A6, A 6 or A-6 can refer to:
Casey Crescenzo (born December 19, 1983) is a singer, songwriter, and multi-instrumentalist most notable for being the singer for the bands The Dear Hunter and The Receiving End of Sirens. He is also a producer who has worked with many other bands.
Casey's start as a musician began in the Boston music scene when a musical act, the notably established The Receiving End of Sirens approached him, offering him the opportunity to perform along with them in light of a recent falling out with former vocalist Ben Potrykus. After hearing Casey's vocal work they offered to sign him on to the band permanently, which he accepted. The band then went to work on their self-titled E.P. and found that not only could Casey sing, he could also write in a very romantic/poetic format, which gave Casey the reins to some of the writing for the five track disc, along with bassist Brendan Brown. The half-length was incredibly well received by the public and Triple Crown Records extended the band a contract in 2004, just a few weeks after declaring on their website that the band would not sign to a label because only minor labels had offered them contracts at the time.
The Réti Opening is a hypermodern chess opening whose traditional or classic method begins with the moves:
White plans to bring the d5-pawn under attack from the flank, or entice it to advance to d4 and undermine it later. White will couple this plan with a kingside fianchetto (g3 and Bg2) to create pressure on the light squares in the center.
The opening is named after Richard Réti (1889–1929), an untitled Grandmaster from Czechoslovakia. The opening is in the spirit of the hypermodernism movement that Réti championed, with the center being dominated from the wings rather than by direct occupation.
1.Nf3 develops the knight to a good square, prepares for quick castling, and prevents Black from occupying the center by 1...e5. White maintains flexibility by not committing to a particular central pawn structure, while waiting to see what Black will do. But the Réti should not be thought of as a single opening sequence, and certainly not a single opening move, but rather as an opening complex with many variations sharing common themes.
[I15:]
Uh check this out ma,
Look I didn't mean to hurt you,
But I thought we had an understanding about how it's gonna be,
You know, (Yeaah Mann!)
You roll through or I roll through, (F to the A-B)
And we just do what we do,
You know what I'm saying, (I-15)
I ain't looking for no relationship,
But I'm goin ahead let my boy Fab holla at you...
[Fabolous:]
Yeah, this is real talk,
I told you there was others,
Now we go to war like soldiers with each other,
I'm trying to let it go not hold you like a lover,
See I'm simply P-I-M-P,
So I gotta stable-a chicks,
Unable to pick,
A babe I can lick out,
And I be labelled a trick,
If you down you can roll and if you not you can stroll,
It's just that easy,
When F-A-B's here...
[I15:]
Girl you got it twisted,
You already know how I get down,
Now you out here trippin',
On some sh*t that we already talked about,
I just want to hit it,
And you said that was cool with you,
Now you here crying to me,
Saying you want to be with a player like me,
That ain't cool...
[Chorus: I15]
My bad, didn't mean you to make you want it like that,
And I hang up, and you call me right back,
It's like you don't even know how to act, (What's going on...)
My bad, baby girl we barely even friends,
I just like to smash it now and then,
Now you got me scared to hit it again,
[I15:]
Now I don't mean to hurt you,
But it's not like you didn't know,
From the beginning,
Now you saying that you can't stand to be without me,
Now girl you talking crazy,
I'm not trying to deal with you,
Gonna keep it real with you,
Shorty I don't want to be with you...
[Chorus: I15]
My bad, didn't mean you to make you want it like that,
And I hang up, and you call me right back, (Back...)
It's like you don't even know how to act, (What's going on...)
My bad, baby girl we barely even friends, (Friends...)
I just like to smash it now and then,
Now you got me scared to hit it again, (Yeah...)
[Fabolous:]
Now you know I come through every now and then,
To see how you been couple of thou' to spend,
But you knows how it goes,
Girls act like you suppose to propose... After a month,
But I choose to refuse,
I'm the kind of the man that do's what I choose,
Whenever I want,
And it's never to front,
It's just to let you know,
It's cheaper to keep her,
I'll still will let you go, girl...
[I15:]
I've lost my patience,
With these ultimatums,
Tryin' to lock me down like incarceration,
I don't cuff 'em when I grab 'em,
I thug them with the passion,
Still running from the last one,
They tugging on my ass clip,
I don't what it is, I'm cool on that "Might Be" tip,
I ain't Damon, I'm too young for a wife and kids,
I kick it "if we", like Vivica and 50,
Like Fab said simply, we P-I-M-P...
[Chorus x2: I15]
My bad, didn't mean you to make you want it like that,
And I hang up, and you call me right back,
It's like you don't even know how to act,
My bad, baby girl we barely even friends,
I just like to smash it now and then,