Agony (film)

Agony (Russian: Агония, translit. Agoniya; U.S. theatrical/DVD title Rasputin) is a film by Elem Klimov, made c.1973-75 and released in Western and Central Europe in 1982 (USA and Soviet Union 1985), after protracted resistance from Soviet authorities. The film is notable for its rich, sometimes baroque style, its sumptuous recreation of episodes from the final year of Imperial Russia and the psychological portraits of Grigori Rasputin and the Imperial family.

Synopsis

The storyline of the film follows the final months of 1916 up to the murder of Rasputin; some events have been telescoped into this time though they actually happened earlier, during the war. Rasputin's effect on people around him is shown as almost hypnotic, and the film avoids taking a moral stance towards him—breaking not only with Soviet history but also with how he was regarded by people near the court at the time, some of whom regarded him as a debilitating figure who disgraced the monarchy and hampered the war effort.

Agony

Agony may refer to:

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Comics

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Music

Symbiote (comics)

The Symbiotes (originally known as the Klyntar) are a fictional race of amorphous extraterrestrial parasites which appear in the Marvel Comics shared universe. The Symbiotes envelop their hosts like costumes, creating a symbiotic bond through which the host's mind can be influenced.

The first appearance(s) of a symbiote occurs in The Amazing Spider-Man #252, The Spectacular Spider-Man #90, and Marvel Team-Up #141 (released concurrently in May 1984), in which Spider-Man brings one home to Earth after the Secret Wars (Secret Wars #8, which was released months later, details his first encounter with it). The concept was created by a Marvel Comics reader, with the publisher purchasing the idea for $220. The original design was then modified by Mike Zeck, becoming the Venom symbiote. The concept would be explored and used throughout multiple storylines, spin-off comics, and derivative projects.

Fictional biography

The Klyntar, as the symbiotes call themselves, originate from an unnamed planet in an uncharted region of space, and are a benevolent species which believes in helping others, which they attempt to do by creating heroes through the process of bonding to the morally and physically ideal. Hosts afflicted with chemical imbalances or cultural malignancy can corrupt symbiotes, turning them into destructive parasites which combat their altruistic brethren by spreading lies and disinformation about their own kind, in order to make other races fear and hate the species as a whole.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

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Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.