30 Days is a 2006 Nigerian action thriller film written and directed by Mildred Okwo. The film received 10 nominations at the Africa Movie Academy Awards in 2008.
Thirty Days or 30 Days may refer to:
"30 Days" is a song by English-Irish girl group The Saturdays. It was released as the lead single from their fourth studio album, Living for the Weekend (2013). The single is their thirteenth release. It was released on 14 May 2012 in the UK and on 11 May 2012 in Ireland. The single debuted at number seven on UK Singles Chart, confirmed by the Official Charts Company.
Rochelle Wiseman explained the concept of the single, "It’s a really amazing, catchy song but the sentiment behind it is being all excited and counting down the days to seeing someone when you’ve really been missing that person."
The single premiered live on BBC Radio 1 on "The Chris Moyles Show" on 30 March 2012. The song was released on 11 May 2012 in Ireland and 14 May 2012 in the United Kingdom.
Run–D.M.C. is the debut studio album of American hip hop group Run–D.M.C.. Produced in 1984, it was considered groundbreaking for its time, presenting a harder, more aggressive form of hip hop. The album's sparse beats and aggressive rhymes were in sharp contrast with the light, funky sound that was popular in hip hop at the time. With the album, the group has been regarded by music writers as pioneering the movement of new school hip hop of the early 1980s. The album was reissued as a "Deluxe Edition" in 2005 with four bonus tracks.
Debby Miller of Rolling Stone complimented Run–D.M.C.'s boasts about "messages that self-improvement is the only ticket out" and viewed their style as a departure from most hip hop acts at the time, stating "they get into a vocal tug of war that's completely different from the straightforward delivery of the Furious Five's Melle Mel or the everybody-takes-a-verse approach of groups like Sequence. And the music [...] that backs these tracks is surprisingly varied, for all its bare bones". In his consumer guide for The Village Voice, critic Robert Christgau gave the album an A- rating and described it as "easily the canniest and most formally sustained rap album ever, a tour de force I trust will be studied by all manner of creative downtowners and racially enlightened Englishmen". Christgau commented on the group's "heavy staccato and proud disdain for melody", writing that "the style has been in the New York air long enough that you may understand it better than you think".