Allah-Rakha Rahman ( pronunciation , born A. S. Dileep Kumar on 6 January 1967) is an Indian composer, singer-songwriter, music producer, musician and philanthropist. Rahman's works are noted for integrating Eastern classical music with electronic music, world music and traditional orchestral arrangements. Among his awards are two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe, four National Film Awards, fifteen Filmfare Awards and thirteen Filmfare Awards South. Rahman's body of work for film and stage has given him the nickname of "the Mozart of Madras", and Tamil commentators and fans call him Isai Puyal (English: the Musical Storm).
In 2009, Time included Rahman on its list of the world's most influential people. The UK-based world-music magazine Songlines named him one of "Tomorrow's World Music Icons" in August 2011.
With an in-house studio (Panchathan Record Inn in Chennai) Rahman's film-scoring career began during the early 1990s with the Tamil film Roja. Working in India's film industries, international cinema and theatre, Rahman is one of the world's all-time best-selling recording artists. In a notable two-decade career, he has been acclaimed for redefining contemporary Indian film music and contributing to the success of several films. Rahman has become a notable humanitarian and philanthropist, donating and raising money for a number of causes and charities.
The Aër (Greek: Ἀήρ, lit. the "air"; modern Greek: Αέρας; Slavonic: Воздýхъ, Vozdúkh) is the largest and outermost of the veils covering the Chalice and Diskos (paten) in the Eastern Orthodox Church and the Eastern Catholic Churches which follow the Byzantine Rite. It is rectangular in shape and corresponds to the veil used to cover the chalice and paten in the Latin Rite, but is larger. It is often made of the same material and color as the vestments of the officiating priest, and often has a fringe going all the way around its edge. Tassels may also be sewn at each of the corners.
It takes its name either from the lightness of the material of which it is made, or from the fact that during the Nicene Creed in the Divine Liturgy, the priest holds it high in the air and waves it slowly over the Chalice and Diskos. Its original use was to cover the Chalice and prevent anything from falling into it before the consecration. It symbolizes the swaddling clothes with which Christ was wrapped at his Nativity, and also the grave clothes in which he was wrapped at his burial (both themes are found in the text of the Liturgy of Preparation).
Ağrı, formerly known as Karaköse (Kurdish: Qerekose) from the early Turkish republican period until 1946, and before that as Karakilisa (also rendered as Karakilise) (Ottoman: قرهکلیسا), is the capital of Ağrı Province at the eastern end of Turkey, near the border with Iran.
In the Ottoman Empire era the area was called Şorbulak. The current town centre was founded around 1860 by a group of Armenian merchants from Bitlis with the name Karakilise ("the black church") that became known to the local population as Karakise and this version was turned officially to Karaköse at the beginning of the Republican era. This name was changed to Ağrı by 1946.
In the medieval period, the district's administrative centre was located at Alashkert, once an important town. The "kara kilise" that gave the town its name was a medieval Armenian church. In 1895 Lynch stayed in Karakilise and wrote that it had between 1500-2000 inhabitants, was nearly two-thirds Armenian, and that a barracks for a locally-recruited Kurdish Hamidiyeh regiment had been recently located in the town.
Çağrı is a unisex Turkish given name. In Turkish, "Çağrı" means "The Call", "Appellation", and/or "Distinction". It also means "Falcon". Notable people with the name include:
(Baar Baar Haan, Bolo Yaar Haan
Apni Jeet Ho, Unki Haar Haan) 2
Koi Humse Jeet Na Paave
Chale Chalo, Chale Chalo
Mit Jaave Jo Takraave, Chale Chalo
Bhale Ghor Andheraa Chhaave
Chale Chalo, Chale Chalo
Koi Raah Mein Na Thaam Jaawe, Chale Chalo
Toot Gayi Jo Ungli Utthi
Paanchon Mili To Ban Gaye Mutthi
Eka Badhta Hi Jaawe
Chale Chalo, Chale Chalo
Koi Kitna Bhi Bahekaave, Chale Chalo
Koi Humse Jeet Na Paave
Chale Chalo, Chale Chalo
Mit Jaave Jo Takraave, Chale Chalo
Koi Na Ab Roke Tujhe, Toke Tujhe
Tod De Bandhan Saare
Mila Hai Kya Hoke Tujhe Nirbal, Tu Hi Bataa
Kabhi Na Dukh Jhelenge, Khelenge
Aise Ke Dushman Haare
Ke Ab To Le Lenge, Himmat Ka Rasta
Dharti Hilaa Denge, Sab Ko Dikhaa Denge
Raja Hai Kya, Parja Hai Kya, Oh Oh Oh
Hum Jag Pe Chhaayenge, Ab Yeh Bataayenge
Hum Logon Ka Darja Hai Kya, Ho Oh Oh Oh
Baar Baar Haan, Bolo Yaar Haan
Apni Jeet Ho, Unki Haar Haan
Ab Darr Nahin Mann Mein Aave
Chale Chalo, Chale Chalo
Har Bedi Ab Khul Jaave, Chale Chalo
Chalaa Hi Chal, Haanf Nahin, Kaanp Nahin
Raah Mein Ab To Raahi
Thakan Ka Saanp Nahin Ab Tujhe Dasne Paaye
Vohi Jo Tera Haaqim Hai, Jaalim Hai
Ki Hai Jisne Tabaahi
Ghar Uska Pachhim Hai, Yahan Na Bas Mein Paaye
Dharti Hilaa Denge, Sab Ko Dikhaa Denge
Raja Hai Kya, Parja Hai Kya, Oh Oh Oh
Hum Jag Pe Chhaayenge, Ab Yeh Bataayenge
Hum Logon Ka Darja Hai Kya, Ho Oh Oh Oh
Jo Hona Hai, Ho Jaave
Chale Chalo, Chale Chalo
Ab Sar Na Koi Jhukaave, Chale Chalo
Koi Humse Jeet Na Paave
Chale Chalo, Chale Chalo
Mit Jaave Jo Takraave, Chale Chalo
Baar Baar Haan, Bolo Yaar Haan
Apni Jeet Ho, Unki Haar Haan
(Toot Gayi Jo Ungli Utthi
Paanchon Mili To Ban Gaye Mutthi)