Abraham (Abe) Ajay (1919–1998) was an artist who was best known for his artistic contributions for New Masses magazine during the late 1930s and early 1940s. and also for his creative use of reliefs made of found objects during the 1960s and beyond.Abraham Ajay was born in Altoona, Pennsylvania in 1919 to Syrian immigrant parents. Ajay grew up working at his father’s candy store and bar in Altoona until he graduated from high school. From an early age, Ajay had a passion for art and sought to harness his artistic abilities when he made the decision to move to New York City to study at the Art Students League of New York, and the American Artists School in Manhattan.
While studying in New York, Ajay became close friends with Ad Reinhardt, the art director for the left-wing culture magazine New Masses, who inspired him to begin working for the magazine. Ajay’s contributions during the late 1930s and early 1940s to New Masses were significant. Along with Reinhardt, Ajay helped to shape the artistic direction of New Masses during a period where the magazine incurred financial hardships. Ajay’s contributions of covers and cartoons helped to give New Masses a strong artistic presence despite the overall decline of the magazine during the period. A lack of funding helped precipitate Ajay’s departure from New Masses and as the years went on, his support for Communism waned.
I think a man said it best
when he said nothing at all,
As he looked out the window
the rain began to fall,
he pointed up to the sky
and I looked down in shame
Across an open plain
I began to understand
his unusual plan
It was then that she said to me
there's no way that it's suppose to be
She took my hand and said follow me
as we desended into eternityShe pointed up to the sky
and I looked down in shame
under a burning flame
I began to understand
his unusual plan
Everyone is something