433 Eros is an S-type near-Earth asteroid approximately 34.4×11.2×11.2 kilometres (21.4×7.0×7.0 mi) in size, the second-largest near-Earth asteroid after 1036 Ganymed. It was discovered in 1898 and was the first near-Earth asteroid discovered. It was the first asteroid orbited by an Earth probe (in 2000). It belongs to the Amor group.
Eros is a Mars-crosser asteroid, the first known to come within the orbit of Mars. Objects in such an orbit can remain there for only a few hundred million years before the orbit is perturbed by gravitational interactions. Dynamical integrations suggest that Eros may evolve into an Earth-crosser within as short an interval as two million years, and has a roughly 50% chance of doing so over a time scale of 108–109 years. It is a potential Earth impactor, comparable in size to the impactor that created Chicxulub crater and led to the extinction of the dinosaurs.
The NEAR Shoemaker probe visited Eros twice, first with a 1998 flyby, and then by orbiting it in 2000 when it extensively photographed its surface. On February 12, 2001, at the end of its mission, it landed on the asteroid's surface using its maneuvering jets.
In Greek mythology, Eros (/ˈɪərɒs/ or US /ˈɛrɒs/, /ˈɛroʊs/;Greek: Ἔρως, "Desire") was the Greek god of love. His Roman counterpart was Cupid ("desire"). Some myths make him a primordial god, while in other myths, he is the son of Aphrodite. He was one of the winged love gods, Erotes.
Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. But in later sources, Eros is represented as the son of Aphrodite, whose mischievous interventions in the affairs of gods and mortals cause bonds of love to form, often illicitly. Ultimately, in the later satirical poets, he is represented as a blindfolded child, the precursor to the chubby Renaissance Cupid, whereas in early Greek poetry and art, Eros was depicted as an adult male who embodies sexual power, and a profound artist.
EROS (The Extremely Reliable Operating System) is an operating system developed beginning in 1991 by The EROS Group, LLC., the Johns Hopkins University, and the University of Pennsylvania. Features include automatic data and process persistence, some preliminary real-time support, and capability-based security. EROS is purely a research operating system, and was never deployed in real world use. As of 2005, development has stopped in favor of two successor systems, CapROS and Coyotos.
The overriding goal of the EROS system (and its relatives) is to provide strong support at the operating system level for the efficient restructuring of critical applications into small communicating components. Each component can communicate with the others only through protected interfaces, and is isolated from the rest of the system. A "protected interface", in this context, is one that is enforced by the lowest level part of the operating system (the kernel). The kernel is the only portion of the system that can move information from one process to another. It also has complete control of the machine and (if properly constructed) cannot be bypassed. In EROS, the kernel-provided mechanism by which one component names and invokes the services of another is capabilities using inter-process communication (IPC). By enforcing capability-protected interfaces, the kernel ensures that all communications to a process arrive via an intentionally exported interface. It also ensures that no invocation is possible unless the invoking component holds a valid capability to the invokee. Protection in capability systems is achieved by restricting the propagation of capabilities from one component to another, often through a security policy known as confinement.
The Shaftesbury Memorial Fountain is located at the southeastern side of Piccadilly Circus in London, United Kingdom. Moved after World War II from its original position in the centre, it was erected in 1892–1893 to commemorate the philanthropic works of Lord Shaftesbury, who was a famous Victorian politician and philanthropist.
The monument is surmounted by Alfred Gilbert's winged nude statue generally known as Eros. This has been called "London's most famous work of sculpture"; a graphical illustration of it is used as the symbol of the Evening Standard newspaper and appears on its masthead. It was the first sculpture in the world to be cast in aluminium and is set on a bronze fountain, which itself inspired the marine motifs that Gilbert carved on the statue.
The use of a nude figure on a public monument was controversial at the time of its construction, but it was generally well received by the public. The Magazine of Art described it as "...a striking contrast to the dull ugliness of the generality of our street sculpture, ... a work which, while beautifying one of our hitherto desolate open spaces, should do much towards the elevation of public taste in the direction of decorative sculpture, and serve freedom for the metropolis from any further additions of the old order of monumental monstrosities."
You and I share the same reflection
why dont you see that we cannot survive in this condition
If you're cut, I'll bleed
So go on carve into your own heart, I could use a new scar or a brand new start
Slowly severing the only memories that bind us as one.
I just dont know
How to win with you
And I cant let go, part of me is you.
We have lost all communication when words fall on deaf ears
I'm starting to feel a transformation.
How did I get here?
I dont recognize my own reflection its a ghost of what once was
Gone from relative to stranger, separating body from mind
I just dont know
How to win with you
And I cant let go, part of me is you.
You stay the same
Allowing me to change
I just dont know
How to win with you
I cant let go, part of me is you.
I just dont know, just dont know.
I cant let go, cant let go.