Sur may refer to:
SUR may refer to:
Sur Sports Club (Arabic: نادي صور الرياضي) is an Omani sports club based in Sur. The club is currently playing in the Oman Professional League, top division of Oman Football Association. Their home stadium is Sur Sports Complex. The stadium is government owned, but they also own their own personal stadium and sports equipments, as well as their own training facilities.
Although being mainly known for their football, Sur SC like many other clubs in Oman, have not only football in their list, but also hockey, volleyball, handball, basketball, badminton and squash. They also have a youth football team competing in the Omani Youth league.
Sur SC have been known since establishment to wear a full blue or white (Away) kit (usually a darker shade of blue), varying themselves from neighbors Al-Oruba SC (white) and Al-Tali'aa SC (orange) kits. They have also had many different sponsorships over the years. As of now, Adidas provides them with kits.
In the field of molecular biology, the sulfonylurea receptors (SUR) are membrane proteins which are the molecular targets of the sulfonylurea class of antidiabetic drugs whose mechanism of action is to promote insulin release from pancreatic beta cells. More specifically, SUR proteins are subunits of the inward-rectifier potassium ion channels Kir6.x (6.1 and 6.2). The association of four Kir6.x and four SUR subunits form an ion conducting channel commonly referred to as the KATP channel.
There are three forms of the sulfonylurea receptor, SUR1 encoded by the ABCC8 gene and SUR2A and SUR2B which are splice variants arising from a single ABCC9 gene.
The primary function of the sulfonylurea receptor is to sense intracellular levels of the nucleotides ATP and ADP and in response facilitate the open or closing its associated Kir6.x potassium channel. Hence the KATP channel monitors the energy balance within the cell.
Depending on the tissue in which the KATP channel is expressed, altering the membrane potential can trigger a variety of down stream events. For example, in pancreatic beta cells, high levels of glucose lead to increased production of ATP which in turn binds to the KATP channel resulting in channel closure. The increase in membrane potential in turn opens voltage-dependent calcium channels increasing intracellular calcium concentrations which triggers exocytosis of insulin.
Through the Looking-Glass, and What Alice Found There (1871) is a novel by Lewis Carroll (Charles Lutwidge Dodgson), the sequel to Alice's Adventures in Wonderland (1865). Set some six months later than the earlier book, Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. Through the Looking-Glass includes such celebrated verses as "Jabberwocky" and "The Walrus and the Carpenter", and the episode involving Tweedledum and Tweedledee.
Alice is playing with a white kitten (whom she calls "Snowdrop") and a black kitten (whom she calls "Kitty")—the offspring of Dinah, Alice's cat in Alice's Adventures in Wonderland—when she ponders what the world is like on the other side of a mirror's reflection. Climbing up on the fireplace mantel, she pokes at the wall-hung mirror behind the fireplace and discovers, to her surprise, that she is able to step through it to an alternative world. In this reflected version of her own house, she finds a book with looking-glass poetry, "Jabberwocky", whose reversed printing she can read only by holding it up to the mirror. She also observes that the chess pieces have come to life, though they remain small enough for her to pick up.
Alice is an engineer from the Dilbert comic strip. She is one of Dilbert's co-workers in the department. She has long curly hair, which transformed into a large and distinctive triangular hairstyle when the character became a regular. Her character was based on a former colleague of cartoonist Scott Adams.
Before Alice became a fictional regular character, there were a variety of generic fluffy haired women at Dilbert's Company. Many of them had bit parts and were only used one or two times. The name Alice was used at least once, in a series of strips where she was forced to give birth at the office. Some of these characters had personalities very similar to the later Alice; these characters eventually disappeared when Alice began to be featured regularly. Like the Pointy-Haired Boss, Alice's hairstyle became more distinct over time. More recent female bit parts have smooth, semicircle hair. The first time that Alice could be seen with her typical pink suit and curly triangle hair was on August 25, 1992. In the summer of 2010, Alice's regular work uniform changed from her trademark pink suit to a turtleneck and a black skirt.
Alice, the main character from Lewis Carrol's Alice's Adventures in Wonderland, has been adapted to several media.
The first professional stage adaptation of Alice's Adventures in Wonderland and Through the Looking Glass, the musical Alice in Wonderland, a Dream Play for Children, in two acts, debuted on 23 December 1886 at the Prince of Wales Theatre in London, England, and continued until 18 March 1887, to good reviews; it starred Phoebe Carlo as Alice. The musical was later revived and performed at the Globe Theatre from 26 December 1888 to 9 February 1889, with Carroll's friend, Isa Bowman, as Alice. The musical was frequently revived during the "Christmas season," being produced eighteen times from 1898 to 1930.Alice's Adventures in Wonderland has since been adaptated for various forms of the stage, including "ballets, operas, experimental theatre, Broadway musicals, puppet plays, mime acts, and rock musicals."
All these threats....
All these threats filled with empty words.
They put you way far out of line.
Now you better step up or just step right back.
Cause you will need more than your words to….
Bring me down x 3
You can´t bring me down.
(Down) to your level I will never sink.
But you pushed me way to far.
Now the time has come to set things straight.
This time you will need more than words to…
All these empty threats of yours, all these empty words.
All the times you´v crossed the line. All times you tried to drag me….. down.
All these empty threats of yours, all these empty words can´t bring me down.
You can´t BRING ME DOWN.