8-track or eight-track may refer to:
Multitrack recording (MTR)—also known as multitracking, double tracking, or tracking—is a method of sound recording that allows for the separate recording of multiple sound sources or sound sources recorded at different times to create a cohesive whole. Multitracking became possible with in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same tape was developed. A "track" was simply a different channel recorded to its own discrete area on tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
Multitrack recording was a significant technical improvement in the sound recording process, because it allowed studio engineers to record all of the instruments and vocals for a piece of music separately. This allowed the engineer to adjust the levels and tone of each individual track, and if necessary, redo certain tracks or overdub parts of the track to correct errors or get a better "take." As well, different electronic effects such as reverb could be applied to specific tracks. Multitrack recording was more than a technical innovation; it also enabled record producers to create new sounds that would be impossible to create outside the studio, such as a lead singer adding many harmony vocals with their own voice to his own lead vocal part, or an electric guitar player playing many harmony parts along with their own guitar solo.
Track or Tracks may refer to:
A song is a single (and often standalone) work of music intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Written words created specifically for music or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs in a simple style that are learned informally are often referred to as folk songs. Songs that are composed for professional singers are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers and lyricists. Art songs are composed by trained classical composers for concert performances. Songs are performed live and recorded. Songs may also appear in plays, musical theatre, stage shows of any form, and within operas.
A trail is usually a path, track or unpaved lane or road, though the term is also applied, in North America, to routes along rivers, and sometimes to highways. In the United Kingdom and the Republic of Ireland path or footpath is the preferred term for a walking trail. Some trails are single use and can only be used for walking, cycling, horse riding, snow shoeing, cross-country skiing, etc., others, as in the case of a bridleway in the UK, are multi-use, and can be used by walkers, cyclists and equestrians.
There are also unpaved trails used by dirt bikes and other off road vehicles. In some places, like the Alps, trails are used for moving cattle and other livestock (see transhumance). In the US historically, the term was used for a route into or through wild territory used by emigrants (e.g. the Oregon Trail).
In Australia, the term track can be used interchangeably with trail, and can refer to anything from a dirt road to an unpaved pedestrian path. The term trail gained popularity during World War II, when many servicemen from the United States were stationed in Australia, which probably influenced its being adopted by elements of the Australian media at the time (see Kokoda Track).
She pours like red wine
Into me
She crawls like green vine
Wraps around me endlessly
She floats above me
Without strings
She tries to love me
As she loves everything
Yeah, I really believe she tries to love me
But in the meantime
Baby's got an 8 track mind
Baby's got an 8 track mind
Baby's got an 8 track mind
And I'm number, I'm number...
She plays her records
In the sun
She's warping my mind
Likes to keep me on the run
She burns her candles
In my hand
She wants to know me
Doesn't want to understand
Yeah, I really believe she wants to know me
In the meantime
Baby's got an 8 track mind
Baby's got an 8 track mind
Baby's got an 8 track mind
And I'm number 9
I'm number 9
(solo)
Baby's got an 8 track mind
Baby's got an 8 track mind
Baby's got an 8 track mind
And I'm number 9
I'm number 9
I'm number 9
I'm number 9 (aah)
Oh, oh, oh, oh (hah-oh, hah-oh, hah-oh, hah-oh)