Afterall is a nonprofit contemporary art research and publishing organisation. It is based in London, at Central St Martins College of Art & Design.
The journal Afterall was founded by curator Charles Esche and artist Mark Lewis in 1998 (issue 0 came out in 1999). Each issue focused on the work of four artists, presenting two in-depth essays for each artist. In 2006 Afterall incorporated AS (Andere Sinema), a journal previously published by MuHKA, the museum of contemporary art in Antwerp, which became a publishing partner. In 2009, the International University of Andalucia, Seville also became a publishing partner. From 2002 to 2009 the journal was co-published with the California Institute of the Arts, with Thomas Lawson as a co-editor.
In 2006, the journal widened its remit to include not only essays on artists themselves, but also contextual essays on the political, social and economic issues that surround contemporary art, and retrospective looks at key artworks, events and exhibitions. Examples of these include an analysis of Laura Mulvey and Peter Wollen's Riddles of the Sphinx from 1977 ('What Does It Mean to Say Feminism Is Back? A Reaction to Riddles of the Sphinx', spring 2007) and Sandi Hilal, Alessandro Petti and Eyal Weizman's proposals for architecture in Palestine after Israeli decolonisation ('The Future Archaeology of Israel's Colonisation', spring 2009). The issues at this point (2007) went up from being published twice a year to the current rate of three times a year.
Here's the party where's my friends?
Pulling smoke through soda cans
So who's the people with the peepholes in their smiles
Think i'll skip the party and stay inside
Your house
My home
Two words
Your alone
I'll leave you waiting
Changing has changed me
And wine isn't change cheap
All that's left is a phone to call
Afterall
Something special in the end
Said the dotted line to the fountain pen
Just stay on course, stay in tune and wait in line
In the basement lost track of time
I know
It's late
Sometimes shit has to wait
Maybe i'm lazy
Time couldn't change me