Grip may refer to:
In the U.S. and Canada, grips are lighting and rigging technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions. The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second main function of grips is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.
In the UK, Australia and most parts of Europe, grips are not involved in lighting. In the "British System", adopted throughout Europe and the British Commonwealth (excluding Canada), a grip is solely responsible for camera mounting and support.
The term "grip" is from the early era of the circus. From there it was used in vaudeville and then in today's film sound stages and sets. Some have suggested the name comes from the 1930s–40s slang term for a tool bag or "grip" that these technicians use to carry their tools. Another theory is that in the days of hand-cranked cameras, it was necessary for a few burly men to hang on to the tripod legs to stop excessive movement of the camera. These men became known as the "good grips"—as they were constantly being instructed to "keep a good grip on the tripod".
Grips are devices that are worn on the hands of artistic gymnasts when performing on various gymnastics apparatus. They are worn by female gymnasts on the uneven bars, and by male gymnasts on the high bar, and still rings; is rarely seen that a male gymnast uses grips for parallel bars. They are used to enhance the gymnast's grip on the apparatus, and also to reduce (but not eliminate) the friction that can cause painful blisters and rips, in which outer layers of skin separate and tear away from the hand.
Grips are optional and are not used by all gymnasts. Some athletes substitute sports tape or gauze for grips, while others use bare hands. Gymnasts typically apply powdered chalk (typically magnesium carbonate) to their grips, or to their hands if not using grips.
A grip consists of a wide strip of leather joined to a wrist strap. The leather strip, which covers and protects the palm of the hand, is approximately five centimeters wide and has finger holes at one end. On properly fitted grips, the finger holes will be positioned at the first knuckles of the inserted fingers.
Eyes are the organs of vision. They detect light and convert it into electro-chemical impulses in neurons. In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods.
The simplest "eyes", such as those in microorganisms, do nothing but detect whether the surroundings are light or dark, which is sufficient for the entrainment of circadian rhythms. From more complex eyes, retinal photosensitive ganglion cells send signals along the retinohypothalamic tract to the suprachiasmatic nuclei to effect circadian adjustment and to the pretectal area to control the pupillary light reflex.
For the Toronto-based weekly see Eye Weekly.
Eye magazine, the international review of graphic design, is a quarterly print magazine on graphic design and visual culture.
First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990-1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1-26, Nick Bell was art director from issues 27-57, and Simon Esterson has been art director since issue 58.
Frequent contributors include Phil Baines, Steven Heller, Steve Hare, Richard Hollis, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O’Reilly, Rick Poynor, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson and many others.
Other contributors have included Nick Bell (creative director from issues 27-57), Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson (art director since issue 58), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.
An eye is an organ of vision.
Eye, The Eye or EYE may also refer to:
Using a special code he accessed his mind
In search of the reason why
In passion and fashion he began travelin' time
3rd eye, 3rd eye, 3rd eye
The serpent approves
Then appears between Adam's thighs
And he tries 2 release upon Eve the nectar
The injector tries
He tries, he tries, he tries
So abduction complete
All stand on their feet
Look at one another and cry
What have we done?
Could this be the fun
On the dotted line 4 which I did sign?
Oh yeah
I resign from the notion
Cuz yours was the potion
That I'm supposed 2 die 4
I resign
In self-pity so dark
This shitty and stark
Realization is all that will soothe
Ultimately the only one
That can save U is U
Your God is inside and 4 that God U will do
Whatever it takes
If nothing else is true
The only one that can save U is U, yeah