The Guardian temperament is one of four temperaments defined by David Keirsey. Correlating with the SJ (sensing–judging) Myers–Briggs types, the Guardian temperament comprises the following role variants (listed with their corresponding Myers–Briggs types): Inspector (ISTJ), Protector (ISFJ), Provider (ESFJ), and Supervisor (ESTJ).
Guardians are concrete in communicating and cooperative in pursuing their goals. Their greatest strength is logistics. Their most developed intelligence role is either that of the Conservator (Protectors and Providers) or the Administrator (Inspector and Supervisor).
As the security-seeking temperament, Guardians are practical and frugal types. They share certain core values, among them the belief in a strong work ethic, the need for people and institutions to be responsible, the importance of following the rules and of serving one's community. Guardians value experience, and they seek a tangible return on their investments. Believing in common sense, they are not attracted to idle speculation. They are the glue of civilization, maintaining and nurturing institutions that have been established by the dint of hard work. They tend to be conventional and cooperative in their work, wanting to make sure everybody gets what they deserve, no more and no less. They follow the rules and conventions of their cohort or group and expect others to as well.
A role (also rôle or social role) is a set of connected behaviours, rights, obligations, beliefs, and norms as conceptualized by people in a social situation. It is an expected or free or continuously changing behaviour and may have a given individual social status or social position. It is vital to both functionalist and interactionist understandings of society. Social role posits the following about social behaviour:
In computer programming, a trait is a concept used in object-oriented programming, which represents a set of methods that can be used to extend the functionality of a class.
Traits both provide a set of methods that implement behaviour to a class and require that the class implement a set of methods that parameterize the provided behaviour.
For inter-object communication and sharing, traits are somewhat between an object-oriented protocol (interface) and a mixin. An interface may define one or more behaviors via method signatures, while a trait defines behaviors via full method definitions: i.e., it includes the body of the methods. In contrast, mixins include full method definitions and may also carry state through member variable, while traits usually don't.
Hence an object defined as a trait is created as the composition of methods, which can be used by other classes without requiring multiple inheritance. In case of a naming collision, when more than one trait to be used by a class has a method with the same name, the programmer must explicitly disambiguate which one of those methods will be used in the class; thus manually solving the diamond problem of multiple inheritance. This is different from other composition methods in object-oriented programming, where conflicting names are automatically resolved by scoping rules.
A character (or fictional character) is a person in a narrative work of art (such as a novel, play, television series or film). Derived from the ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person." In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.
A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualised. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts.
Administrator (sometimes abbreviated admin) may refer to:
In law an administrator (or administratrix for women) can be:
In the canon law of the Roman Catholic Church, an administrator of ecclesiastical property is anyone charged with the care of church property.
The supreme administrator and steward of to all ecclesiastical temporalities is the Pope, in virtue of his primacy of governance.
The pope's power in this connection is solely administrative, as he cannot be said properly to be the owner of goods belonging either to the Church or to particular churches. Papal administrative authority is exercised principally through the Congregations of the Roman Curia and similar bodies
The ordinary is to exercise vigilance over the administration of the property of the diocese, religious institute or other juridical bodies subject to him.
What follows is taken from the 1913 Catholic Encyclopedia. With the coming into force of the Code of Canon Law in 1917 and its revision in 1983, the provisions of canon law have in some points been changed. What is here needs therefore to be rewritten either by an expert in canon law or by someone who has at his or her disposal the time required to extract the necessary information from canons 1273-1289 of the Code of Canon Law and sources such as this commentary on the Code of Canon Law