Yam or YAM may refer to:
Yam, Yamm, or Yammu was a Levantine sea and river god, popular in the Bronze and Early Iron Ages.
Yam, from the Canaanite word Yam (Hebrew: ים) meaning "Sea", also written Yaw, is one name of the Ugaritic god of Rivers and Sea. Also titled Judge Nahar ("Judge River"), he is also one of the 'ilhm (Elohim) or sons of El, the name given to the Levantine pantheon. Others dispute the existence of the alternative names, claiming it is a mistranslation of a damaged tablet. Despite linguistic overlap, theologically this god is not a part of the later subregional monotheistic theology, but rather is part of a broader and archaic Levantine polytheism.
Yam is the deity of the primordial chaos and represents the power of the sea, untamed and raging; he is seen as ruling storms and the disasters they wreak. The gods cast out Yam from the heavenly mountain Sappan (modern Jebel Aqra; Sappan is cognate to Tsephon). The seven-headed dragon Lotan is associated closely with him and he is often described as the serpent. He is the Canaanite equivalent of the Sumerian Tiamat, the primordial mother goddess.
Yam (Mongolian: Өртөө, Örtöö, checkpoint) is a supply point route messenger system employed and extensively used and expanded by Genghis Khan and used by subsequent Great Khans and Khans.
Relay stations were used to give food, shelter and spare horses for Mongol army messengers. Genghis Khan gave special attention to Yam because Mongol armies traveled very fast, so their messengers had to be even faster, covering 200–300 km per day. The system was used to speed up the process of information and intelligence.
The system was preserved in Russian Tsardom after the disintegration of the Golden Horde.
The Yam operated with a chain of relay stations at certain distances to each other, usually around 140 miles or 200 kilometers. Messengers for example would go to the next relay station and give the information to the second messenger and rest and let the second messenger go to the third relay station to hand the document to the third messenger. This way information or documents were constantly on the move without each messenger getting tired. In each relay station there would be spare horses, food, and shelter.
Biologically, a child (plural: children) is a human between the stages of birth and puberty. The legal definition of child generally refers to a minor, otherwise known as a person younger than the age of majority.
Child may also describe a relationship with a parent (such as sons and daughters of any age) or, metaphorically, an authority figure, or signify group membership in a clan, tribe, or religion; it can also signify being strongly affected by a specific time, place, or circumstance, as in "a child of nature" or "a child of the Sixties".
There are many social issues that affect children, such as childhood education, bullying, child poverty, dysfunctional families, child labor, and in developing countries, hunger. Children can be raised by parents, by fosterers, guardians or partially raised in a day care center.
The United Nations Convention on the Rights of the Child defines child as "a human being below the age of 18 years unless under the law applicable to the child, majority is attained earlier". This is ratified by 192 of 194 member countries. In U.S. Immigration Law, a child refers to anyone who is under the age of 21.
Children... (Hangul: 아이들; RR: Aideul) is a 2011 South Korean film, based on a true story about an unsolved murder case.
On March 26, 1991, five boys went to Mount Waryong to catch frogs but never returned. Eleven years later, police discover the bodies of the five children, and television producer Kang Ji-seung tries to solve the mystery.
The film was released on February 17, 2011 and netted a total of 1,867,736 admissions nationwide.
Children is the eighth album by David Murray to be released on the Italian Black Saint label. It was released in 1984 and features performances by Murray, James "Blood" Ulmer, Don Pullen, Lonnie Plaxico and Marvin "Smitty" Smith.
The album was identified by Chris Kelsey in his Allmusic essay "Free Jazz: A Subjective History" as one of the 20 Essential Free Jazz Albums.
The Allmusic review by Scott Yanow awarded the album 4 stars stating "The somewhat noisy performances are pretty spontaneous and, thanks to Pullen's rhythmic style, a little more accessible than one might expect, despite being quite adventurous.".