AMC Pacer

The AMC Pacer is a 2-door compact car that was produced in the United States by the American Motors Corporation between 1975 and 1980.

Design work began in 1971. The rounded shape and large glass area were unusual compared with the three-box designs of the era. The Pacer's width is equal to full-sized domestic vehicles at the time, and this unique design feature was promoted by AMC as "the first wide small car." The Pacer was the first modern mass-produced, U.S. automobile design using the cab forward concept.

The Pacer's rounded and aerodynamic "jellybean" styling has made it an icon of the 1970s. The May 1976 issue of Car and Driver dubbed it "The Flying Fishbowl", and it was also described as "the seventies answer to George Jetson's mode of transportation" at a time when "Detroit was still rolling out boat-sized gas guzzlers."

Design

American Motors' chief stylist Richard A. Teague began work on the Pacer in 1971, anticipating an increase in demand for smaller vehicles through the decade. The new car was designed to offer the interior room and feel of a big car that drivers of traditional domestic automobiles were accustomed to, but in a much smaller, aerodynamic, and purposefully distinctive exterior package. American Motors called it "Project Amigo" as a fresh design "featuring a body style not seen before, using the latest technology, and exceeding upcoming safety regulations."

Pacer

Pacer, PACER or Pacers may refer to:

Sports

Transportation

Pacer (album)

Pacer is an album released in October 1995 by the Amps, Kim Deal's side project from her group the Breeders, who took a break from playing together beginning in late 1994. Deal recruited two new musicians and named the group the Amps. The band recorded Pacer at several studios in the USA and in Ireland, with different engineers each time, including Steve Albini, Bryce Goggin, and John Agnello.

The album received mixed reviews, ranging from highly enthusiastic to quite dismissive. Despite radio airplay for its single, "Tipp City", Pacer did not sell well. The Amps toured in 1995 and 1996 with groups such as Sonic Youth, Guided By Voices, and Foo Fighters. In 1996, Deal changed the band's name back to the Breeders, making Pacer the Amps' only album.

Background

Kim Deal's band the Breeders released Last Splash in August 1993; the album was very successful, and its release was followed by much touring. The Breeders then took an extended break from activity. One reason was that Deal's sister Kelley, who was also in the group, was arrested on drug charges in November 1994. Member Josephine Wiggs likewise took time away from the band, although Wiggs and Deal have different memories of the circumstances surrounding this. Wiggs recalls offering to be involved if Deal's next album was going to be a Breeders record, but having the impression that Deal wanted to do a solo release; Deal remembers Wiggs declining to be part of any immediate Breeders' recording, but offering to be on the one after that.

Project PACER

Project PACER, carried out at Los Alamos National Laboratory (LANL) in the mid-1970s, explored the possibility of a fusion power system that would involve exploding small hydrogen bombs (fusion bombs)—or, as stated in a later proposal, fission bombs—inside an underground cavity. As an energy source, the system is the only fusion power system that could be demonstrated to work using existing technology. However it would also require a large, continuous supply of nuclear bombs.

The earliest references to the use of nuclear explosions for power generation date to a meeting called by Edward Teller in 1957. Among the many topics covered, the group considered power generation by exploding 1 Mt bombs in a 1,000-foot (300 m) diameter steam-filled cavity dug in granite. This led to the realization that the fissile material from the fission sections of the bombs, the "primaries", would accumulate in the chamber. Even at this early stage, physicist John Nuckolls became interested in designs of very small bombs, and ones with no fission primary at all. This work would later lead to his development of the inertial fusion energy concept.

AMC

AMC may refer to:

Film and television

Education

Finance

Medicine

AMC (Europe)

AMC is a European TV channel launched by AMC Networks International. AMC replaced the MGM Channel on 5 November 2014. AMC produced dramas Halt & Catch Fire and The Divide are among the first original series that premiered on the channel. The channel also airs films from MGM, Universal Studios, Paramount Pictures, 20th Century Fox and Sony Pictures Entertainment. The channel launched in the United Kingdom on 28 August 2015, in partnership with BT TV and branded AMC from BT.Sky customers must subscribe to 'BT Sport pack' to access the channel.

Programming

References

External links

AMC (TV channel)

AMC is an American basic cable and satellite television channel that is owned by AMC Networks. The channel primarily airs theatrically released movies, along with a limited amount of original programming. The channel's name originally stood for "American Movie Classics", but since 2003 the full name has been de-emphasized as a result of a major shift in its programming.

As of July 2015, AMC was received by approximately 94,491,000 households in the United States that subscribe to a pay television service (81.2% of U.S. households with at least one television set). In March 2015, Dish Network's Sling TV announced it would soon begin making AMC channels available to cord cutters, including AMC, BBC America, IFC, SundanceTV, and WE tv.

History

Focus on classic films (1984–2003)

American Movie Classics, as AMC was originally known, debuted on October 1, 1984 as a premium channel. Its original format focused on classic movies – largely those made prior to the 1950s – that aired during the afternoon and early evening hours in a commercial-free, generally unedited, uncut and uncolorized format. AMC was originally operated as a joint venture between Rainbow Media and cable television provider Tele-Communications Inc. (John Malone, who owned TCI and its parent Liberty Media, would launch another premium service Encore – which also originally focused on older films, mainly from the 1960s to the 1980s – seven years later in April 1991). During its early years, it was not uncommon for AMC to host a marathon of Marx Brothers films, or show classics such as the original 1925 release of The Phantom of the Opera. In 1987, the channel began to be carried on the basic cable tiers of many cable providers. By 1989, AMC was available to 39 million subscribers in the U.S.