OOIOO /ˌoʊˌoʊˌaɪˌoʊˈoʊ/ is a group founded by Boredoms drummer (and occasional trumpeter and vocalist) Yoshimi P-We.
According to AllMusic's Kieran McCarthy "It's next to impossible to describe their sound, because — by design — it rarely follows consistent patterns". Some of their music has been described as having "a majestic ebb and flow that suggests natural wonders" or a "witchy, tribal side". Either way, at any one time it may incorporate chanting and punchy drums, dancey polyrhythms atonal composition or psychedelia.
OOIOO was allegedly founded as a "fake band for a magazine photo shoot" and would later open for Sonic Youth in 1997 with "stickers on their fretboards to indicate where their fingers should go".
The majority of OOIOO's music originates from improvisations. When asked about OOIOO's songwriting process in an interview with Pitchfork.com Yoshimi (P-we) Yokota stated,
When asked to compare this with Boredoms songwriting process she said,
OOIOO, originally released as ∞8∞ (pronounced "eight") in Japan, is the debut album by the Japanoise band OOIOO.
Yeah!!! (or Aretha Franklin In Person With Her Quartet) is the eighth studio album by American singer Aretha Franklin, Released on May 17, 1965 by Columbia Records. Contrary to the overdubbed sounds of audience murmurs, the album was not a live album, but instead was recorded live at New York's Columbia Studios and produced by Clyde Otis. This would be Franklin's last collection of jazz recordings until the release of 1973's Hey Now Hey (The Other Side of the Sky), released during her landmark tenure at Atlantic Records. An expanded version of the album that also contains the original session tracks without audience overdubs has been released on CD in the Columbia Box Set Take A Look: Aretha Franklin Complete On Columbia.
Yeah may refer to:
"Yeah!" is a song by American recording artist Usher. It was written by Usher, Lil Jon, Sean Garrett, Patrick J. Que Smith, Ludacris, Robert McDowell and LRoc, and features guest vocals from Lil Jon and Ludacris. It was also produced by Lil Jon, who incorporated crunk and R&B—which he coined as crunk&B—in the song's production. The song was released as the lead single from Usher's fourth studio album Confessions (2004) on January 27, 2004, after Usher was told by Arista Records, his label at the time, to record more tracks for the album.
"Yeah!" topped the US Billboard Hot 100 chart for twelve consecutive weeks, before being replaced by its follow-up single "Burn". "Yeah!" was the longest-running number one single in 2004, subsequently topping the year-end chart on the Hot 100. It was certified platinum by the Recording Industry Association of America (RIAA). The song received a similar response in other countries, topping fourteen charts worldwide. It was certified platinum in several countries, including Australia, Belgium, Canada, Germany and Norway, and received a two times platinum certification in New Zealand. The song peaked in the top-ten in several Year-end charts.
Intro: KRS-One
Ah yeah, that's whatcha say when you see a devil down
Ah yeah, that's whatcha say when you take the devil's crown
Ah yeah, stay alive all things will change around
Ah yeah, what? Ah yeah!
Verse One: KRS-One
So here I go kickin science in ninety-five
I be illin, parental discretion is advised still
dont call me nigga, this MC goes for his
Call me God, cause that's what the black man is
Roamin through the forest as the hardest lyrical artist
Black women you are not a bitch you're a Goddess
Let it be known, you can lean on KRS-One
Like a wall cause I'm hard, I represent GOD
Wack MC's have only one style: gun buck
But when you say, "Let's buck for revolution"
They shut the fuck up, kid, get with it
Down to start a riot in a minute
You'll hear so many Bowe-Bowe-Bowe, you think I'm Riddick
While other MC's are talkin bout up with hope down with dope
I'll have a devil in my infrared scope, WOY!
That's for calling my father a boy and, KLAK KLAK KLAK!
That's for putting scars on my mother's back, BO!
That's for calling my sister a hoe, and for you
BUCK BUCK BUCK, cause I don't give a motherfuck
Remember the whip, remember the chant, remember about rope and
you black people still thinkin about vot-ing
Every president we ever had lied
You know I'm kinda glad Nixon died!
Chorus
Verse Two: KRS
This is not the first time I came to the planet
But everytime I come, only a few could understand it
I came as Isis, my words they tried to ban it
I came as Moses, they couldn't follow my commandments
I came as Solomon, to a people that was lost
I came as Jesus, but they nailed me to a cross
I came as Harriet Tubman, I put the truth to Sojourner
Other times, I had to come as Nat Turner
They tried to burn me, lynch me and starve me
So I had to come back as Marcus Garvey, Bob Marley
They tried to harm me, I used to be Malcolm X
Now I'm on the planet as the one called KRS
Kickin the metaphysical, spiritual, tryin to like
get wit you, showin you, you are invincible
The Black Panther is the black answer for real
In my spiritual form, I turn into Bobby Seale
On the wheels of steel, my spirit flies away
and enters into Kwame Ture
Chorus
Verse Three: KRS-One
In the streets there is no EQ, no di-do-di-do-di-do
So I grab the air and speak through the code
the devil cannot see through as I unload
into another cerebellum
Then I can tell em, because my vibes go through denim
and leather whatever, however, I'm still rockin
We used to pick cotton, now we pick up cotton when we shoppin
Have you forgotten why we buildin in a cypher
Yo hear me kid, government is building in a pyramid
The son of God is brighter than the son of man
The spirit is, check your dollar bill G, here it is
We got no time for fancy mathematics
Your mental frequency frequently pickin up static
Makin you a naked body, attic and it's democratic
They press auto, and you kill it with an automatic