Adagio is the fifth album by Solitude Aeturnus.
Line-up:
Recorded at Rhythm Studios, Bidford On Avon, UK, April '98
Produced by Solitude Aeturnus and Paul Johnston
Engineered by Paul Jonston
Mastered by Alexander Krull at Mastersound
Artwork and design by Travis Smith
Photos by Jax Smith
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
A la seconde (French pronunciation: [a la səɡɔ̃d]) A position of the leg to the side or a movement with the leg held to the side in second position, as in a pirouette à la seconde, in which a dancer turns with the working leg à la hauteur ('elevated') in second position
Also, one of the directions of the body, facing the audience (i.e. en face), arms in second position, with one leg extended to second position.
(French pronunciation: [a la katʁijɛm]) One of the directions of body, facing the audience (en face), arms in second position, with one leg extended either to fourth position in front (quatrième devant) or fourth position behind (quatrième derrière).
(French pronunciation: [a tɛʁ]) Touching the floor.
Italian, or French adage, meaning 'slowly, at ease.'
In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds
The Era is a river in Tuscany in Italy. It rises near Volterra and flows into the Arno river at Pontedera.
The Era is 54 km long, and its main tributaries are: (to the left) Cascina river, Ragone torrent, Sterza torrent, and (to the right) Capriggine torrent and Roglio torrent.
In 1966 the river flooded the town of Pontedera.
Coordinates: 43°40′N 10°38′E / 43.667°N 10.633°E / 43.667; 10.633
A geologic era is a subdivision of geologic time that divides an eon into smaller units of time. The Phanerozoic Eon is divided into three such time frames: the Paleozoic, Mesozoic, and Cenozoic represent the major stages in the macroscopic fossil record. These eras are separated by catastrophic extinction boundaries, the P-T boundary between the Paleozoic and the Mesozoic and the K-T boundary between the Mesozoic and the Cenozoic. There is evidence that catastrophic meteorite impacts played a role in demarcating the differences between the eras.
The Hadean, Archean and Proterozoic eons were as a whole formerly called the Precambrian. This covered the four billion years of Earth history prior to the appearance of hard-shelled animals. More recently, however, those eons have been subdivided into eras of their own.
Adjusted ERA+, often simply abbreviated to ERA+ or ERA plus, is a pitching statistic in baseball. It adjusts a pitcher's earned run average (ERA) according to the pitcher's ballpark (in case the ballpark favors batters or pitchers) and the ERA of the pitcher's league. Average ERA+ is set to be 100; a score above 100 indicates that the pitcher performed better than average, below 100 indicates worse than average.
For instance, if the average ERA in the league is 4.00, and the pitcher is pitching in a ballpark that favors hitters, and his ERA is 4.00, then his ERA+ will be over 100. Likewise, if the pitcher is pitching in a ballpark favoring pitchers, then the pitcher's ERA+ will be below 100.
As a result, ERA+ can be used to compare pitchers across different run environments. In the above example, the first pitcher may have performed better than the second pitcher, even though his ERA is higher. ERA+ can be used to account for this misleading impression.
Pedro Martínez holds the modern record for highest ERA+ in a single season; he posted a 1.74 ERA in the 2000 American League, which had an average ERA of 4.92, which gave Martínez an ERA+ of 291. While Bob Gibson has the lowest ERA in modern times (1.12 in the National League in 1968), the average ERA was 2.99 that year (the so-called Year of the Pitcher) and so Gibson's ERA+ is 258, sixth highest since 1900. 1968 was the last year that Major League Baseball employed the use of a pitcher's mound greater than 10 inches.