Ai Kora (Japanese: あいこら), also known as Love&Collage, is a manga series by Kazurou Inoue, manga artist of the popular manga and anime series Midori Days. The manga ended on February 6, 2008 and 12 volumes have been published in tankōbon form, but has been republished and has been continuing since July 23, 2008.
The plot is based on a teenager, Hachibe Maeda, who idolizes individual parts of women. When he moves to Tokyo to attend high school, he finds himself living in a shed near a girls' dormitory, which has ladies who each possess one of the ideal features he desires. The story revolves around Hachibei's quest to indulge in his fetishes, and his growing relationships with the other characters.
Normally he is very passive and non-violent, but when a serious event threatens his ideal parts, he transforms into a berserker state. In this state, he is able to accomplish superhuman feats and as stated by Ootori, surpasses that of the strongest ninja. Later in the story, he reveals that his father died when he was young and had a similar personality. His father's happiness in finding his wife (his ideal woman) is what drives Hachibei's quest for his own ideal woman.
Kora may refer to
Khoemana, also known as Korana or Griqua, is a moribund Khoe language of South Africa.
"Khoemana" (from khoe 'person' + mana 'language') is more commonly known as either Korana /kɒˈrɑːnə/ (also ǃOra /ˈkɔərə/ ~ !Gora), or Griqua (also Gri [xri], Xri, Xiri, Xirikwa), and sometimes as Cape Khoe or Cape Hottentot. The names are often treated as different languages (called South Khoekhoe when taken together), but they do not correspond to any actual dialect distinctions, and speakers may use "Korana" and "Griqua" interchangeably. Both names are also used more broadly, for example for the mixed-race Griqua people. There are (or were) several dialects of Khoemana, but the details are unknown.
Khoemana is closely related to Khoekhoe, and the sound systems are broadly similar. The strongly aspirated Khoekhoe affricates are simply aspirated plosives [tʰ, kʰ] in Khoemana. However, Khoemana has an ejective velar affricate, /kxʼʔ/, which is not found in Khoekhoe, and a corresponding series of clicks, /ǀ͡χʼ ǁ͡χʼ ǃ͡χʼ ǂ͡χʼ/. Beach (1938) reported that the Khoekhoe of the time had a velar lateral ejective affricate, [k͡ʟ̝̊ʼ], a common realization or allophone of /kxʼ/ in languages with clicks, and it might be expected that this is true for Khoemana as well. In addition, about half of all lexical words in Khoemana began with a click, compared to a quarter in Khoekhoe.
The kora is a 21-string lute-bridge-harp used extensively in West Africa.
A kora is a mandinka harp built from a large calabash cut in half and covered with cow skin to make a resonator with a long hardwood neck. The skin is supported by two handles that run under it, and it supports a notched double free-standing bridge. It doesn't fit into any one category of musical instruments, but rather several, and must be classified as a "double-bridge-harp-lute". The strings run in two divided ranks, making it a double harp. They do not end in a soundboard but are held in notches on a bridge, making it a bridge harp. They originate from a string arm or neck and cross a bridge directly supported by a resonating chamber, making it a lute too.
The sound of a kora resembles that of a harp, though when played in the traditional style, it bears a closer resemblance to flamenco and delta blues guitar techniques. The player uses only the thumb and index finger of both hands to pluck the strings in polyrhythmic patterns (using the remaining fingers to secure the instrument by holding the hand posts on either side of the strings). Ostinato riffs ("Kumbengo") and improvised solo runs ("Birimintingo") are played at the same time by skilled players.
assisted paradigm entrusted privately decays
behaving all controlled dependent look alike display
affection for defection when no refuge all the same
dependent never border one world order it away
create a way the mind will have to
find a way in guarding reason alibis
it seems a way defended reasons it seems a way
it seems a way alarming visions it seems a way
a begging man divine instructed shadow poverty
a deeply dirty hiding from too many eaten needs
protection with selection cover all not needing anything
resentment unrelenting change to self destructive means
it seems a way poor execution it seems a way
it seems a way each from a center
it seems a way
addicted horrified abducted outwardly betray
removing all below collective consciousness degrades
ascension from depression which cover chosen all the same
pretend it doesn't matter the world orders it away.
ask as if to find traces out of time back chews on itself a turn that
says it all.
inserting all the tools upon the broken talking dog
if fleeing dirty shadows off of drawings on the wall
a funded self of science from disorder and decay