Aag (2007 film)

Aag (Fire) is a 2007 Indian action-drama film directed by Ram Gopal Varma. It was an unauthorised remake of the 1975 film Sholay. The Delhi High Court fined Ram Gopal Varma ₹10 lakh (US$15,000) for the "deliberate act" of copyright infringement and passing off of the 1975 Indian film Sholay. The remake features Amitabh Bachchan, Mohanlal, Ajay Devgan, Prashant Raj Sachdev, Sushmita Sen and J. D. Chakravarthy. The film received negative reviews upon release and performed poorly at the box office.

Synopsis

Nasik-based Heerendra Dhaan (Ajay Devgan) and Raj Ranade (Prashant Raj Sachdev) are bodyguards of a politician but, after their employer is implicated in a scam, they end up assaulting a police officer and flee to Mumbai. Once there they meet with Rambhabhai (Rajpal Yadav), who in turn, gets them employed with a gangster named Shambhu. After a short while the duo are apprehended by Police Inspector Narsimha, questioned, and after they agree to cooperate to bring down Shambhu, are let go. The two succeed in assisting the police arrest Shambhu, but they themselves are arrested, tried in Court, and sentenced to a year in jail.

AAG

AAG may refer to:

Business

Film and television

Medicine

Organizations

Technology

Transportation

AAG (1900 automobile)

AAG was the brand name of a German automobile company which offered only one car, a 5 hp (4 kW) voiturette designed by one Professor Klingenberg and manufactured between 1900 and 1901. The company factory was bought by the politician Emil Rathenau, also the head of the AEG Group. He renamed it to the Neue Automobil Gesellschaft (NAG for short), and the company produced cars until 1934.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.