Channel 44, also known as C44, is a free-to-air community television channel in Adelaide, South Australia. C44 features locally and nationally made content and has been broadcasting since 23 April 2004. Previously known as C31 when on analogue television, C44 made the switch to digital on 5 November 2010 and switched off its analogue signal on 31 May 2012.
Before C44, Adelaide's community television station was ACE TV, run by Adelaide Community and Education Television Inc. ACE TV held a temporary licence from May 1994 until December 2002, when it was cancelled due to breaches of its licence conditions. ACE TV had its last broadcast in May 2002.
The station was originally launched as C31 Adelaide (C31) on 23 April 2004 on analogue channel 31. In 2004, most community TV services in capital cities received permanent licences from the Australian Communications and Media Authority (ACMA). However, the process for allocating a permanent licence in Adelaide, which began in 2004, was terminated in mid-2006; the two prospective applicants (of which C31 was one) were declined for different reasons.
Adelaide or l'Adelaide is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672.
The genre of the opera is dramma per musica. The libretto follows the same historical events as Handel's later Lotario.
The story takes place in 951 AD, when, after the death of her husband Lothair II of Italy, Adelaide of Italy is forced to marry Adalbert of Italy by his father, Berengar II of Italy.
"Adelaide", Op. 46, (German pronunciation: [aːdəlaːˈiːdə]) is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831).
During the period he created "Adelaide", Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. He had only recently completed his studies with Joseph Haydn. A. Peter Brown suggests that in writing "Adelaide," Beethoven was strongly influenced by Haydn's song "O Tuneful Voice" (Hob. XXVIa:42, c. 1795), written by the elder composer shortly before. Like "Adelaide", "O Tuneful Voice" sets a love poem, is in moderate tempo with a steady triplet accompaniment, and wanders from key to key in its middle section.
In composing "Adelaide" Beethoven made many sketches.Barry Cooper assigns the work of composition to "an unusually long time during 1794, 1795, and perhaps 1796." The song was published by Artaria in Vienna; the first edition bears no date, but an advertisement for it appeared 8 February 1797 in the Wiener Zeitung.
The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).
It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert’s catalogue. The works contained in this list refer to those found primarily in the following two series of the Neue Schubert-Ausgabe (NSA) edition:
Note however that some of Schubert's song cycles contain both Lieder and part songs.
The list below includes the following information:
It got to resembling a vaudeville show, the show of shows, such comedy =
unserpassed as juvenile theatrics go, but who am I to tell you to =
contain yourself? And who are you to tell me to control it? When we both =
have prepared so carefully. One day you'll know we never meant eachother =
harm in any way, one day you'll know we never meant eachother sorrow, =
gotta keep my distance. I keep sifting through the loot to find the =
stairs, this business burning to the ground, I can't look back my =
hindsight seems to be impared, my outlook has no holds to see out. It's =
starting to hurt when I open my arms too wide, a milky white haze =
invades my vision, my lungs are heavy with your presence as if you were =
standing right behind me, and I can't bring myself to turn around, gotta =
keep my distance.