Agni Sakshi or Agnisakshi may refer to:
Agnisakshi is an Indian Kannada language television serial that airs on Colors Kannada. It opened one of the highest TRPs in the history of Kannada television.
Agnisakshi is related to Lakshmi Baramma serial (in the terms of Siddhartha's family being part of Lakshmi Baramma, Siddhartha liking a Chinnu, Chinnu appearing in many episodes at the start of the Agnisakshi serial and the "Lakshmi Baramma family" attending Sannidhi & Siddharth wedding), and Ashwini Nakahara serial(JK being part of the starting of Agnisakshi).
Agnisakshi is based on two families that are tied together by Sannidhi(a person who is ready to suffer the rest of her life for the happiness of another) & Siddharth's(a young loving businessman) unhappy marriage. Their marriage is arranged by Siddhartha's elder sister-in-law, Chandrika, who believes because Sannidhi is from a middleclass family she can be controlled and manipulated. As time progress the two fall in love, and Siddharth's younger brother Akhil and Sannidhi's younger sister Tanu also dream of their marriage. However their dreams along with Sannidhi & Siddharth's marriage will be continuously threatened by Chandrika and her younger sister who are all about taking control of Siddhartha's family.
Agnisakshi (With Fire As Witness) (Malayalam: മലയാളം) is a 1999 Malayalam film directed by Shyamaprasad based on the acclaimed novel of the same name by Lalithambika Antharjanam. The film premiered at the Soorya Festival on 14 September 1998. It stars Rajit Kapur, Shobana, Srividya, Praveena, Madhupal and Madambu Kunhukuttan. Agnisakshi received numerous accolades, which led to many controversies as the film glorifies spiritualism and Hindutva.
Unni accepts Devaki as his wife and brings her into the fold of his Namboothiri illam. Bound by a plethora of traditional beliefs, customs and rituals that constitute life within four walls of the joint family, Unni is unable to be the husband that he would have liked to be. Yet, they understand and love each other immensely. Guarded by the fortress of tradition, the family remains oblivious to the winds of change sweeping through society. Though Unni is aware, he shuts the door to everything that his family will never be able to comprehend or accept. But Devaki, who is essentially of a different mould, longs to step out into the world — and is finally forced to do so.