ATLiens is the second studio album by American hip hop duo OutKast, released on August 27, 1996, by LaFace Records. The duo wanted to improve on their 1994 debut album Southernplayalisticadillacmuzik and gain respect for their growing Southern hip hop scene. OutKast recorded ATLiens in sessions at several Atlanta studios—Bosstown Recording Studios, Doppler Recording Studios, PatchWerk Recording Studio, Purple Dragon Studios, and Studio LaCoCo—as well as Chung King Recording Studio and Sound On Sound Recording in New York City.
The record features outer space-inspired production sounds, with OutKast and producers Organized Noize incorporating elements of dub, reggae, and gospel into the compositions. Several songs feature the duo's first attempts at producing music by themselves. Lyrically, the group discusses a wide range of topics including urban life as hustlers, existential introspection, and extraterrestrial life. The album's title is a portmanteau of "ATL" (an abbreviation of Atlanta, Georgia) and "aliens", which has been interpreted by critics as a commentary about the feeling of being isolated from American culture.
"ATLiens" is the second single from hip-hop group OutKast's second studio album of the same name. It is a double A-Side single, alongside a further track from the album, "Wheelz of Steel". Both songs were written and produced by OutKast. The song appeared on the FOX series New York Undercover. The single peaked at #35 on the Billboard Hot 100.
Well it's the M - I - crooked letter, ain't no one better
And when I'm on the microphone you best to wear your sweater
Cause I'm cooler than a polar bear's toenails
Oh hell, there he go again talkin that shit
Bend, corner's like I was a curve, I struck a nerve
And now you bout to see this Southern playa serve
I heard it's not where you're from but where you pay rent
Then I heard it's not what you make but how much you spent
you got me bent like elbows, amongst other things, nut I'm not worried
Cause when we step up in the party, like I'm out-you-scurry
So go get your fuckin' shine box, and your sack of nickles
It tickles to see you try to be like Mr. Pickles
Daddy fat sacks, B-I-G B-O-I
It's that same motherfucka that took them knuckles to your eye
And I try, to warn you not to test but you don't listen
Givin the shout out to my Uncle Donnel locked up in prison
Now throw your hands in the air
And wave 'em like you just don't care
And if you like fish and grits and all that pimp shit
Then everybody say O-Yea-yer
Now, my oral demonstration be like clitoral stimulation
to the female gender, ain't nothin better
Let me know when it's wet enough to enter
If not I'll wait, because the future of the world depends on
Therefore, if not the child we raise gon' have that nigga syndrome
Or will it know to be the hard regardless of the skintone
I really feel that if we tune it, it just might get picked on
Or will it give a fuck about what others say and get gone
The alienators cause we different keep your hands to the sky
Like Sounds of Blackness when I practice what a preach ain't no lie
I'll be the baker and the maker of the piece of my pie
Now breaker, breaker 10-4 can I get some reply?
Now everybody say...
Everyday I sit while my nigga be in school
Thinkin about the second album at the Dungeon shootin pool
Like E-S to the P-N, cuz we adjust to the beat in the zone (zone)
Honey I'm home but I'm not married
Carried a lot of problems around being fustrated
And now I'm sittin at the end of the month I just made it
Like you made the B team
And like the daddy's wife you makin the coffee
You heard the A-T-L-iens
So back the hell up off me
Softly as if I played piano in the dark
Found a way to channel my anger not to embark
The world's a stage and everybody's got to play their part
God works in mysterious ways so when he starts
the job of speakin through us we be so sincere with this here
No drugs or alcohol so I can get the signal clear as day
Put my glock away I got a stronger weapon