Akhyana was a traditional musical theatre as well as medieval genre of Gujarati poetry. It was primarily practiced in Gujarat, a western state of India.
Akhyana literally means to tell or narrate in Sanskrit. The 12th century polymath Hemchandra defined Akhyana in his Kavyanusashana as a side story from religious texts narrated by Granthika (professional story teller) to instruct audience accompanied by singing and acting. This definition does not include the narration of other nonmythological stories like that of Narsinh Mehta. In general, Akhyana can be defined as the stories narrated by story teller for religious instructions to audience accompanied by singing and acting. Dolarrai Mankad defined it as a form of poetry with musical components and scope of acting.
The narrator or professional story tellers who recited Akhyanas were called Manabhatt or Gagaria-bhatt. They set poetry to muaical tunes and do mono acting. They wore rings on their fingers which were used to sound the beats on overtuned copper pots. Mana or Gagar literally means pot in Gujarati.
All the little girls and boys,
Playing with their little toys,
All they really needed from you is maybe some love.
All the little boys and girls,
Living in this crazy world,
All they really needed from you is maybe some love.
Why must we be alone?
Why must we be alone?
It's real love,
Yes, it's real.
I don't expect you to understand,
The king above heaven is in your hand.
I don't expect you to awake from your dreams,
Too late for pride now it seems.
All the little plans and schemes,
Nothing but a bunch of dreams,