Code (audio standard)

Code or ΧΟΔΕ (also pronounced "code") is a brand name for the high-fidelity audio DVD-Video disc developed by Grammy Award-winning record producer T-Bone Burnett. The brand is meant to give listeners a comparable experience to hearing studio master recordings and to offer a higher resolution alternative to the smaller, lower quality MP3, the iTunes Store's AAC, and Compact Disc formats. A Code disc is a DVD-Video disc with standard 24-bit/96 kHz PCM audio, and is played from a DVD player or a DVD-ROM drive. The disc also includes files in 24-bit/96 kHz WAV, AAC, and MP3 formats for use on personal computers and portable media players.John Mellencamp's Life, Death, Love and Freedom was the first album released in the format on July 15, 2008. Elvis Costello has also expressed interest in releasing in the format.Will Dailey released his Torrent, Volumes 1 & 2 in ΧΟΔΕ on June 9, 2009. The album is credited on its back cover as "ΧΟΔΕ certified by T Bone Burnett".

See also

Code (law)

A code is a type of legislation that purports to exhaustively cover a complete system of laws or a particular area of law as it existed at the time the code was enacted, by a process of codification. Though the process and motivations for codification are similar in different common law and civil law systems, their usage is different. In a civil law country, a Code typically exhaustively covers the complete system of law, such as civil law or criminal law. By contrast, in a common law country with legislative practices in the English tradition, a Code is a less common form of legislation, which differs from usual legislation that, when enacted, modify the existing common law only to the extent of its express or implicit provision, but otherwise leaves the common law intact. By contrast, a code entirely replaces the common law in a particular area, leaving the common law inoperative unless and until the code is repealed. In a third case of slightly different usage, in the United States and other common law countries that have adopted similar legislative practices, a Code is a standing body of statute law on a particular area, which is added to, subtracted from, or otherwise modified by individual legislative enactments.

Ten-code

Ten-codes, officially known as ten signals, are brevity codes used to represent common phrases in voice communication, particularly by law enforcement and in Citizens Band (CB) radio transmissions.

The codes, developed in 1937 and expanded in 1974 by the Association of Public-Safety Communications Officials-International (APCO), allow for brevity and standardization of message traffic. They have historically been widely used by law enforcement officers in North America but due to the lack of standardization, in 2006 the U.S. federal government recommended they be discontinued in favor of everyday language.

History

APCO first proposed Morse code brevity codes in the June, 1935 issue of The APCO Bulletin, which were adapted from the procedure symbols of the U.S. Navy.

The development of the APCO Ten Signals began in 1937, when police radio channels were limited to reduce use of speech on the radio. Credit for inventing the codes goes to Charles "Charlie" Hopper, communications director for the Illinois State Police, District 10 in Pesotum, Illinois. Hopper had been involved in radio for years and realized there was a need to abbreviate transmissions on State Police bands. Experienced radio operators knew the first syllable of a transmission was frequently not understood because of quirks in early electronics technology. Radios in the 1930s were based on vacuum tubes powered by a small motor-generator called a dynamotor. The dynamotor took from 1/10 to 1/4 of a second to "spin up" to full power. Police officers were trained to push the microphone button, then pause briefly before speaking; however, sometimes they would forget to wait. Preceding each code with "ten-" gave the radio transmitter time to reach full power. An APCO Bulletin of January 1940 lists codes assigned as part of standardization;

Alive! (Grant Green album)

Alive! is an album by American jazz guitarist Grant Green featuring a performance recorded at the Cliche Lounge in Newark, New Jersey in 1970 and released on the Blue Note label. The album was Green's first official live recording. The CD reissue added three bonus tracks.

Reception

The Allmusic review by Steve Huey awarded the album 4 stars and stated "Alive! is the hardest funk LP Grant Green recorded during the later phase of his career... this is the most convincing and consistent Green had been as a funkster and, while nearly all of his albums from the early '70s feature at least some worthwhile material for acid jazz and beat-sampling junkies, Alive! is probably the best place to start".

Track listing

Alive (Mýa song)

"Alive" is a R&B song by American singer-songwriter Mýa. The track was produced by DJ Komori and UTA for Manhattan Records compilation album Exclusive 2000-2010 DECADE BEST. "Alive" was written by Lil Eddie, Deanna, and Harrison.

"Alive" was released September 22, 2010 in Japan via iTunes as the first single from Manhattan Records compilation album Exclusive 2000-2010 DECADE BEST and featured on Mýa's sixth studio album K.I.S.S.

Track listing

Digital download

References

Alive (Nitty Gritty Dirt Band album)

Alive is the 1969 album from The Nitty Gritty Dirt Band. Liberty Records released this album after the original version of the band broke up and before the next version of the band re-signed with them. It appears to have been recorded in 1967, which is before some of the material on previous album Rare Junk.

Reception

The Allmusic review by Bruce Eder awarded the album 4 stars stating "How many live albums -- forget decent ones -- were left behind by bands in 1967/68? This is one, and it's better than decent, and almost a gift from heaven, capturing an early incarnation of the group (circa 1967) on a good night at the L.A. Troubadour. Someone has earned a place in musical heaven for seeing to recording the show.".

Track listing