so all four tracks were filled with the band, including some mellotron or organ played by Robin. When it was decided to add an orchestra, the four tracks containing the band were mixed to one track and the orchestra was added to the other track. The stereo mix suffered since the second tape had to play as mono until the end when the orchestra comes in on one side. Barry adds: "'World' is one of those things we came up with in the studio, Everyone just having fun and saying, 'Let's just do something!' you know". Vince Melouney recalls: "I had this idea to play the melody right up in the top register of the guitar behind the chorus".
"World" is a song by James Brown. It was released as a two-part single and charted #8 R&B and #37 Pop. Critic Douglas Wolk described the song as "overwrought".
These are some of the characters from Rob Zombie's House of 1000 Corpses and The Devil's Rejects.
In House of 1000 Corpses, Captain Spaulding was introduced as a vulgar clown and the proprietor of a gas station that doubled as a museum/haunted house ride with a focus on serial killers, madmen and freaks of nature. His main purpose in the first film was to redirect a group of young adults looking for the local legend of "Dr. Satan" to the tree where he was supposedly hanged, where they instead end up running into the murderous Firefly family.
Rob Zombie described Spaulding on the commentary for House of 1000 Corpses as a "lovable asshole" and wanted to make the character's motivations and connection to the Firefly family ambiguous. Because Spaulding never interacts or talks to any members of the murderous Firefly family, it is never fully explained in the movie at just how much Spaulding knows about the family; if he is in league with the them, or if he is just a murderous vigilante unconnected to the Firefly clan (in the film's opening scene, he shoots and kills two burglars attempting to rob his store). Although, in one of the final scenes in the film, Spaulding is shown driving a car in which Otis Driftwood is hiding in the backseat ready to claim another victim. He is described in the script for Corpses as a "crusty looking old man in a filthy clown suit and smeared make-up". He has the words "LOVE" and "HATE" tattooed on his knuckles, a reference to the character Reverend Harry Powell from Night of the Hunter. Just as several characters from the series are named after characters from the Marx Brothers films, Spaulding is named for Groucho Marx's character from Animal Crackers.
Alive! is an album by American jazz guitarist Grant Green featuring a performance recorded at the Cliche Lounge in Newark, New Jersey in 1970 and released on the Blue Note label. The album was Green's first official live recording. The CD reissue added three bonus tracks.
The Allmusic review by Steve Huey awarded the album 4 stars and stated "Alive! is the hardest funk LP Grant Green recorded during the later phase of his career... this is the most convincing and consistent Green had been as a funkster and, while nearly all of his albums from the early '70s feature at least some worthwhile material for acid jazz and beat-sampling junkies, Alive! is probably the best place to start".
"Alive" is the debut solo single by Australian recording artist and actress Natalie Bassingthwaighte. It was released on 14 October 2008, as the first single from her debut solo album 1000 Stars. The song's musical-genre is pop and its lyrics describe being free, taking chances and making love. Upon its release, "Alive" peaked at number eight on the ARIA Singles Chart and was certified platinum by the Australian Recording Industry Association for sales exceeding 70,000 copies.
"Alive" was written by Bassingthwaighte, Arnthor Birgisson and Andrew Frampton in Los Angeles, during the last week Bassingthwaighte was writing songs for 1000 Stars. It was also her last writing session with Birgisson and Frampton. Bassingthwaighte stated that it was really hard to write "Alive" because they wanted to write something that was "just fun" because she felt a song like that was missing from the album. The music video was directed by Anthony Rose and features Bassingthwaighte dressed in multiple outfits and wigs.
"Alive" is a R&B song by American singer-songwriter Mýa. The track was produced by DJ Komori and UTA for Manhattan Records compilation album Exclusive 2000-2010 DECADE BEST. "Alive" was written by Lil Eddie, Deanna, and Harrison.
"Alive" was released September 22, 2010 in Japan via iTunes as the first single from Manhattan Records compilation album Exclusive 2000-2010 DECADE BEST and featured on Mýa's sixth studio album K.I.S.S.
Digital download