Alanson (/əˈlæn.sən/ ə-LAN-sən) is a village in Emmet County in the U.S. state of Michigan. The population was 738 at the 2010 census.
Alanson is in Littlefield Township on U.S. Highway 31 at the junction with M-68. Petoskey is about 12 miles (19 km) southwest on US 31 and Mackinaw City and the Mackinac Bridge are about 25 miles (40 km) north. Interstate 75 is about 11 miles (18 km) to the east on M-68 at Indian River.
Alanson was first settled in 1875. The Alanson post office opened with the name Hinman on January 17, 1877 and changed to Alanson on June 22, 1882.
Located on the Crooked River, Alanson is part of the Inland Water Route, which includes: Crooked, Burt and Mullett lakes, and the Crooked, Indian and Cheboygan rivers. The Inland Water Route Historical Society Museum is located in Alanson.
Alanson also has a hillside garden located adjacent to the former Grand Rapids and Indiana Railroad depot. The village has added a nice library in the community center. Both the town and the Crooked River are mentioned in a song title on the Sufjan Stevens album, Michigan.
Alanson is both a given name and a surname. Notable people with the name include:
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Sweetness is one of the five basic tastes and is universally regarded as a pleasurable experience, except perhaps in excess. Foods rich in simple carbohydrates such as sugar are those most commonly associated with sweetness, although there are other natural and artificial compounds that are sweet at much lower concentrations, allowing their use as non-caloric sugar substitutes. Examples of foods that may be used as non-sugar sweet substitutes include saccharin, aspartame, acesulfame potassium, sucralose, xylitol, erythritol, and stevia. Other compounds, such as miraculin, may alter perception of sweetness itself.
The chemosensory basis for detecting sweetness, which varies between both individuals and species, has only begun to be understood since the late 20th century. One theoretical model of sweetness is the multipoint attachment theory, which involves multiple binding sites between a sweetness receptor and a sweet substance.
Buffy the Vampire Slayer is an American franchise which spans several media and genres. It began in 1992 with the film Buffy the Vampire Slayer, written by Joss Whedon and directed by Fran Rubel Kuzui, and was resurrected as the television series, Buffy the Vampire Slayer in 1997. The show's popularity caused it to spawn a multitude of Expanded Universe tie-in material such as comic books, novels, and video games, as well as a spin-off program entitled Angel. In 2007, four years after the television series' seventh and final season, Buffy the Vampire Slayer was officially continued in the comic book Season Eight. The following is a list of minor recurring characters who appear in the franchise.
(a.k.a. Saga Vasuki)
Amanda is a Potential Slayer who appears in Season Seven, played by Sarah Hagan. A Sunnydale High student and member of the swing choir, she first appears in the episode "Help" as part of the seemingly-random stream of students showing up at Buffy's guidance office. Amanda was sent to Buffy for beating up another student who was picking on her. In the later episode "Potential", it is revealed that Amanda is in fact a Potential Slayer, and she aptly slays a vampire who threatens her and Dawn. Afterwards, Amanda moves into the Summers' residence, where she trains and becomes friends with her fellow Potentials. In the final episode of the show, "Chosen", Amanda is activated as a Slayer along with the other Potentials and battles against an army of Turok-Han vampires. She is last seen falling to the ground dead after her neck was snapped by a Turok-Han. She was the first Potential to kill a vampire and the first one to kill a Turok-Han.
Sweet is the fourth studio album released by American country music artist Ken Mellons. Released in 2004, it contains the song "Paint Me a Birmingham", which was also recorded by Tracy Lawrence and released as a single. Mellons's rendition was also released shortly before Lawrence's. "Smack Dab" was previously recorded by George Jones on his 1998 album It Don't Get Any Better Than This.