Piano

The piano (Italian pronunciation: [ˈpjaːno]; an abbreviation of pianoforte [pjanoˈfɔrte]) is a musical instrument played using a keyboard. It is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, and for composing and rehearsal. Although the piano is not portable and often expensive, its versatility and ubiquity have made it one of the world's most familiar musical instruments.

An acoustic piano usually has a protective wooden case surrounding the soundboard and metal strings, and a row of 88 black and white keys (52 white, 36 black). The strings are sounded when the keys are pressed, and silenced when the keys are released. The note can be sustained, even when the keys are released, by the use of pedals.

Pressing a key on the piano's keyboard causes a padded (often with felt) hammer to strike strings. The hammer rebounds, and the strings continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air. When the key is released, a damper stops the strings' vibration, ending the sound. Although an acoustic piano has strings, it is usually classified as a percussion instrument because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel-Sachs system of instrument classification, pianos are considered chordophones. With technological advances, electric, electronic, and digital pianos have also been developed.

Dynamics (music)

In music, dynamics are instructions in musical notation to the performer about hearing the loudness of a note or phrase. More generally, dynamics may also include other aspects of the execution of a given piece.

Relative loudness

The two basic dynamic indications in music are:

More subtle degrees of loudness or softness are indicated by:

Beyond f and p, there are also

And so on.

Some pieces contain dynamic designations with more than three f's or p's. In Holst's The Planets, ffff occurs twice in Mars and once in Uranus often punctuated by organ and fff occurs several times throughout the work. It also appears in Heitor Villa-Lobos' Bachianas Brasileiras No. 4 (Prelude), and in Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam". The Norman Dello Joio Suite for Piano ends with a crescendo to a ffff, and Tchaikovsky indicated a bassoon solo pppppp in his Pathétique Symphony and ffff in passages of his 1812 Overture and the 2nd movement of his Fifth Symphony.

Piano (Wynton Kelly album)

Piano, also released as Whisper Not, is an album by jazz pianist Wynton Kelly released on the Riverside label featuring performances by Kelly with Kenny Burrell, Paul Chambers, and Philly Joe Jones recorded in 1958.

Reception

The Allmusic review by Scott Yanow states "Kelly became a major influence on pianists of the 1960s and 1970s and one can hear the genesis of many other players in these swinging performances".

Track listing

Personnel

References

Hex

Hex or HEX may refer to:

Computers and technology

Pennsylvania Dutch

Entertainment

Television and film

Hex (comics)

Hex, in comics, may refer to:

It may also refer to:

See also

References

Hex (climbing)

A hex is an item of rock climbing equipment used to protect climbers from injury during a fall. They are intended to be wedged into a crack or other opening in the rock, and do not require a hammer to place. They were developed as an alternative to pitons, which are hammered into cracks and are more prone to damage the rock. Most commonly, a carabiner will be used to join the hex to the climbing rope by means of a loop of webbing, cord or a cable which is part of the hex.

Hexes are a type of nut, a hollow eccentric hexagonal prism with tapered ends, usually threaded with webbing, a swaged cable, or a cord. They are manufactured by several firms, with a range of sizes varying from about 10–100 millimetres (0.4–4 in) wide. Climbers select a range of sizes to use on a specific climb based on the characteristics of the cracks in the rock encountered on that particular climb. Sides may be straight or curved although the functioning principles remain the same no matter which shape is selected; the lack of sharp corners on curved models may make them easier to remove from the rock.