Delay

Delay may refer to:

Law

Science and technology

Entertainment

Futures and promises

In computer science, future, promise, and delay refer to constructs used for synchronization in some concurrent programming languages. They describe an object that acts as a proxy for a result that is initially unknown, usually because the computation of its value is yet incomplete.

The term promise was proposed in 1976 by Daniel P. Friedman and David Wise, and Peter Hibbard called it eventual. A somewhat similar concept future was introduced in 1977 in a paper by Henry Baker and Carl Hewitt.

The terms future, promise, and delay are often used interchangeably, although some differences in usage between future and promise are treated below. Specifically, when usage is distinguished, a future is a read-only placeholder view of a variable, while a promise is a writable, single assignment container which sets the value of the future. Notably, a future may be defined without specifying which specific promise will set its value, and different possible promises may set the value of a given future, though this can be done only once for a given future. In other cases a future and a promise are created together and associated with each other: the future is the value, the promise is the function that sets the value – essentially the return value (future) of an asynchronous function (promise). Setting the value of a future is also called resolving, fulfilling, or binding it.

Delay 1968

Delay 1968, or just Delay (as the SACD version is titled), is a compilation album of early outtakes of Can's work with singer Malcolm Mooney, including some of the band's earliest material. It contains the song "The Thief", which had already been released officially as a slightly longer version on United Artists compilation album Electric Rock in 1970. The track was later covered live by Radiohead.

Holger Czukay has said that Delay 1968 was originally intended to be the band's first album and would have been titled Prepared to Meet Thy PNOOM ("Pnoom" being the name of the album's second track—a 27-second saxophone instrumental, recorded as part of their Ethnological Forgery Series). When no record company would release the record, Can set out to make a somewhat more accessible album, which became their 1969 debut Monster Movie. Parts of Delay 1968 circulated in bootleg form for several years under the title Unopened, and included other tracks recorded during the same sessions that would later surface in various forms on other albums.

Aja

Aja or AJA may refer to:

Anthropology

Gods

People

Music

Places

Acronyms

Maija Vilkkumaa

Maija Johanna Vilkkumaa (born 9 November 1973) is a Finnish pop rock singer-songwriter. Beginning her musical hobbies playing piano at an age before school, Vilkkumaa studied in high school where she and her friends set up the band Tarharyhmä in 1990, which broke up in 1995. While studying Finnish language at the University of Helsinki, she started to take singing lessons and went on to start her solo career in 1999.

During her solo career from 1999 to 2011, Vilkkumaa has released eight full-length solo albums and sold over 300,000 certified records, becoming the 10th-best-selling female soloist in Finland. Along with meeting commercial success, the singer—who writes and composes the songs by herself—has also been credited for her songwriting skills by receiving the Juha Vainio Award. She has also received five Emma Awards, accolades for outstanding achievements in music, awarded by the Finnish music industry federation, Musiikkituottajat, and five Emma nominations.

Life and career

Aja language

There are two languages called Aja:

See also