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Tabu (pronounced [ˈtapu]; also called Tabu, a Story of the South Seas) is a 1931 silent film directed by F.W. Murnau, a docufiction. The film is split into two chapters, the first called "Paradise" depicts the lives of two lovers on a South Seas island until they are forced to escape the island when the girl is chosen as a holy maid to the gods. The second chapter, "Paradise Lost", depicts the couple's life on a colonised island and how they adapt to and are exploited by Western civilisation. The title of the film comes from the Polynesian concept of tapu (spelled tabu in Tongan before 1943), from which is derived the English word "taboo."
The film's story was written by Robert J. Flaherty and F.W. Murnau; with the exception of the opening scene, the film was directed solely by Murnau. This was his last film; he died in the hospital after an automobile accident on March 11, 1931, a week before the film's premiere in New York.
Cinematographer Floyd Crosby won an Academy Award for Best Cinematography for his work on this film. In 1994, Tabu was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Tabu is a 2012 Portuguese independent drama film in the style of a black-and-white film directed by Miguel Gomes, the title of which references F. W. Murnau's silent film of the same name, Tabu.
The film competed at the 62nd Berlin International Film Festival, where it won the Alfred Bauer Award (Silver Bear for a feature film that opens new perspectives) and The International Federation of Film Critics (FIPRESCI) prizes.Sight & Sound film magazine listed it at #2 on its list of best films of 2012.
Tabu is the Portuguese film with the widest international distribution as of 2012 and the fifth from Portugal to be commercially released in New York (Film Forum, December 2012), after The Art of Amalia by Bruno de Almeida (2000, Quad Cinema), O Fantasma by João Pedro Rodrigues (2003, IFC Center) and, in 2011, The Strange Case of Angelica by Manoel de Oliveira (IFC Center) and Mists by Ricardo Costa (Quad Cinema).
The film takes place shortly before the Portuguese Colonial War began.
There's war in the heavens
Rebellion on high
the son of the morning
Descends from a black sky
Severed and broken
His wings burned to dust
His coverings of diamonds and gold
In a moment in time dissolve to rust
Thunder and lightning
Shatter the night
The dragon of darkness
Appears cursed by the keeper of the light
The dark is chosen
The scroll has been sealed
Hidden in verses of prophets
His face is revealed
Songs of glory
Shout across the land
I can take you there
Child of mine, take my hand
Down through the ages
The story's been told
The daughter of wisdom
Beguiled by the serpent of old
Born into sin in a valley of thorns
Torn from enchantment and
Tossed into the eye of the storm
Heaven's garden
Made by God for man
This is paradise
Child of mine, take my hand
Glory to glory
Sin after sin
The rider of death
Pushes on to the place where
The battle must begin
Songs of glory
Shout across the land
This is paradise
Won't you take my hand
Heaven's garden
Made by God for man
This is paradise
Child of mine, take my hand
Oh, take my hand