Negative pulldown is the manner in which an image is exposed on a film stock, described in the number of film perforations spanned by an individual frame. It can also describe the orientation of the image on the negative, whether it is captured horizontally or vertically. Changing the number of exposed perforations allows a cinematographer to change both the aspect ratio of the image and the size of the area on the film stock that the image occupies (which affects image clarity).
The most common film pulldowns for 35 mm film are 4-perf and 3-perf, the latter of which is usually used in conjunction with Super 35. 2-perf, used in Techniscope in the 1960s, is enjoying a slight resurgence due to the birth of digital intermediate techniques eliminating the need for optical lab work. Vertical pulldown is overwhelmingly the dominant axis of motion in cinematography, although horizontal pulldown is used in IMAX, VistaVision (still in use for some visual effects work), and in 35 mm consumer and professional still cameras.
There’s something coming
And its coming for you
The mob is restless
Looking for something new
You lead us here
With an eternal promise
The gallows are calling
For you to pay for this
Now that we’re left here on our own
There is nowhere left to turn
Who will see me through?
Your heroes are dead
They were all in you head
When nothing is left we’ll start again
What fitting ends
To our fearless fathers
The cost of treason
Isn't paid in dollars
With nothing left
There is nothing to lose
We’ll watch the city gates
Falling all around you
You said id never make it
That I could only fail
But I'm the one who’s standing
And what has happened to you?
Now that we’ve said goodbye to you
We’ve started something new
Your heroes are gone
They left with the dawn