“During the 60s,” he says, “the figurative artists in New York, who were working in sculpture, [George] Segal for example, there were echoes of surrealism, so it might be a real bicycle, but the figure was always in plaster.
Brenden Pelton drank from a melting ice sculpture that doubled as a funnel for one’s desired beverage. He appreciated the how organizers “summoned their inner-leprechaun” and propped the sculpture with boards and tape to keep the festivities alive.
“Shirin Neshat... They are a great counterpart.” ... Ms ... Halloran ... Mr ... Yankowitz has consistently pushed against boundaries, starting in the ‘60s when she created a series of unstretched canvases that blurred the line between painting, sculpture, and textiles.